Dr. Robert Skaggs grew up around the St. Louis area. His father was a teamster with a milk delivery route, tried his hand at the restaurant business, and during WWII worked tor U.S. Cartridge. Several members of Dr. Skaggs's family were teachers, including his grandmother and a couple of aunts. Robert graduated trom Normandy High School and afterwards attended the Missouri School of Mines and majored in metallurgical engineering. He graduated in 1954 and went to work tor DuPont tor two years. He went to graduate school at Iowa State on an Atomic Energy Commission scholarship, and afterwards was hired by Standard Oil of California. During this time he met and married Anna Pedersen (1961) and moved to Minneapolis to work for Honeywell. Around 1966, Bob started teaching at the University of Kentucky. After a couple of years, he got wind of teaching opportunities at the Southern Division of the University of Nevada (now UNLV), and interviewed with Herb Wells. He and his family moved to Boulder City (1969) and he began teaching at what is now UNLV. He was involved in the work bringing accreditation to the engineering department, establishing a chapter for Tau Beta Pi, the Engineering Honor Society, and building a master's and a PhD program. After a heart attack in 1975, Dr. Skaggs took a sabbatical from UNLV and did some team teaching at University of Arizona in Tucson with Ray Sierka. He returned to UNLV on a half time teaching basis, and also worked for the Bureau of Mines. He was again involved in accreditation preparations and stayed to graduate a PhD student in engineering. He looks upon his experiences at UNLV as very positive and delightful.
Oral history interview with Sergio "Checko" Salgado conducted by Laurents Bañuelos-Benitez, Barbara Tabach, Elsa Lopez, and Monserrath Hernández on June 4, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Checko talks about his personal history that led him to pursue journalism and photography. He discusses his education and employment working in art galleries in Denver, Colorado and Las Vegas, Nevada and the various art exhibitions he has designed including in the Marjorie Barrick Museum at the University of Nevada, Las Vegas and in the Reynolds Senate Building in Washington, D.C.
The Gary W. Royer Collection on Gaming (dating from 1950 to 2009, with the bulk of the materials dating from 1970 to 1995) contains research files, legal files, reports, and manuals about gaming written and collected by Gary W. Royer. The collection includes research and regulatory files collected by Royer while he worked at the Nevada Gaming Control Board. These files primarily document the legislation and regulation of gaming in Nevada, but include information on other states in the US and some international locations. Regulatory files include statutes, codes, regulations, revenue reports, Nevada Gaming Control Board and Nevada Gaming Commission meeting minutes, and tribal-state gaming compacts. Also included are research files about casino, racetrack, and sports betting facilities that include data on organizations, monthly revenue reports, occupancy rates, management and operational control manuals, annual reports, policy and procedure manuals, and profile sheets collected for consulting purposes in Royer’s role as President of Casino Control Corporation (CCC), a private gaming consulting firm. Also included are subject and research files, vendor advertisements, catalogs, and reports; gaming industry publications; conference materials; audit guides; and a comprehensive collection of newspaper articles that document the US gaming industry in the second half of the twentieth century.
From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains memos, agendas and minutes from meetings of the Clark County Economic Opportunity Board from January 1970 through February 1970.
The preface and script for a sitcom television show conceived of by Hank Henry and Bill Willard "to evoke the spirit of fun and laughs springing out of conflict and understanding between the old comedy school and the new school."