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Felicia Campbell Papers

Identifier

MS-01173

Abstract

The Felicia Campbell Papers (approximately 1962-2020) contains material documenting the life and work of long-time UNLV English professor, Felicia Campbell. Materials include Campbell's personal and professional papers including correspondence, scholarly journals featuring her published articles, article drafts, newspaper clippings, photographs, personal diaries, and awards. Also included are materials documenting Campbell's discrimination lawsuit against UNLV in the 1970s regarding equal pay for tenured female faculty.

Archival Collection

Felix Lenox Photograph Collection

Identifier

PH-00395

Abstract

The Felix Lenox Photograph Collection (approximately 1910-2000) contains original photographic slides, prints, and contact sheets collected by Lenox in support of his popular "Nevada Armored Transport Inc. (1946-1984)" Facebook page. The collection also includes Lenox's own research on Las Vegas history and armored trucks.

Archival Collection

William Flangas Scrapbooks

Identifier

MS-00099

Abstract

The William Flangas Srapbooks document his anti-smoking efforts in Nevada from 1974 to 2014. These materials include correspondence, articles, copies of assembly bills, newsletters related to smoking and health, and newsletters related to non-smokers.

Archival Collection

Clyde F. Merrick Photographic Slides

Identifier

PH-00449

Abstract

The Clyde F. Merrick Photographic Slides (approximately 1971-1979) contain color photographic slides taken by Clyde F. Merrick, longtime resident of Las Vegas, Nevada. The majority of slides in this collection depict signs for different businesses around Las Vegas including the Las Vegas Strip and the Westside. Some of the businesses documented in this collection includes Fong's Garden, Leon's Shear Magic Beauty Salon, Lucas and Son's Antiques, Dick's Tricky Trikes, Mohan's Custom Tailors, the Twenty Grand Club, Owens TV Repair, and Caesars Palace. The collection also documents a variety of different types of businesses around Las Vegas including bars and nightclubs, beauty salons, car washes, gas stations, and restaurants. Merrick was also a car racing hobbyist and a number of slides in this collection depict what is presumed to be the Las Vegas Speedrome racetrack (later known the Las Vegas Motor Speedway). This collection also includes photographs of locations outside of Las Vegas and Southern Nevada.

Archival Collection

Film strip of individuals or Hoover Dam construction, image 006: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one (0272_0040) reads, "Early morning on grave-yard shift, day shift coming on, notice lunch boxes. Hardway Johnnie (John Armitage) the graveyard Asst. Super. Coming down to see why they are slow getting to their jobs - that's me right behind him." "The men nicknamed me Hardway Jr. I relayed his orders. He had a hard time walking those 2x12 boards on top of the forms - they did install rails later, as you can see, but didn't weather the rough treatment - (xx) elevator shaft." "I got a lot of learning under John Armitage. He sent me to relieve on so many different jobs. Had clean up crew for three months - also I ran the pours with #5 hi-line until it could reach the dam no more, with the angle it sat. Tied steel on intake towers two nights." "Most fearful job was relief hook tender on the stiffleg. The job was situated on a pad on the upstream face of the dam, about level with the low-mix trusel, with just enough room for two of the 8 yd. buckets - the stiffleg would leave a bucket of mud - pick an empty one - No.6 hi-line would leave and empty one and pick up the empty. The men stood as flat as they could - during the exchange with the bucket down. The men would grab the swinging steel cables in one hand, the 12 pound hook that felt like 50 pounds. Place cable on eye in bucket, then twist hook down and slam in place - no guard rails." The second one (0272_0041) reads "Intake towers growing. The bottom of the picture shows a finished pour - it must cure for 12 hours in the hot weather, and 48 hours, cold weather - 300 ft. down if you step off the end of this panel (see arrow)," as a handwritten inscription. The third one (0272_0042) reads "The morning after my first night of work, with Dickey" (dog).

Image

neo000139-004

Description

Sign animation: Chasing, flashing, oscillating
Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly.
Sign keywords: Neon; Backlit

Jerry Morlan Professional Papers

Identifier

MS-00486

Abstract

This collection contains material that documents the career of technology educator Jerry Morlan (1938-2000), primarily in Las Vegas, Nevada. The bulk of the materials date between 1986-1996 and refer to Morlan's role in integrating technology into the classroom in the Clark County, Nevada School District. They include numerous letters of thanks and recommendation from schools throughout the county, as well as Morlan's professional writings and newspaper clippings related to his advocacy of vocational learning in the industrial arts. Also included in the collection is a group of photographs that visually document student projects Morlan directed during the 1980s, as well as a videocassette program from 1991 that offered an introduction to technology.

Archival Collection

Gary Sternberg Papers

Identifier

MS-00717

Abstract

The Gary Sternberg Papers are comprised of correspondence, publications, and videos documenting Sternberg's involvement with the Las Vegas Jewish community from 1983 to 2015. Organizations represented in the collection include Congregation Ner Tamid and the Holocaust Survivors Group of Southern Nevada. Also included are digital photographs of Sternberg in 2015 wearing his Caesars Palace dealer's uniform.

Archival Collection

Allied Arts Council of Southern Nevada Records

Identifier

MS-00187

Abstract

The Allied Arts Council of Southern Nevada (AACSN) Records are comprised of the organizational records of the Allied Arts Council, a Las Vegas, Nevada-based non-profit organization that promoted the arts and cultural life in Southern Nevada from 1971 to 1999. Materials include meeting minutes, financial records, correspondence, membership information, publications, event information, project files, photographs, audio cassettes, VHS, and U-Matic tapes.

Archival Collection

Ann Valder Photograph Collection on Judy Bayley

Identifier

PH-00324

Abstract

The Ann Valder Photograph Collection on Judy Bayley (1969-1971) consists of black-and-white photographic prints of Hacienda Hotel owner Judy Bayley, collected by Las Vegas, Nevada journalist Ann Valder. The collection is primarily comprised of photographic prints of Bayley at a 1971 event held in her honor at the International Hotel in Las Vegas, Nevada. The collection also includes photographic prints of Bayley at fundraisers for the American Cancer Society. Ann Valder was an editor and journalist for the Las Vegas Review-Journal and Valley Times, as well as a columnist for the Las Vegas Sun.

Archival Collection