Search Results
Amber Diskin oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Amber Diskin conducted by Barbara Tabach on January 5, 2018 for the Remembering 1 October Oral History Project. In this interview, Amber Diskin discusses her experience at the Route 91 Harvest music festival during the October 1, 2017 mass shooting in Las Vegas, Nevada. Diskin talks about finding her way home after escaping the crowds and letting her family and friends know she was not hurt. She speaks of the aftermath of the shooting, including how her children were affected, the post-traumatic stress disorder she developed, and how the shooting has affected her love of concerts. As a native Nevadan, she shares her views of Las Vegas and how her sense of community deepened after this event. Diskin ends the interview by discussing her appreciation for the first responders and the gift baskets she helped distribute to hospitals, police stations, and the fire department.
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Flora and Stuart Mason oral history interview
Identifier
Abstract
Oral history interview with Flora and Stuart Mason conducted by David G. Schwartz on February 27, 2010 for the Remembering Jay Sarno Oral History Project. Flora Mason begins by discussing the relationship between her family and the Sarnos. Mason describes that she and her husband socialized with Jay and Joyce Sarno in the 1960s because they lived on the same street in Las Vegas, Nevada. Stuart Mason recounts how the Sarnos were incredibly friendly and Jay occasionally invited him to play golf. Mason then chronicles his role as a contractor and the work he did for Jay Sarno throughout his career. He talks about how many of the development ventures of Sarno's were funded by Jimmy Hoffa and the Teamster’s Union. Lastly, Mason discusses how Sarno understood the gaming industry more than any other casino operator and how that was attributed to the success of Caesars Palace.
Archival Collection
Jay C. Sarno Jr. oral history interview
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Abstract
Oral history interview with Jay C. Sarno Jr. conducted by David G. Schwartz on July 10, 2008 for the Remembering Jay Sarno Oral History Project. Sarno begins by discussing how his parents met in the early 1950s in Miami, Florida and were married within six weeks. Sarno then describes his family moving to Las Vegas, Nevada in 1965 and living in the Dunes Hotel for the first three weeks. Sarno then chronicles his parents’ marriage and their divorce in the 1970s. Sarno then recounts his father’s relationship with Jimmy Hoffa and Allen Dorfman and the visits Hoffa made to Las Vegas to see his father. Sarno talks about the way his father treated him and his brother differently than his sisters. Lastly, Sarno discusses how he and his siblings were surprised their father owed the Internal Revenue Service over one million dollars at the time of his death.
Archival Collection
Hazel Baker Denton Photograph Collection
Identifier
Abstract
The Hazel Baker Denton Photograph Collection (1910-1961) is comprised of photographic prints and one negative of the Denton family and friends, primarily taken in Nevada and Utah. Many photographs depict life in small Nevada towns, particularly Caliente. Photographs also depict Utah, Oregon, Washington D.C., and California, and unidentified desert and forest landscapes throughout the American West.
Archival Collection
Frank Scott Papers
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Abstract
The Frank Scott Papers date from 1940 to 1984 and contain promotional materials, photographs, and menus from the Union Plaza Hotel; University of Nevada, Las Vegas (UNLV) basketball memorabilia; and KRLR TV documentation, correspondence, and news clippings. The collection also contains a scrapbook and photographs of the re-opening of the Mizpah Hotel in Tonopah, Nevada.
Archival Collection
Richard Bryan oral history interviews
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Abstract
Oral history interviews with Richard Bryan conducted by Kristin Guthre on November 10, 2011 and an unknown date for the Boyer Early Las Vegas Oral History Project. Bryan begins by discussing his father’s time as a law student in Washington, D.C. and the influence his father had on his decision to pursue law. Bryan then chronicles moving to Las Vegas, Nevada in the 1940s and growing up in the Huntridge Community near Charleston Boulevard. Bryan recounts attending both the University of Nevada, Reno and the University of California, Hastings College of the Law in San Francisco, California. Bryan describes his experiences in the Las Vegas District Attorney’s office and the Army Reserve. He then recalls his political career as a member of the Nevada Senate, his role as the Attorney General of Nevada, the Governor of Nevada, and as a United States Senator. Lastly, Bryan discusses political issues in Nevada and the United States during his time in office such as debates about renewable energy, environmentalism, and preservation.
Archival Collection
Nevada Division of State Parks Photograph Collection
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Abstract
The Nevada Division of State Parks Photograph Collection (approximately 1910-1940) contains black-and-white photographic prints and some corresponding negatives that depict state parks and recreational areas throughout southern Nevada. The images also portray Lake Mead, Hoover Dam, Logandale, the Valley of Fire, and Mount Charleston as well as images of actors filming on location in southern Nevada.
Archival Collection
Roen, Allard, 1921-2008
Allard Frank Roen, age 87, of La Costa in Carlsbad, CA passed away on Thursday, August 28, 2008, succumbing to complications of heart disease. He was born May 8, 1921, in Cleveland, Ohio, and was a resident of La Costa for 41 years. Allard graduated Duke University in 1943 with a degree in business. He served as a lieutenant in the United States Navy from 1943 thru 1946; participating in the Gilbert Islands and Okinawa campaigns. Following his discharge in 1946, Allard worked in Palm Beach, Florida, as a hotel contractor and builder.
Person
Charles A. Hendel Notebook
Identifier
Abstract
The Charles A. Hendel Notebook is comprised of one notebook of poetry and prose written by Charlie Hendel between 1960 and 1976. Topics include the state of Nevada, World War II, American nationalism, and biographical materials about Charles Hendel.
Archival Collection
Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content