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Leila Walker Gregory Papers

Identifier

MS-00218

Abstract

The Leila Walker Gregory Papers (1920-1979) consists of newspaper clippings and handwritten notes regarding the murder of Reed Walker, Leila's second husband who was Chief Building Inspector for Las Vegas, Nevada. Included are also notes and Mormon genealogy information on Leila and her third husband, Arthur Gregory, Gregory's diplomas, and correspondence.

Archival Collection

Ernest Clary Papers on Basic Magnesium, Inc. Engineering Plans

Identifier

MS-00044

Abstract

The Ernest Clary Papers on Basic Magnesium, Inc. Engineering Plans (1941-1944) contain an essay written by Clary formalizing the engineering process in building Basic Magnesium, Inc. (BMI). Also included are maps of the area around the plant and site maps of the main BMI structures.

Archival Collection

Bunkhouse Saloon Neon Survey document, August 23, 2017

Date

2017-08-23

Description

Information about the Bunkhouse Saloon sign that sits at 124 S 11th St.
Site address: 124 S 11th St
Sign owner: 11th Street Tavern LLC and Jillian is the manager (no last name found)
Sign details: This location opened in 1953, but has recently reopened under new ownership. This location is known for their concert venue as well as their southern style bar food.
Sign condition: 3-4- some fading in the plastic so it does not show as clear as an image as it could.
Sign form: Pylon
Sign-specific description: This sign has a black steel base with a sign box on top. This sign box is steel but has wood renderings on the sides of it. The sign box contains a back lit plastic sign that is red with yellow lettering that states "The Bunkhouse Saloon" in a swirly western font. Below this is a reader board.
Sign - type of display: Backlit plastic sign and reader board
Sign - media: Steel, wood and plastic
Sign - non-neon treatments: Plastic backlit sign and readerboard
Sign environment: This location is downtown on East Fremont across the street from PublicUs and a food market.
Sign - thematic influences: Their saloon theme is portrayed in the font on their sign. This theme could also pay homage to the early Las Vegas and Old West theme with the saloon idea.
Survey - research locations: Asessor's Page, Bunkhouse website http://www.bunkhousedowntown.com/about/ and google images.
Survey - research notes: Tried to contact manager for information on sign but no response.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-23
Sign keywords: Pylon; Plastic; Backlit; Steel; Reader board

Text

Letter from Francis M. Bunker and John M. Bunker's Mother, Bunkerville, Nevada to John M. Bunker

Date

1894-09-29

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, a typed transcription of the same letter, and a copy of original letter attached.

Text

Steve Sisolak (Nevada Governor) oral history interview conducted by Magdalena Martinez: transcript

Date

2024-02-22

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Elected official interviews file.

Text

Transcript of interview with Ernie Hensley by Lisa Gioia-Acres, Janurary 25, 2008

Date

2008-01-25

Description

Ernie Hensley, an accomplished African American musician, was born in Washington D.C. on March 14 1940, the son of Ernest W. Hensley Jr. and Gladys Barbara Hensley. Both of his parents worked for the federal government in the nation's capital. Ernest W. Hensley Jr., was an employee at the Department of Defense and Gladys Barbara Hensley mother, who was an excellent pianist and drum major, ultimately set her musical career aside to provide for her family and worked for the National Labor Relations board. At the age of seven, after finding a saxophone in his grandmother's attic, Ernie embarked on his musical journey. He took lessons at the Modem School of Music in Washington D.C. Eventually acquired proficiency with the clarinet and the flute through long hours of practice. Ernie attended a historically black school, Armstrong High School in D.C., until he was transferred to integrated McKinley High School in 1954 following the Brown v. Board of Education ruling. Ernie recalls his experience in a new desegregated environment. After High School in 1957, Ernie joined the Air Force as a member of the 511th Air Force Band. In 1959 he resettled in France to play saxophone for the Air Force Band. Emie ultimately made a career in the Air Force. He had countless experiences of performing around Europe and in Washington D.C. at places like Constitution Hall. A dream came true when Emie was honored to become a member of the "Airmen of Note," the premier jazz ensemble for the United States Air Force. He retired from the Air Force in 1979. Because of his distinguished career in the United States Air Force, Emie had a number of opportunities once he retired from the military. He moved to Las Vegas in 1979 at age 39 and after living in area for just a few weeks, Emie started working with Johnny Haig 3 nights a week. Shortly thereafter, Emie found a long-term home working with Jimmy Mulidore's group at the Hilton for nearly a decade until 1995. Throughout Ernie's lifetime he has been fortunate to work with notable musicians such as Andy Williams, Sammy Davis Jr., Somers, Juliet Prowse, Steve an Eydie and his good friend Sarah Vaughn. Emie, along with his wife Carolyn, a retired UNLV faculty member, still resides in Las Vegas.

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