Oral history interview with Stephen Round conducted by Claytee D. White on October 25, 2017 for the Remembering 1 October Oral History Project. In this interview, Stephen A. Round, a career military contractor, describes his experiences during the 2017 mass shooting in Las Vegas, Nevada. Round mentions moving to Las Vegas in 2013 and in later years staying at the Aria on the evening of October 1. He describes the chaos of the shooting and the 12-hour-plus lockdown at the Aria hotel and casino. The day after the shooting, Round built a memorial around the shooting site and protected it. Once the memorabilia of that first site was taken to the Clark County Museum, he moved to protect the second memorial at the "Welcome to Las Vegas" sign where crosses devoted to the victims had been placed. Along with his preservation of the memorials, Round describes his preparation of a book that was signed by many who visited the sites. Round explains that he was able to see some of the best and worst of humanity during those days of watching and caring for the memorial sites as well as helping any victims, families of the victims, and sympathizers of the Las Vegas 2017 shooting.
The sign for Backstage Bar & Billiards sits at 601 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 601 Fremont St Sign owner: DJ Lethal co-owned with DJ Scotty Sign details: This building dates back to 1957. Triple B opened in 2012 as a billiard hall bar and concert venue. It is filled with a lot of Rock Memorabilia which includes a "turntable library" which they claim showcases over 8 decades of rock history. This location was furnished by rock outfitter Anvil Cases. This property got its name by being "backstage" to the adjoining Fremont Country Club. Sign condition: 5- looks relatively new and still in great condition Sign form: Variation of a Bull Nose Sign Sign-specific description: Their entrance is on the corner of 6th (going South) and Fremont with a blue bull nose type sign in a triangle shape. The base of the triangle sign is right above the entrance. The triangle border has a blue (argon) strip with incandescents lining both sides of the neon tubing. At the base of the sign there is a blue (argon) curved platform (half circle placed adjoining to the base of the triangle). On this platform there are 5 separate strips of argon tubes. Above the platform states "Backstage Bar & Billiards" in white cursive channeled letters. Above the words Backstage and Billiards there are two martini glasses with a pool ball and flag in each glass. At the top of the triangle portion of the sign there is their logo "Triple B" in cursive with Triple in Blue and B in white. Below the bull nose sign there is a reader board that wraps around the building. This reader board is also lined with incandescent light bulbs. In the middle of the of the reader board there is a black background rectangle with 3 rhombus's lined in incandescent light bulbs in a design. Sign - type of display: Neon, incandescent and reader board Sign - media: Steel and Plastic Sign - non-neon treatments: Reader Board Sign animation: Flasher for incandescent light bulbs Sign environment: Fremont East district East District, next to other bars and restaurants. This location is right across the street from the El Cortez. Also they claim to be "backstage" to the adjoining Fremont Country Club which inspired their name. Sign manufacturer: Ultra Signs' recently bought out by Jones Las Vegas ( of Jones SIgns) who did not have records of this sign. Sign - date of installation: 2012 when the bar opened Sign - thematic influences: On Fremont many of the entrances are at the corner intersections, so the bull nose sign has been prominent design type to draw attention to the entrance of the company. This is remnant of the Golden Nugget and Binion's Horseshoe put up their bull nose signs in 1961. Sign - artistic significance: The curved platform at the bottom of their bull nose sign looks like an old retro movie theater style sign platform that you would see in the 1940's/50's. Particularly with their reader board with incandescent light bulbs speaks to this era as well. Survey - research locations: Assessor's page, triple B website http://www.backstagebarlv.com/ , Las Vegas Weekly Newspaper article https://lasvegasweekly.com/nightlife/lowball-diary/2012/dec/05/triple-b-fills-downtowns-watering-hole-hole/ Survey - research notes: Fremont Bars.com has a photo of their main sign being installed. http://www.fremontstreetbars.com/2012/11/29/welcome-to-the-neighborhood-backstage-bar-billiards/ Survey - other remarks: The Ultra Signs logo is visible on the left side of the sign. Surveyor: Emily Fellmer Survey - date completed: 2017-08-11 Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Bullnose; Marquee
Oral history interview with Cindy Baca conducted by Barbara Tabach on May 22, 2019 for the Remembering 1 October Oral History Project. Cindy Baca, born and raised in Las Vegas, talks about her family and occupation as a librarian at Escobedo Middle School. Cindy's twin daughters were present and injured during the Route 91 Festival and October 1 shooting. She describes their experiences and the Random Acts of Kindness project she piloted at her school after the incident.
Growing up just one block away from New York’s “Museum Mile” and surrounded by cultures from every corner of the world, it’s easy to say that Lynnette Arvelo Sawyer was destined to create her own museum dedicated to the cultures she grew up with. Lynette is a proud Puerto Rican and Afro-Latina from El Barrio of East Harlem in New York; her roots extend from the island of Puerto Rico to the Canary Islands off the coast of Africa.
The Washington University, School of Fine Arts Collection of Calendars consists of thirty-three calendars created by students in the Washington University, School of Fine Arts created in 1983.
The Raymond Germain Photograph Collection (approximately 1960-1970) consists of two black-and-white photographic prints of Raymond Germain and one black-and-white photographic print of his wife, Mary Germain. All of the photographs have corresponding negatives.