Oral history interview with Stephen Round conducted by Claytee D. White on October 25, 2017 for the Remembering 1 October Oral History Project. In this interview, Stephen A. Round, a career military contractor, describes his experiences during the 2017 mass shooting in Las Vegas, Nevada. Round mentions moving to Las Vegas in 2013 and in later years staying at the Aria on the evening of October 1. He describes the chaos of the shooting and the 12-hour-plus lockdown at the Aria hotel and casino. The day after the shooting, Round built a memorial around the shooting site and protected it. Once the memorabilia of that first site was taken to the Clark County Museum, he moved to protect the second memorial at the "Welcome to Las Vegas" sign where crosses devoted to the victims had been placed. Along with his preservation of the memorials, Round describes his preparation of a book that was signed by many who visited the sites. Round explains that he was able to see some of the best and worst of humanity during those days of watching and caring for the memorial sites as well as helping any victims, families of the victims, and sympathizers of the Las Vegas 2017 shooting.
Harold Lloyd was an influential film actor and producer known for his sight gags and extreme stunts in his silent comedy films between 1913 and 1928, as well as his sound films between 1929 and 1938 before his retirement. After retiring, director Preston Sturges convinced him to return to acting, appearing in the Howard Hughes-produced The Sin of Harold Diddlebock (1947).
The film was re-edited and re-released as Mad Wednesday in 1950.
The Sky Devils sub-series (1930-1933) is comprised of materials pertaining to the production process of The Caddo Company's February 6, 1932 release of Sky Devils. The sub-series includes advertising and publicity, administrative, legal, production, direction, and story development records.
The advertising and publicity records include a list of scenes for inclusion in a trailer, production credits, newspaper clippings detailing the film's reception, and photographic prints. Administrative records contain correspondence pertaining to French distribution rights and Joseph Moncure March’s start date on the screenplay. Legal records contain domestic and foreign release contracts. Production and direction records include stage and sound logs and daily production reports. Story development records include screenplays, dialogue and cutting continuities, preliminary and production scripts, and continuities for adaptation. Also included are black-and-white photographic prints and a negative depicting the film during its production, as well as set, director, and advertising images.
Archival Collection
Howard Hughes Film Production Records
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Collection Number: MS-01036 Collection Name: Howard Hughes Film Production Records Box/Folder: N/A