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Transcript of interview with David Wasserman by Barbara Tabach, October 21, 2016

Date

2016-10-21

Description

For nearly two decades between 1950 and 1970, only one dentist of Jewish ancestry was known to be licensed to practice in Nevada. That was Dr. Joe Chenin. Finally, in 1971, the steadfast and easy mannered Dr. David R. Wasserman (1944 - ) broke through the barrier to become the second Jewish dentist serving the Las Vegas community. Over the following years, Dr. Wasserman built a sizeable following and immersed himself in the Jewish community of Las Vegas. Among his achievements is his participation and leadership in the formation of Las Vegas’ first Reform Jewish synagogue, Congregation Ner Tamid. He also would be active in the Jewish Federation. In 1992, as the HIV-AIDS epidemic affected dental offices throughout the nation, Dr. Wasserman saw an opportunity to get ahead of the infection. With the help of his wife Juanita Davis-Wasserman and his father-in-law Warren Davis, he developed, patented, manufactured and distributed a disposable tip for a treatment instrument commonly found in dental offices called a tri-syringe. This disposable tip brought sanitary options and great financial fortune to Dr. Wasserman and his family. In this oral history, Dr. Wasserman reflects on his joy of living in Las Vegas. He is a highly regarded dentist and leader in the Jewish community.

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Transcript of interview with Chuck Degarmo by Stefani Evans, January 13, 2017

Date

2017-01-13

Description

Southern California native and lifetime resident, landscape architect Chuck Degarmo evokes the Golden State's iconic theme park as he reflects on forty years in the landscape industry and the ways his work has shaped the way Southern Nevada looks and works. It is fitting he would do so. Degarmo forged his professional ties to Las Vegas in 1993, during the heyday of the Las Vegas Strip's "family-friendly" era, when Kirk Kerkorian's MGM Grand Hotel and Casino hired Degarmo's firm, Coast Landscape Construction, to design and landscape their planned 33-acre MGM Grand Adventures Theme Park. In this interview, Degarmo outlines his work history, which draws upon the combined skills of a salesman, an artisan, a problem-solver, and an entrepreneur. Having owned his own firms and worked for industry giants Valley Crest Companies and BrightView Landscape Development, he discusses an array of topics from running union and non-union crews; Tony Marnell and design-build projects; importing plant material into Nevada; the Neon Museum and Boneyard; The Smith Center for the Performing Arts and Symphony Park; Steve Wynn, the mountain at Wynn Las Vegas, and Lifescapes International; the Lucky Dragon; Cosmopolitan, CityCenter, and the Vdara "death ray", and the Southern Nevada Public Lands Management Act (SNPLMA). Throughout, Degarmo articulates his work through the lens of a lifetime Southern Californian whose talent has contributed much to the Southern Nevada landscape.

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Transcript of interview with Wilma and Burt Bass by Barbara Tabach, February 9 , 2015

Date

2015-02-09

Description

In 1939, Wilma (Frank) Bass was born in New York City, where she began her involvement in theater at the age of ten. Almost twenty years later, she met Burt Bass (1932- ) when both worked for a photography studio, one of Burt first post-high school jobs. Burt opened his first professional photography studio in 1962, shortly after he married Wilma in 1960. The couple soon had two daughters – Jill and Wendy – and moved to Las Vegas in 1974. Burt initially worked for his brother-in-law Ed Frank's check cashing businesses and later opened his own photography business, Burton Studio. He later added services such as fingerprinting, background checks, and photographs for identification cards. Wilma worked as a jewelry salesperson, first at the Gold Factory then at Nieman Marcus. Socially, she was very involved with Temple Beth Sholom’s Sisterhood, using her theater talents to write, direct and produce various shows for the Sisterhood, ORT as well as B’nai B’rith Youth Organization. In this interview, Burt discusses his photography business, the migration of its storefront around town, and his colorful landlords, including individuals like Moe Dalitz and Art Marshall. Wilma talks about her sales career in the local jewelry industry, and more extensively, she shares memories of her involvement in the Jewish community with theater productions. Much of the discussion revolved around related news articles and personal photos from their relationships and activities within the Jewish community. The couple also shares stories of friendships with local entertainers, including Jerry Lewis and Neil Sedaka.

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Transcript of interview with Norma Morrow Zuckerman by Barbara Tabach, April 18, 2016 & March 13, 2017

Date

2016-04-18
2017-03-13

Description

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.

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Interview with William Gus Flangas, November 12, 2004

Date

2004-11-12

Description

Narrator affiliation: Operations Division Manager & Vice President, REECo

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Interview with Harrie Fox Hess, March 5, 2005

Date

2005-03-05

Description

Narrator affiliation: Psychological Consultant

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Interview with Layton James O'Neill, July 2, 2004

Date

2004-07-02

Description

Narrator affiliation: Health Physicist, U.S. Atomic Energy Commission; Department of Energy

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Interview with Louis Francis Wouters, May 20, 2004

Date

2004-05-20

Description

Narrator affiliation: Physicist, Lawrence Livermore National Laboratory

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University of Nevada, Las Vegas law school planning: reports, correspondence, and clippings

Date

1968 to 1995

Description

Folder contains materials related to establishing a law school at UNLV, including: "pre-law at UNLV" brochure, August 1975; lists of related archival materials; "UNLV Law" survey of previous law school studies, compiled by Jan Gould, 1976; an issue of "Factor E" magazine containing "The Law School Story," spring 1975; newspaper clippings; and other related reports and correspondence. From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).

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Stephen Round oral history interview: transcript

Date

2017-10-25

Description

Oral history interview with Stephen Round conducted by Claytee D. White on October 25, 2017 for the Remembering 1 October Oral History Project. In this interview, Stephen A. Round, a career military contractor, describes his experiences during the 2017 mass shooting in Las Vegas, Nevada. Round mentions moving to Las Vegas in 2013 and in later years staying at the Aria on the evening of October 1. He describes the chaos of the shooting and the 12-hour-plus lockdown at the Aria hotel and casino. The day after the shooting, Round built a memorial around the shooting site and protected it. Once the memorabilia of that first site was taken to the Clark County Museum, he moved to protect the second memorial at the "Welcome to Las Vegas" sign where crosses devoted to the victims had been placed. Along with his preservation of the memorials, Round describes his preparation of a book that was signed by many who visited the sites. Round explains that he was able to see some of the best and worst of humanity during those days of watching and caring for the memorial sites as well as helping any victims, families of the victims, and sympathizers of the Las Vegas 2017 shooting.

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