The Jane Ham Legislative Papers (1980-1981) document the legislative activities of Nevada Republican Assemblywoman Jane Ham during the 1981 legislative session. The collection consists of Legislative Bureau correspondence, memos, pamphlets, and draft legislative bills. Also included are reports, studies, and informal polls from private individuals and lobby groups expressing response to pending legislation.
The Ken Hanlon Jazz Music Manuscripts (approximately 1975-1990) is comprised of jazz music compositions that were gathered by the Arnold Shaw Popular Music Research Center at the University of Nevada, Las Vegas (UNLV) in Las Vegas, Nevada. The collection includes several scores and arrangements from Hanlon's ensembles, including the UNLV Jazz Band, Seventy-Six Trombones Ensemble, and the Si Zentner Ensemble.
The Junior League of Las Vegas Photograph Collection contains photographic prints and negatives, as well as postcards of locations in and around Las Vegas, Nevada between approximately 1900 and 1980. Early photographs in the collection offer views of the Las Vegas townsite, buildings, railroads, the Las Vegas High School, Overland Hotel, Arizona Club, and residential areas. Other photographs during this time depict the Hoover Dam (Boulder Dam) construction and Death Valley, California. Later photographs show the University of Nevada, Las Vegas (UNLV) campus, downtown Las Vegas, and the Las Vegas Strip.
The W. I. Booth and A. Allen Photograph Album of Goldfield, Nevada (approx. 1900-1910) contains forty-five black-and-white photographs taken by photographers W. I. Booth and A. Allen. The images depict the Goldfield, Nevada townsite; mines, miners, camps, and equipment; horses pulling freight and carriages across the desert; and topographical features of Goldfield and outlying areas. The photographs document the mining boom in the Goldfield area during the early 20th century.
The Sherwin “Scoop” Garside Photographs contain photographs from journalist and photographer “Scoop” Garside from 1907 to 1969. The photographs primarily depict events and buildings in Southern Nevada, including construction of the Hoover (Boulder) Dam, the Helldorado Parade in Las Vegas, Nevada, hotels and casinos, schools, and social events. The photographs also depict the Garside Family, including Las Vegas Review-Journal owner Frank Garside, “Scoop” Garside’s father.
The Nevada Women’s Conference Photograph Collection depicts the statewide women’s conference held in June 1977 in Las Vegas, Nevada. The photographs include keynote speaker Gloria Steinem, event organizers, workshops, volunteers, and musical performances.
Photos show Mandalay Bay signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site name: Mandalay Bay (Las Vegas, Nev.) Site address: 3950 S Las Vegas Blvd Sign owner: Mandalay Resort Group Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west. Sign condition: Structure 5 Surface 5 Lighting 5 Sign form: Pylon; Fascia Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Plastic; Masonry Sign - non-neon treatments: Graphics; Paint Sign animation: Oscillating Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway. Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art Sign - date of installation: 1999 Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics