Oral history interview with Lindsay Wenger conducted by Barbara Tabach on March 13, 2018 for the Remembering 1 October Oral History Project. In this interview, Lindsay Wenger discusses her move to Las Vegas, Nevada in 2013 for her residency at the University Medical Center of Southern Nevada (UMC). She talks about her experience on the night of the October 1, 2017 mass shooting and recalls a few specific patients she treated throughout the night and into the morning. After discussing the events at the hospital, she explains how she has been emotionally affected and how her view of Las Vegas as a community has changed.
The Fallman Family Papers (approximately 1950-2005) consist of correspondence, newspaper clippings, photographic prints and slides, scrapbooks, and pamphlets from James and Ima Fallman and their daughter, Janice. The correspondence primarily relates to James and Ima Fallman and chronicles Ima's involvement with the Francisco Garces chapter of the Daughters of the American Revolution (DAR), James's work as a bartender in Las Vegas, Nevada, and awards he received during World War II. The newspaper clippings mention either James Fallman or his daughter, Janice, and her involvement with the Las Vegas High School Rhythmettes dance team. The majority of materials from Janice describe her school days at Las Vegas High School and events participated in as a child and young adult.
From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.
Oral history interview with Jean Munson conducted by Vanessa Concepcion, Cecilia Winchell, and Stefani Evans on November 30, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Jean discusses her childhood growing up in Guam, the nursing career path of her parents, and her decision to pursue an "unconventional path" as a comic book artist. She talks about her education at the University of Nevada, Las Vegas, her passion for the Asian American Pacific Islander (AAPI) community within Las Vegas, and her roles in community activism and leadership. Jean also shares her current pursuits as a podcaster of Bruha Baddies, co-owner and printer of Plot Twist Publishing, and co-founder of the Comic and Zines Festival.
The now permanently closed Mermaids Casino sits at 32 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet. Site address: 32 Fremont St Sign owner: Derek and Greg Stevens Sign details: Shutdown in 2016, opened briefly June 28th, 2017 for 8 hours to abide by gambling license law, was torn down shortly after. 2.76 acre lot, originally built in 1949. Sign condition: Signage was removed from building during deconstruction Sign form: Decorated shed Sign-specific description: Covering all the sides of the Mermaids facing Fremont street, gives the feel of New Orleans during Mardi Gras with its bright vibrant colors, drums, maracas, and other items. Skeleton neon was used to accentuate features of the sign like details in the drums, outlining the word "Mermaids", and a good portion of the sign was internally lit as well. Giant TV screen hung in the middle at the corner of the building, giant Sun shaped pinata thing above the TV screen adding more to the theme. Sign - type of display: Neon, LED screen Sign - media: Steel and fiberglass Sign - non-neon treatments: LED screen Sign animation: Animated with an LED TV screen and some neon would flash on and off Sign environment: Downtown on Fremont Street, part of the Experience. Surrounded by other casinos and gift stores. Sign - date of installation: c. 1999 Sign - date of redesign/move: Torn down Summer 2017 Sign - thematic influences: Southern party themed, Mardi Gras. Sign - artistic significance: American South and Mardi Gras. Survey - research locations: Vital Vegas, Assessor's website Surveyor: Danny Jacobs Survey - date completed: 2017-09-09 Sign keywords: Neon; Steel; Fiberglass; Flashing; Video screen; Sculptural