Search Results
Rita Deanin Abbey Exhibition Catalogs
Identifier
MS-01022
Abstract
The Rita Deanin Abbey Exhibition Catalogs (1975-1991) are comprised primarily of exhibition catalogs featuring Abbey's art at various museums and international exhibitions including the Palm Springs Desert Museum, the University of New Mexico Art Museum, Biennale Internationale d’Email Laval, and the International Exhibition of Enamelling Art in Japan. The collection also contains invitations to Abbey's art shows at the University of Nevada, Las Vegas as well as a copy of Abbey's curriculum vitae. Also included are select issues of
Archival Collection
Nellis Air Force Base Photograph Collection
Identifier
PH-00028
Abstract
The Nellis Air Force Base Photograph Collection contains photographs of Nellis Air Force Base and its predecessor, the Las Vegas Army Airfield, as well as photographs of Rockwell Field and McCarran Airport in Las Vegas, Nevada from 1926 to 1980. The materials contain photographs of military aircraft, hangars, buildings on the base, and aerial photographs of Las Vegas and the surrounding area. The materials also include photographs of the entrance of McCarran Airport, U.S. Senator Pat McCarran, and a mail plane arriving at Rockwell Fields in 1926.
Archival Collection
Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, March 1, 1990
Date
1990-03-01
Archival Collection
Description
Includes meeting agenda and minutes with additional information about senate bills. CSUN Session 20 Meeting Minutes and Agendas.
Text
Brittany Castrejon oral history interview: transcript
Date
2017-11-09
Archival Collection
Description
Oral history interview with Brittany Castrejon conducted by Claytee D. White and Barbara Tabach on November 9, 2017 for the Remembering 1 October Oral History Project. In this interview, Brittany Castrejon details her experiences during the evening of the 2017 mass shooting in Las Vegas, Nevada. She describes the Route 91 Harvest Festival set-up and details the events of that night, which she experienced alongside her 14-year-old cousin and a few friends. Castrejon tells her story of trying to find safety from the chaos during the entire ordeal, eventually finding refuge for the remainder of the night at the Tropicana hotel. She ends the interview by discussing her adjustment to life after the shooting and her post-traumatic stress disorder, as well as what she has learned from the experience.
Text
Linh Fee oral history interview: transcript
Date
2022-02-04
Archival Collection
Description
Oral history interview with Linh Fee conducted by Cecilia Winchell, Stefani Evans, and Jerwin Tiu on February 4, 2022 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Linh Fee talks about her family life growing up in Oahu, Hawaii, how her parents met in Vietnam, and memories of her childhood with her six siblings. She shares how she moved to Las Vegas, Nevada to find work after graduating from college at the University of Hawaii and her brief time working in the hospitality industry as a cocktail server. Fee discusses her career change to become a dental hygienist and life with her husband and three children.
Text
Jackson, Jerry
Born January 14, 1936 in Tulsa, Oklahoma, Jerry Reese Jackson has worked as a show producer, director, costume designer, choreographer, lyricist, and composer. In Las Vegas, Nevada, Jackson is best known for his work on the Folies-Bergère at the Tropicana Hotel and Casino where he served as artistic director, choreographer, and later as costume designer for nearly thirty-five years, beginning in 1975 and ending with the show's closure in 2009.
Person
Film strip of individuals or Hoover Dam construction, image 003: photographic print
Date
1930 (year approximate) to 1939 (year approximate)
Archival Collection
Description
This photograph has three images. The first one, (0272_0020) reads, "Personal pictures taken by Tommy Teas (my brother-in-law) of his work mates on #8 line. Bucket swinging, hard to spot. It hanging about 500 ft. Bell boy talking to operator who is out of sight on top of mountain," as a handwritten inscription. The second one (0272_0021) reads "Men building key, about 10 in. high and two ft. wide. (1) Bell boy getting a good sight to spot the bucket in the right place," as a handwritten inscription. The third one (0272_0022) is an upside down picture of the Dam. Its handmade inscription reads, "Still below river bed. Good look at a pouring crew (x) shows bell boy giving orders to operator. Nice shot showing how bucket works. After the bucket leaves, the men will walk all through the fresh mud to walk out any air pockets."
Image