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Displaying results 110321 - 110330 of 114448

Pat Jones Photograph Collection

Identifier

PH-00110

Abstract

The Pat Jones Photograph Collection (approximately 1925-1930) consists of black-and-white photographic prints and slides of Harry Suiter in Rhyolite, Nevada. There are images of Suiter standing in front of abandoned buildings, as well as scenery near Rhyolite. Also included is an image of a wagon transport containing borax in Death Valley, California.

Archival Collection

First Methodist Church of Las Vegas Photograph Collection

Identifier

PH-00112

Abstract

The First Methodist Church Photograph Collection (approximately 1909-1912) contains black-and-white photographic prints and corresponding negatives of the Las Vegas train depot, railroad yards, and the First Methodist Church in Las Vegas, Nevada. Also included are portraits of Reverend Edwin A. Palmer and his family.

Archival Collection

Edward Joseph Deck Photograph Collection

Identifier

PH-00134

Abstract

The Edward Joseph Deck Photograph Collection (approximately 1870-1920) consists of photographic prints and negatives of Edward Joseph Deck and other miners in Pioche, Nevada and various locations around the townsite. There are also images of ranches, mills, and mill workers both in and outside of the Pioche townsite.

Archival Collection

Nino Maurizi Photograph Collection

Identifier

PH-00167

Abstract

The Nino Maurizi Photograph Collection consists of two black-and-white photographic prints and corresponding negatives of Nino Maurizi at the Mount Charleston Camp for the Las Vegas Army Air Field in 1943. Images depict Maurizi standing at the entrance of Mount Charleston Camp as well as inside the camp.

Archival Collection

Esther Ruth Peaslee Postcard Collection

Identifier

PH-00172

Abstract

The Esther Ruth Peaslee Postcard Collection (approximately 1900-1983) consists of postcards and postcard reproductions depicting a Labor Day celebration in Goldfield, Nevada, the Angelus Hotel, and the Goldfield Hotel. The reproductions were made approximately between 1960 and 1983. Also included is a postcard showcasing scenes in Goldfield.

Archival Collection

Stuart A. McCarthy Photograph Collection

Identifier

PH-00173

Abstract

The Stuart A. McCarthy Photograph Collection (approximately 1940-1949) consists of photographic prints and negatives of the Photo Mart storefront on Fremont Street as well as a view of the Golden Nugget, Eldorado Club, Hotel Apache, Boulder Club, and the Pioneer Club on Fremont Street in Las Vegas, Nevada.

Archival Collection

Photographs of Aladdin Casino Hotel and Resort signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Aladdin Hotel Casino and Resort signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Aladdin Hotel (Las Vegas, Nev.)
Site address: 3667 Las Vegas Blvd
Sign owner: Aladdin Gaming LLC
Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances.
Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair.
Sign form: Pylon; Fascia
Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel; Plastic
Sign animation: Chasing
Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle.
Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own.
Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel
Sign - date of installation: 2000
Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated

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