The Charles Aplin Photograph Collection (approximately 1935-1955) consists of black-and-white photographic prints and negatives. The images primarily depict the Fraternal Order of Eagles, Las Vegas, Nevada chapter events and members. Also included are images of Las Vegas, Helldorado parades, and Conrad H. Mann, former president of the Fraternal Order of Eagles.
Archival Collection
Oral history interview with Therese Thomas conducted by Dennis McBride on March 13, 1995 for the Boulder City Library Oral History Project. In the interview, Thomas discusses her early life in Thistle, Utah before moving to Las Vegas, Nevada in approximately 1931, where her father worked on the Hoover Dam (Boulder Dam) construction. Thomas then talks about her early schooling in Boulder City, Nevada, her experiences as a swing and dance band musician, Block 16 in the Clark Las Vegas Townsite, and her memories of Las Vegas hotels and casinos. Other subjects Thomas covers include Las Vegas entertainers, entertainment venues, and women in the music industry during the 1930s.
Archival Collection
Oral history joint interview with the "Holiday in Japan" dancers conducted by Claytee D. White on May 26, 2011 for the Boyer Early Las Vegas Oral History Project. The dancers present for the interview were Sachiko O. Thompson, Minoru Saito, Kazu Hamada, Kyoko Nakamura, Nobuko Suda, and Katsuko Tomoko Billman. The dancers begin by discussing their lives in Japan before coming to the United States in 1960 to perform their "Holiday in Japan" stage show. They describe their reactions to coming to the United States and compare it to life in Japan, as well as their reactions to coming to Las Vegas, Nevada specifically. They discuss performing their show at the New Frontier Hotel and Casino, Desert Inn Hotel and Casino, and Dunes Hotel and Casino. They describe their show, which presented Japanese culture to Western audiences, and the work that went into it. They end the interview by detailing their lives and careers after performances of the show concluded in 1961.
Archival Collection
The Donna Silva Lighting Design Plans (1986-1996) contain blueprints and schedule binders for a number of projects Silva worked on in Las Vegas, Nevada including the New York-New York Hotel & Casino, The Orleans Hotel & Casino, Golden Nugget, and the MGM Grand Hotel. Also included are lighting plans for the Foxwoods Resort Casino (operated by the Mashantucket Pequot Tribal Nation) in Connecticut, Caesars Atlantic City, and Players Island (now CasaBlanca Resort) in Mesquite, Nevada.
Archival Collection
Oral history interview with Luceanne "Lucy" Taufa conducted by Jerwin Tiu, Cecilia Winchell, and Stefani Evans on December 16, 2022 for Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Taufa describes growing up on the Tongan island of Vava'u in a large family and later immigrating to the United States. She recalls her father first immigrating to Hawaii, and after obtaining a green card, her and her siblings following shortly after. While Kaufa's older siblings continued to pursue higher education and her younger siblings were too young to work, she took on a bulk of the responsibility to provide income and navigate life in Hawaii for her family. Eventually, Lucy moved to Dallas, Texas, met her husband, and moved to Las Vegas, Nevada for her husband's job. Later in the interview, she discusses joining the Culinary Union after experiencing racial discrimination at her workplace and her pride in her identity as a Tongan woman.
Archival Collection
The Southwest Oral History Association Records contains records of the Southwest Oral History Association (SOHA) from 1981 to 2020. Records include agendas and minutes from the executive board committee, financial records, correspondence, photographs, and planning documents for SOHA's annual conference.
Archival Collection
Oral history interview with Eloiza B. Martinez conducted by Maribel Estrada Calderón on October 10, 2018 for the Latinx Voices of Southern Nevada Oral History Project. Martinez discusses the career preparedness she took while working for Commercial Credit Corporation and studying with Mayor Oscar Goodman. She then describes her first impressions of Las Vegas, Nevada and about her community involvement. Martinez then discusses her work at Wells Fargo as loan officer and assistant vice president, and talks about discrimination in the workplace and in the neighborhood where she grew up.
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From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Elected official interviews file.
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Randy Lavigne, Honorary AIA, has every reason to smile. Since 1995 she has been the Executive Director for AIA (American Institute of Architects) Las Vegas professional organization; she works daily with her daughter in a beautifully restored historic building in the heart of downtown Las Vegas; and the architects with whom she works so value her contributions they compiled and submitted documentation in order to surprise her with honorary AIA membership. In this interview, Lavigne recalls growing up in segregated Emory Gap, Tennessee, where her grandfather bought all the schoolchildren new shoes every year. She details the cross-country trip that brought her to Las Vegas in 1994 and eventually to the AIA in 1995. The bulk of the interview focuses on the building where the AIA is housed and the history of the organization. In 2008 the AIA moved from its former home at UNLV’s School of Architecture to the historic Fifth Street School in downtown Las Vegas. Lavigne discusses the history of the building and its significance to the City of Las Vegas. She reveals plans to examine the architectural history Las Vegas to celebrate the AIA Chapter’s sixtieth anniversary. She also talks about diversity in the profession, the process of licensure, publications, continuing education, organizational records, and the now-defunct auxiliary organization, the Architects' Wives League.
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At age 95, Marian Wojciechowski recalls his personal story of being born a region called called Poland in 1914, just as World War I was beginning. This narrative gives special attention to his Polish background at a time when the country did not technically exist, and their language was forbidden. By the late 1930s and the dawning of World War II, Marian is a young man struggling to understand what is transpiring, but knowing that he must participate in the Polish underground resistance against the Germans His activism gets him arrested and sentenced to Auschwitz as a non-Jew and without penalty of death. He recalls the Gestapo beatings which have left him without feeling in his fingers and a loss of hearing. He shares historical perspectives of the war era, agricultural coops, goal of Germans to sell Jews to the United States and other countries, and a story about a woman who helped save 2500 Jewish children during war.
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