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Displaying results 149161 - 149170 of 149476

Delon Potter oral history interview

Identifier

OH-01500

Abstract

Oral history interview with Delon Potter conducted by Eleanor Christoffersen on February 3, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. In this brief interview, Potter, a Mesquite, Nevada native, talks about his birth in 1909 and his move to Las Vegas in 1933. He describes the early town and some of the more notable inhabitants including "Pop" Squires, working at the Winterwood Ranch at the base of Sunrise Mountain, as a sheep herder near Kaolin, Nevada, and later as a construction worker at the Hoover Dam. After the war, Potter explains that he tried running his own ranch in Utah before moving back to Henderson, Nevada, working for U. S. Lime and trading horses throughout Nevada, Utah, and Arizona.

Archival Collection

Joyce Bush oral history interview

Identifier

OH-02940

Abstract

Oral history interview with Joyce Bush conducted by Claytee D. White on September 20, 1995 for the UNLV University Libraries Oral History Collection. In this interview, Bush discusses the formation of her non-profit organization, International Youth for Christ Choir. She explains that she developed the idea in 1994, based on the "True Love Waits" abstinence program of the Baptist Church. She explains how the organization was formed, the process of building a board of directors, ideas about fundraising, publicity, and soliciting donations, attracting youth to the organization, her hopes for the future of the organization, and the reasons corporate sponsorship was unlikely because they tend not to support religious groups.

Archival Collection

Frank Gagliardi Music Manuscript Collection

Identifier

MS-01095

Abstract

The Frank Gagliardi Music Manuscript Collection (approximately 1964-1974) contains musical arrangements of standard Frank Sinatra songs, printed or photocopied with annotations. Each part is in its own folder, and each song is numbered. Frank Gagliardi performed as percussionist in Antonio Morelli's orchestra for the Sands Hotel in Las Vegas, Nevada, where he played for Frank Sinatra and other notable entertainers during the 1960s and 1970s.

Archival Collection

Kaweeda Adams oral history interview

Identifier

OH-00007

Abstract

Oral history interview with Kaweeda Adams conducted by Kim Kershaw on March 05, 2004 for the Public School Principalship Oral History Project. In this interview, Adams reflects upon her career as a teacher in Louisiana from the 1980s to the 1990s, and as a teacher and administrator with Nevada’s Clark County School District (CCSD) from the 1990s to the early 2000s. She discusses her upbringing, and how her upbringing influenced her pursuit of education. She describes the process by which she became a teacher and eventually administrator, and compares her experiences working in Louisiana and Nevada. She discusses how these experiences shaped her philosophy of education, as well as changes that she has observed in the students over time. She describes her regular job duties, as well as challenges that she faced as a school administrator such as teacher dismissal and evaluations.

Archival Collection

Joan Olson Griffith oral history interview

Identifier

OH-00742

Abstract

Oral history interview with Joan Olson Griffith conducted by Sharee Schrader on April 12, 2005 for the History of Blue Diamond Village in Nevada Oral History Project. Griffith begins by discussing why she moved to Blue Diamond, Nevada with her family due to job opportunities at the Blue Diamond Plant, where they manufactured wallboard, in 1956. She describes life in Blue Diamond and rural Nevada, the education available in the village, and Blue Diamond's proximity to Bonnie Springs Ranch and structures made for the filming of Western themed media. Griffith concludes by discussing how Blue Diamond has changed since the 1950s and being a Sunday school teacher for eighteen years.

Archival Collection

John West oral history interview

Identifier

OH-01956

Abstract

Oral history interview with John West conducted by Claytee D. White on August 10, 2000 for the Boyer Early Las Vegas Oral History Project. In this interview, West discusses his family background and arriving to Las Vegas, Nevada in 1954. West describes his educational experiences in Las Vegas and his career as a clinical psychologist. He recalls his father’s career in medicine and becoming the first African American licensed medical doctor in Las Vegas. West then talks about attending entertainment events before race integration was introduced, and the voting patterns in West Las Vegas. Lastly, West discusses his father’s decision to remain living in West Las Vegas and operating his medical office there after integration.

Archival Collection

Richard D. Chase oral history interview

Identifier

OH-00364

Abstract

Oral history interview with Richard D. Chase conducted by Helen Rondthaler on October 17, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. Chase discusses the history of Las Vegas, Nevada from 1945, touching on topics such as the housing shortage during the 1940s, The Red Rooster swingers’ club, Billy Moore, Sam Larson, Ira Goldring, atomic bomb testing, and the Nevada environment. Chase discusses the importance of construction-based labor to the development of Southern Nevada. Chase also explains at length the impact of the Nevada Test Site on his construction company.

Archival Collection

Patricia Becker Scrapbooks

Identifier

MS-00645

Abstract

The Patricia Becker Scrapbooks reflect the professional activities of "Patty" Becker from 1976 to 2013. Materials include photographs, awards, correspondence, and newspaper articles documenting Patricia Becker's career. Included are articles related to her appointment as the Executive Director of the UNLV International Gaming Institute in 2005 as well as a Harrah's Senior Executive Organization Chart from 1984 to 1993.

Archival Collection

Las Vegas Rotary Club Records

Identifier

MS-00710

Abstract

The Las Vegas Rotary Club Records (1981-2022) contain award certificates, club directories and rosters, Las Vegas Rotary publications, commemorative material including a 20-foot by 34-foot velvet curtain. The collection also contains plastic and metal Rotary Club signs from across the United States and international locations, material from a Rotary Club in Africa, and a digital video segment made in 2013 about the history of the Las Vegas Rotary.

Archival Collection

Film strip of individuals or Hoover Dam construction, image 006: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one (0272_0040) reads, "Early morning on grave-yard shift, day shift coming on, notice lunch boxes. Hardway Johnnie (John Armitage) the graveyard Asst. Super. Coming down to see why they are slow getting to their jobs - that's me right behind him." "The men nicknamed me Hardway Jr. I relayed his orders. He had a hard time walking those 2x12 boards on top of the forms - they did install rails later, as you can see, but didn't weather the rough treatment - (xx) elevator shaft." "I got a lot of learning under John Armitage. He sent me to relieve on so many different jobs. Had clean up crew for three months - also I ran the pours with #5 hi-line until it could reach the dam no more, with the angle it sat. Tied steel on intake towers two nights." "Most fearful job was relief hook tender on the stiffleg. The job was situated on a pad on the upstream face of the dam, about level with the low-mix trusel, with just enough room for two of the 8 yd. buckets - the stiffleg would leave a bucket of mud - pick an empty one - No.6 hi-line would leave and empty one and pick up the empty. The men stood as flat as they could - during the exchange with the bucket down. The men would grab the swinging steel cables in one hand, the 12 pound hook that felt like 50 pounds. Place cable on eye in bucket, then twist hook down and slam in place - no guard rails." The second one (0272_0041) reads "Intake towers growing. The bottom of the picture shows a finished pour - it must cure for 12 hours in the hot weather, and 48 hours, cold weather - 300 ft. down if you step off the end of this panel (see arrow)," as a handwritten inscription. The third one (0272_0042) reads "The morning after my first night of work, with Dickey" (dog).

Image