The Marjorie Barrick Museum of Natural History Records (1939-2003) detail the creation of the Marjorie Barrick Museum of Natural History in Las Vegas, Nevada founded by Richard H. Brooks, a professor of anthropology at the University of Nevada, Las Vegas. The records are comprised primarily of correspondence between Brooks and members of the Southwestern Anthropological Association (SWAA), the Society for California Archaeology (SCA), and the meetings and exhibitions of the Nevada State Museum. The collection also contains financial statements that describe expenses for supplies, research, and excursions. Also included are anthropological, archaeological, and historical publications, as well as administrative files and Richard Brooks' correspondence with the Nevada Archaeological Survey (NAS). The collection also includes architectural floor plans for the Classroom and Physical Education, the original space that was converted into the museum in 1980, and plans for the redesign of the Barrick Museum and the Harry Reid Environmental Research Center addition.
The Ferron and Bracken Photograph Collection depicts Southern and Central Nevada and other western states from 1890 to 1961. The photographs primarily depict the development and growth of early Las Vegas, Nevada; mines and mining operations in Southern and Central Nevada; towns and mines in Nevada; and the Hoover (Boulder) Dam and the Colorado River.
The Lake-Eglington Family Photograph Collection contains photographs of the Lake-Eglington Family in and around Las Vegas, Nevada from 1900 to 1976. The materials include photographs of early Las Vegas resident Olive Lake-Eglington and her family shortly after they moved to Las Vegas in 1904, as well as her eventual husband Earle Eglington after he moved to Las Vegas in 1911. The materials also include photographs of Native American artifacts, schools in Clark County, Nevada, artesian wells, the Hoover (Boulder) Dam, the Colorado River, Mt. Charleston, the Mormon Fort, the Stewart (Kiel) Ranch, the Las Vegas Ranch, and many early residents of Las Vegas.
The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.
Oral history interview with Stella Champo Iaconis conducted by Kay Long on May 14, 1997, May 21, 1997, May 26, 1997, and September 22, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Iaconis opens her interviews discussing her difficult upbringing and life on a ranch in Las Vegas, Nevada with her dad in the 1910s and 1920s. Iaconis then describes her experiences as a waitress in Las Vegas. As the interviews continue, Iaconis discusses Block 16 and sex work, the Helldorado Days, and life in 1930s Las Vegas. Iaconis ends the interview talking about her father and his career as a miner; her many husbands; and her personal history in Las Vegas.
Includes meeting agenda and minutes, along with additional information about student health fees and health advocate job description. CSUN Session 24 Meeting Minutes and Agendas.
Information about the High Hat Regency that sits at 1300 S Las Vegas Blvd. Site address: 1300 S Las Vegas Blvd Sign owner: Tarighi Bahman and Farideh Sign details: The building was constructed in 1958 (Assessor). A vintage postcard from the 1950's-- or more likely the 1960's (based upon the automobiles pictured)-- shows that the business was previously named the Chevron Motel (Las Vegas motels then and now). Sign condition: Condition is 3-4, fair to good. The pole, cabinets and reader board are in good condition. Moderate rust is evident around the edges of the top cabinet. The paint is generally in good condition, although there white patches (from repairs?) on the chevron. The neon tubing is entirely intact. Most of the incandescent light bulbs are present, except for the underside of the lower cabinet, where they are completely absent. Sign form: Pole Sign Sign-specific description: A single round white metal pole supports the sign, which is cantilevered toward the street. The cabinets form a rectangular "C" which is open on the motel side. The interior of the "C" surrounds a chevron which points toward the motel. On top of the motel side of the upper cabinet is a metal top hat and cane. The sign is attached to the pole at the side of the lower cabinet, the point of the chevron and the bottom of the upper cabinet. The background color of the sign is sky blue. The bottom of the face of the lower cabinet has the word "VACANCY" painted in white sans serif letters. The letters are traced in white skeleton neon. To the left, the word "NO" is spelled out in clear skeleton neon sans serif letters. Above the neon letters is a white metal reader board which has a row of clear incandescent light bulbs running along the top, bottom and motel side edges. A single row of clear incandescent light bulbs runs the entire length of the street side of the sign. On the street side of the chevron is a blue metal cabinet with the word "MOTEL" spelled in white channel letters. The channels are outlined by white neon tubes, while the interior of the channels are filled with clear or white incandescent light bulbs. On the motel side of the "MOTEL" cabinet is a blue chevron which is covered with clear or white incandescent light bulbs. The top cabinet features the words "High Hat" spelled out in white cursive letters. Below is the word "REGENCY" painted in white sans serif letters. All wording is traced by white skeleton neon. On top of the motel side of the upper cabinet is a white top hat with a blue hat band. Running through the hat is a white cane. The hat and cane are traced by white skeleton neon. The hat is covered with white or clear incandescent light bulbs. Sign - type of display: Neon, incandescent, reader board Sign - media: Steel, plastic Sign - non-neon treatments: reader board Sign animation: Light bulbs flicker Sign environment: Las Vegas Boulevard South, north of the Las Vegas Strip near other motels and wedding chapels. Sign - date of installation: c.1950s Sign - thematic influences: Elegance, sophistication, high society, boomerang/chevron, 1950's, 1960's, mid-century Survey - research locations: Assessor's website Survey - research notes: Connolly, D. (2012 July 21). Chevron Motel. Retrieved from https://www.flickr.com/photos/dennisconnolly5059yahoocom/7635650456 Hagopian, M. (2011 January 28). No vacancy in vintage Vegas. Retrieved https://hyperallergic.com/15738/no-vacancy- vintage-vegas/ Las Vegas motels then and now. (n.d.). Chevron Motel. Retrieved from http://stefanidrivesvegas.com/8.html RoadsideArchitecture. (n.d.). High Hat Regency Motel. Retrieved from http://www.roadarch.com/signs/nvvegas.html Seltzer, D. J. (2014 June 1). High Hat Regency Motel sign in Las Vegas [Video recording]. Retrieved from https://www.youtube.com/watch?v=-bQdw48LVrA Survey - other remarks: A vintage postcard circa 1950's-1960's shows the Chevron Motel sign as a simple pole mounted with a reader board and two light boxes which form a "C" shape open toward the motel (Las Vegas motels then and now, n.d.). A later postcard features the same sign with a chevron in the center and a semi-circular arch which encloses a light ball above the upper cabinet (Connolly, 2012). The current sign retains the chevron, the metal frames of the light boxes and reader board (Las Vegas motels then and now, n.d.). A hat and cane have replaced the arch and light ball at the top of the sign (Las Vegas motels then and now, n.d.). The light boxes have been replaced with metal cabinets with incandescent and neon displays (Las Vegas motels then and now, n.d.). The sign is pictured in a vintage postcard circa 1950's-1960's (Las Vegas motels then and now, n.d.). At that time it advertised the Chevron Motel. Surveyor: Mitchell Cohen Survey - date completed: 2017-09-06 Sign keywords: Neon; Incandescent; Steel; Plastic; Reader board; Pole sign; Flickering
In this interview Glusman discusses his early memories of being raised in Vancouver, Canada and how he ended up in Las Vegas. He reflects on how he first got his start in the town and his early dealings with casinos and their owners while he was working as a carpet and drapery salesman and while working for Fabulous Magazine. Glusman explains how he started his restaurant and tells about the people he encountered while doing this that where significant to both the Jewish community and Las Vegas as a whole. He recounts stories that include such people as Meyer Lansky, Al Sachs, and Moe Dalitz.