Search Results
Frank Gagliardi Music Manuscript Collection
Identifier
Abstract
The Frank Gagliardi Music Manuscript Collection (approximately 1964-1974) contains musical arrangements of standard Frank Sinatra songs, printed or photocopied with annotations. Each part is in its own folder, and each song is numbered. Frank Gagliardi performed as percussionist in Antonio Morelli's orchestra for the Sands Hotel in Las Vegas, Nevada, where he played for Frank Sinatra and other notable entertainers during the 1960s and 1970s.
Archival Collection
Kaweeda Adams oral history interview
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Abstract
Oral history interview with Kaweeda Adams conducted by Kim Kershaw on March 05, 2004 for the Public School Principalship Oral History Project. In this interview, Adams reflects upon her career as a teacher in Louisiana from the 1980s to the 1990s, and as a teacher and administrator with Nevada’s Clark County School District (CCSD) from the 1990s to the early 2000s. She discusses her upbringing, and how her upbringing influenced her pursuit of education. She describes the process by which she became a teacher and eventually administrator, and compares her experiences working in Louisiana and Nevada. She discusses how these experiences shaped her philosophy of education, as well as changes that she has observed in the students over time. She describes her regular job duties, as well as challenges that she faced as a school administrator such as teacher dismissal and evaluations.
Archival Collection
Delon Potter oral history interview
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Abstract
Oral history interview with Delon Potter conducted by Eleanor Christoffersen on February 3, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. In this brief interview, Potter, a Mesquite, Nevada native, talks about his birth in 1909 and his move to Las Vegas in 1933. He describes the early town and some of the more notable inhabitants including "Pop" Squires, working at the Winterwood Ranch at the base of Sunrise Mountain, as a sheep herder near Kaolin, Nevada, and later as a construction worker at the Hoover Dam. After the war, Potter explains that he tried running his own ranch in Utah before moving back to Henderson, Nevada, working for U. S. Lime and trading horses throughout Nevada, Utah, and Arizona.
Archival Collection
Richard D. Chase oral history interview
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Abstract
Oral history interview with Richard D. Chase conducted by Helen Rondthaler on October 17, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. Chase discusses the history of Las Vegas, Nevada from 1945, touching on topics such as the housing shortage during the 1940s, The Red Rooster swingers’ club, Billy Moore, Sam Larson, Ira Goldring, atomic bomb testing, and the Nevada environment. Chase discusses the importance of construction-based labor to the development of Southern Nevada. Chase also explains at length the impact of the Nevada Test Site on his construction company.
Archival Collection
Joan Olson Griffith oral history interview
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Abstract
Oral history interview with Joan Olson Griffith conducted by Sharee Schrader on April 12, 2005 for the History of Blue Diamond Village in Nevada Oral History Project. Griffith begins by discussing why she moved to Blue Diamond, Nevada with her family due to job opportunities at the Blue Diamond Plant, where they manufactured wallboard, in 1956. She describes life in Blue Diamond and rural Nevada, the education available in the village, and Blue Diamond's proximity to Bonnie Springs Ranch and structures made for the filming of Western themed media. Griffith concludes by discussing how Blue Diamond has changed since the 1950s and being a Sunday school teacher for eighteen years.
Archival Collection
Ned V. Bearden Sr. Photograph Collection
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Abstract
The Ned V. Bearden Sr. Photograph Collection contains black-and-white photographic prints and negatives of early Las Vegas, Nevada Fremont Street hotels, casinos, as well as Las Vegas businesses and residences between approximately 1940 to 1960. These photographs detail air conditioning units installations by Bearden throughout Las Vegas.
Archival Collection
John West oral history interview
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Abstract
Oral history interview with John West conducted by Claytee D. White on August 10, 2000 for the Boyer Early Las Vegas Oral History Project. In this interview, West discusses his family background and arriving to Las Vegas, Nevada in 1954. West describes his educational experiences in Las Vegas and his career as a clinical psychologist. He recalls his father’s career in medicine and becoming the first African American licensed medical doctor in Las Vegas. West then talks about attending entertainment events before race integration was introduced, and the voting patterns in West Las Vegas. Lastly, West discusses his father’s decision to remain living in West Las Vegas and operating his medical office there after integration.
Archival Collection
Mavis Eggle "Books as They Were Bought" Collection
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Abstract
The Mavis Eggle "Books as They Were Bought" collection provides a broad overview of printed material from the 1780s through 1949. Gathered by book collector Mavis Eggle, the collection serves as a social history of books, newspapers, and ephemera. Physical characteristics of the books include a variety of printer's marks, publishers' bindings, bookplates, and early subscription libraries. The collection's titles are a diverse and creative gathering of poetry, children' literature, religious texts, broadsides, newspapers, and popular fiction. Together, the items in the Mavis Eggle "Books as They Were Bought" collection illustrate changes in literature, printing and publishing, advertising, and book history over a time period of more than 170 years.
Archival Collection
Film strip of individuals or Hoover Dam construction, image 006: photographic print
Date
Archival Collection
Description
Image
neo000139-004
Description
Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly.
Sign keywords: Neon; Backlit