On March 15, 1976, Stephen Kalish interviewed Alfred “Al” Isola (born August 3rd, 1917 in Oakland, California) in his office about his garbage company and early Southern Nevada. The two discuss Las Vegas’ lack of a unified garbage system and how dumping sites have had to adjust their practices in order to limit their impact on pollution. Isola also explains the different disposal protocols for wet and dry trash. On the second tape of the interview, an unidentified woman enters the conversation.
After serving as a nurse in World War II in Hawaii, Okinawa and Japan, Dorothy returned home to Chippewa Falls, Wisconsin. She experienced a particularly bad winter and she set out for California but stopped in Las Vegas to visit the family of her traveling companion, a girlfriend from her home town. The girlfriend returned to Wisconsin and George applied for a nursing license and got it within three days. She never left. Dorothy met her husband while working the night shift at Clark County Hospital. He would come in regularly to assist his patients in the births of their babies. Their occupations and their service in World War II drew them together in a marriage that has lasted over fifty years. From 1949 to this interview in 2003, Dorothy George has seen Las Vegas grow from a town that she loved to a metropolitan area that is no longer as friendly. She reminisces about the Heldorado parades, family picnics at Mount Charleston, watching the cloud formed by the atomic bomb tests, raising six successful children, leading a Girl Scout Troop, and working in organizations to improve the social and civic life of Las Vegas.
The Mike Smith Editorial Cartoons (1980-2023) contain editorial cartoons created by Las Vegas, Nevada based cartoonist Mike Smith for the Las Vegas Sun newspaper. Materials include Smith's editorial cartoons on NASCAR and a copy of his 2003 book StockcarToons. The collection also includes Smith's personal sketchbooks and letters from fans.
The Richard B. Taylor Papers (1920-1993) document Richard Taylor's career and interests as a longtime Las Vegas, Nevada businessman and local historian, including his work as an executive at the Hacienda Hotel and Casino. The materials also include maps, development plans, and local publications for the Nevada communities of Laughlin and Mount Charleston, as well as publicity and promotional materials for these projects. As an amateur historian, Taylor also collected information on Las Vegas, Laughlin, and Mount Charleston.
The collection is comprised of records of the San Pedro, Los Angeles & Salt Lake Railroad Company (1901-1976). The construction of this railroad led to the founding of Las Vegas, Nevada and the creation of the Empire Construction Company and Las Vegas Land and Water Company. The records document the company's operations and include correspondence and contracts relating to lots in the Las Vegas townsite, payments and accounts, invoices and other audit materials from 1905 to 1923. The collection also includes the records of the railroad agent at Arden Station, located ten miles south of the Las Vegas Station, which contain correspondence, ledgers, freight and way bills, shipping orders, and telegrams.
Oral history interview with Dr. Javier A. Rodríguez conducted by Elsa Lopez and Barbara Tabach on December 19, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Dr. Javier Rodríguez, Biology Professor at the University of Nevada Las Vegas, talks of his personal and educational history that led him to UNLV. He discusses his migration from Puerto Rico to California where he received his PhD from the University of California Berkley and became a biological museum curator for various animal specimens. He later moved to Las Vegas to teach at UNLV where he has now been for nearly two decades; Dr. Rodríguez shares how UNLV has changed since he first started working here, including the university's increased interest in faculty research to become a Top Tier institution. Subjects discussed include: Puerto Rico; University of California Berkley; University funding; Tier 1 research institutions.
LaVerne Ligon discusses auditioning for the show Hallelujah Hollywood at the new MGM. She auditioned for Bob Mackie and Donn Arden, who wanted her to be topless in the show. She refused. Three weeks later, Donn Arden called her and said that she had changed his mind and he really wanted her in the show and she didn't have to go topless. In fact the entire line of Black dancers that he was putting together for the show did not have to go topless.