Oral history interview with Edith Fernandez conducted by Marcela Rodriguez-Campo and Claytee D. White on September 27, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Fernandez discusses her upbringing in Las Vegas, Nevada and growing up in the Charleston Heights neighborhood. She recalls living in a predominantly white community, and the growth of Latinx families in that area. Fernandez talks about her educational experience in the city, her father's involvement with Culinary Worker Union Local 226, and identifying as a Chicana American. Later, Fernandez remembers her involvement with opening the Cambridge Center, working with the Latino Youth Leadership Conference (LVLC), and becoming the District Director for Representative Steven Horsford. Lastly, Fernandez discusses her role as the Associate Vice President at Nevada State College (NSC).
Oral history interview with Tony F. Sanchez III conducted by Barbara Tabach and Claytee D. White on August 31, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Sanchez describes his role as the Senior Vice President of NV Energy, and his past experience working for Senator Richard Bryan. He discusses his educational background as a University of Nevada, Las Vegas (UNLV) graduate and attending Arizona State University Law School. Sanchez also describes his role as a past president of Latin Chamber of Commerce in Las Vegas, Nevada.
On March 25, 1978, Kim Geary interviewed Joan Johnson (born 1911 in Oklahoma) in her home in Las Vegas, Nevada. The two discuss Joan Johnson’s personal history and her reasons for originally moving to Las Vegas. Johnson recalls early Las Vegas entertainment, as well as the development of businesses and their unions.
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
The Southern Nevada Jewish Heritage Project Community Collection is comprised of organizational records, photographs, event programs, and ephemera donated by members of the Southern Nevada Jewish community as part of the University of Nevada, Las Vegas University Libraries’ Southern Nevada Jewish Heritage Project. Materials document the history of the Jewish community and Southern Nevada from 1941 to 2017. The collection provides information about family life, religious rituals, community events, and local businesses and organizations.
The Southern Nevada Daughters of the American Revolution Records primarily document the activities of three Southern Nevada chapters of the National Society Daughters of the American Revolution from 1950 to 2024. The materials center around the records of three chapters from Southern Nevada: Old Spanish Trail, Francisco Garces, and Valley of Fire. Materials include administrative records, scrapbooks, photographs, news clippings, and correspondence about the activities of the Daughters of the American Revolution chapters. Mateirals also include some records and scrapbooks from the Nevada State Society of DAR.
The Kiel Ranch Preservation Committee Records (1973-2005) document the activities of the North Las Vegas Bicentennial Committee (1973-1976) and its successor, the Advisory Board for Kiel Ranch (1978-1995), in their efforts to restore Kiel Ranch, one of the earliest non-indigenous settlement sites in the Las Vegas, Nevada area. The collection contains various official reports on Kiel Ranch, proposals on how to restore Kiel Ranch, chronological files for each year of the project, and newspaper clippings on the status of Kiel Ranch.