Search Results
Robert Woodruff Papers
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Abstract
The Robert Woodruff Papers (1927-2001) are comprised of materials documenting Woodruff’s career and family life in Las Vegas and Henderson, Nevada, as well as his travels around the United States and abroad. Materials include newspaper clippings, photographic prints and transparencies, personal correspondence, and publications such as Las Vegas tourist brochures and pamphlets dating from the 1930s and 1940s. Visual materials include portraits, city scenes, and landscapes throughout Nevada and the United States, as well as some photographs of international travels.
Archival Collection
Maurine and Fred Wilson and William S. Park Audiovisual Collection
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Abstract
The Maurine and Fred Wilson and Dr. William S. Park Audiovisual Collection (approximately 1900s-1970s) consist of audiovisual material created by the Wilson and Park families. The materials depict the Park homes in Las Vegas, Nevada; Park and Wilson family members; outdoor activities and vacation trips to California, Colorado, and Mexico. The collection also documents early views of the Kiel Ranch in Las Vegas, Nevada, community parades and events, and early views of Las Vegas in the 1920s.
Archival Collection
Barbara Raben Collection on the Las Vegas Jewish Community
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Abstract
The Barbara Raben Collection on the Las Vegas Jewish Community (1976-2018) is comprised of materials collected by Barbara Raben that document her personal life and her involvement with the Las Vegas, Nevada Jewish community, specifically the Hadassah Southern Nevada Chapter and the Jewish Family Service Agency (JFSA) of Clark County, Nevada. Hadassah and JFSA records consist of photographs and programs from events held by the organizations. Materials also document Raben's business, The Candy Factory, and her connections to the Florence Melton School of Adult Jewish Learning.
Archival Collection
MGM Mirage Corporation Records
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Abstract
The MGM Mirage Corporation Records date from 1970 to 2010 and consist of the records of the Las Vegas, Nevada based global entertainment company. The collection contains organizational records, employee newsletters, files about the MGM Mirage diversity and inclusion initiative, correspondence, reports on gambling addiction, gambling statistics, press clippings, and audiovisual materials. There are also photographs, photographic slides, and photographic negatives of performers, corporate executives, and MGM Mirage properties.
Archival Collection
Junior League of Las Vegas Records
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Abstract
The Junior League of Las Vegas Records (1940-2023) contain annual reports, fundraising information, training manuals, articles, minutes, photographs, scrapbooks, cookbooks, and other operational and working files that document the activities of the Junior League of Las Vegas (JLLV). Also included is documentation for advocacy projects the JLLV was involved with, such as Drug Abuse Resistance Education (D.A.R.E.), Safe Haven, the Ronald McDonald House, Read Aloud, and Literature Awareness Program for Children. Other records in this collection document JLLV's fundraising efforts such as the Repeat Boutique, Holiday Coffees, annual benefits, luncheons, and sales of their cookbooks. Also included are scrapbooks and issues of their newsletter
Archival Collection
Transcript of interview with Margaret Price by Joanne Goodwin, March 5, 1997
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Archival Collection
Description
When farm-girl-turned-waitress, Margaret "Maggie" Price, came to Las Vegas from Ohio in 1950 with her husband, Francis "Frank" Price, she had no idea what was in store for her in the hot desert oasis. Maggie's career spanned a period of historical transformation in Las Vegas when Downtown was becoming overshadowed by the development on the Las Vegas Strip. Vaudeville and striptease acts were still alive, but the arrival of big-named acts, such as the Rat Pack, Barbara Streisand, and the King himself, Elvis Presley, were just beginning to take the lead. Organized crime was still a prominent part of the culture and brothels still operated somewhat openly. The three decades Maggie and Frank worked in Las Vegas provided them with front-row seats for the birth, transformation, and occasional death of numerous casinos, including the Sahara, the Flamingo, the Sands, the Dunes, the Tropicana, and the International. Initially going to work as a waitress at the El Rancho Vegas, Maggie
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Transcript of interview with Roger Thomas by Stefani Evans and Claytee D. White, August 31, 2016
Date
Archival Collection
Description
As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”
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