The Ralph Denton Legal Papers (1950-1993) consist of case files and legal briefs of civil rights attorney Ralph Denton. The cases largely involve civil rights issues and property claims in Las Vegas, Nevada. The files include cases representing individuals as well as companies such as Henderson Telephone Company, Lephrechaun Mining Company, and the Jockey Club Casino.
The Southern Nevada Jewish Heritage Project Community Collection is comprised of organizational records, photographs, event programs, and ephemera donated by members of the Southern Nevada Jewish community as part of the University of Nevada, Las Vegas University Libraries’ Southern Nevada Jewish Heritage Project. Materials document the history of the Jewish community and Southern Nevada from 1941 to 2017. The collection provides information about family life, religious rituals, community events, and local businesses and organizations.
The Kiel Ranch Preservation Committee Records (1973-2005) document the activities of the North Las Vegas Bicentennial Committee (1973-1976) and its successor, the Advisory Board for Kiel Ranch (1978-1995), in their efforts to restore Kiel Ranch, one of the earliest non-indigenous settlement sites in the Las Vegas, Nevada area. The collection contains various official reports on Kiel Ranch, proposals on how to restore Kiel Ranch, chronological files for each year of the project, and newspaper clippings on the status of Kiel Ranch.
The Tonopah Mining Company Records derive from the office of the company’s general manager in Tonopah, Nevada and consist of documents directly generated by its mining and milling operations from 1901 through 1941. The collection includes daily work reports, assay reports and certificates, employee time cards, invoices and receipts for mining equipment and supplies, monthly stores reports, and the company’s numerous insurance policies. Several of the company’s annual reports, including an original typescript copy of the 1907 annual report, are included in the collection. Additionally, select records from the company's subsidiary, Desert Power and Mill Company, as well as the Tonopah and Goldfield Railroad, which include overcharge claims, freight and repair bills, and delivery receipts are included in the collection.
The Matt Gregory Photograph Collection contains color and black-and-white photographic prints, negatives, and slides of musical and dance shows he produced in Nevada and international locations between 1959 and 1985.
The Bill Willard Photograph Collection depicts Las Vegas, Nevada, hotels and casinos in Las Vegas, the Las Vegas Valley, and Laughlin, Nevada from 1905 to 1919 and from 1940 to 1999. The photographs primarily depict hotels and casinos in Las Vegas, including the Sahara Hotel, Circus Circus Hotel and Casino, MGM Grand Las Vegas Hotel and Casino, Caesars Palace, Flamingo Hotel, and the Aladdin Hotel. The photographs also depict students at Nevada Southern University (predecessor of the University of Nevada, Las Vegas), the city of Las Vegas, industrial plants in Henderson and Apex, Nevada, and events in Laughlin, Nevada.
The North Las Vegas Bicentennial Committee Photographs and Drawings of Kiel Ranch document the buildings on Kiel (Kyle) Ranch in 1974. As part of the commemoration of the United States bicentennial, the North Las Vegas City Council elected to restore Kiel Ranch, which was one of the first non-indigenous settlements in the Las Vegas Valley. The materials include black-and-white photographs of Kiel Ranch as it was in 1974 as well as architectural drawings of planned renovations to the main house, the Brown House, the foreman's house, and the ranch hands' house.
The Florence Lee Jones Cahlan Photographs depict locations and events in Las Vegas, Nevada from 1909 to 1980. The photographs primarily depict historical locations, including the Las Vegas Mormon Fort, the Kiel Ranch, and plaques commemorating Las Vegas’s 75th anniversary. The photographs also depict celebrations, including the Diamond Jubilee festivities held to celebrate Las Vegas’s 75th anniversary, plaque dedications, building dedications, and the 50th anniversary of the arrival of the first mail planes in Las Vegas. The photographs include the Kennecott Copper Corporation’s facilities in McGill, Nevada, Western Airlines planes and pilots, and Union Pacific Railroad locomotives.
Photos show Mirage signs during the daytime. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site name: Mirage (Las Vegas, Nev.) Site address: 3400 S Las Vegas Blvd Sign owner: MGM Mirage Sign details: The main attraction of the property is its spectacular exploding volcano placed among an astounding array of lagoons, waterfalls and palm trees. One of the themed hotel casinos, the architectural form takes precedence over an abundance of flashing lights and neon. Two pylon signs reside on the front of the property along Las Vegas Blvd, another on the west side of the property, two arched banner entrances are placed among them, lettering atop the towers, and various text placed among the vast stretch of landscaping are the only visible large elements of signage. Sign condition: Structure 5 Surface 5 Lighting 5 The structure and lighting on the signs are in excellent repair, with no apparent major physical damage. The surfaces of the pylons and assorted log text, are a bit dirty, but no more than any other establishment, considering the punishment each must undergo due to the elements as well as the live volcano. Sign form: Pylon; Fascia; Porte-cochère Sign-specific description: Just north of Caesars Palace a giant pylon sign faces north/south, on the east side of the strip. Two giant square posts support a giant backlit advertisement panel, and an adorning entablature containing the channel letters spelling "Mirage." Between the two giant legs two cabinets are present to fill the space. Just below the main backlit panel an LED screen resides just above another back lit panel. The two giant legs have a series of polished metallic panels running vertically up the sides, creating a recessed channel. The sections are separated with slight overhangs. The bottom smaller panel cabinet is an advertisement for "Danny Gans" and the main panel advertises for the "Seigfried and Roy" magic show. A small banner rests between the main entablature, and the panel, reading "Magicians of the Century." The black channel letters in the main pediment spells "The Mirage," and are filled with incandescent bulbs. The lush foliage and walkways continue north where a covered awning faced with a carved wood and brass bullnose, allows pedestrians to take a moving walkway up to the resort. The landscaping continues north where it meets a driveway denoted by a low arched banner supported by a pair of square columns on either end. "The Mirage" is spelled in polished gold channel letters, with white interiors and filled with incandescent bulbs. The banner itself is sculpted into two sweeping solid shapes on the tops and bottoms, with a series of folded ribbon like scroll shapes. The center section is crafted as to allow light to pass through the negative spaces created by the rows of positive scroll shapes. The banners face east. On the faces of each of the flanking posts, two images of jumping dolphins are sculpted and finished in the same fashion. Past the gateway the thick beds of foliage and palm trees can be seen headed back along the drives. Continuing north a multi tiered lagoon rushes circulating water on and over waterfalls, while yet more green shrubbery and palm trees encrust islands and images of eroded rocks and geological formations. The beautiful imagery continues north, twisting and turning in and behind itself to create a fantastic spectacle for a passerby to be lured in and be fascinated. Approximately in the middle of the length of the expanse, the famous functioning volcano rests quietly amongst smaller rocks and waterfalls. Just past the volcano the lagoon opens up into a wide flat area of water where bronze dolphins are positioned to look as if they are jumping out of the water. Still the rich foliage dominates the landscape, until another arched gateway interrupts the expanse to allow traffic. The foliage, and lagoon landscaping, picks up again, cozily grasping the base of a smaller pylon of similar design as the first. The two reflective paneled legs rise up to connect with a horizontal piece of the same design. A large backlit cabinet advertising for Danny Gans occupies approximately three-quarters of the space between the legs. An entablature of the same design as the main pylon, yet smaller, crowns the top of the sign. The trademark font spells "The Mirage" in black channel letters and filled with incandescent bulbs. Just past the small double sided pylon, a small of recess of rocks plays home to the end marker of the Mirage. A bust of Siegfried and Roy with a tiger is ambiently lit, provided photo opportunities for tourists. An interesting function has been added to the bust. In the flower bed behind and on the sides of the object, faux boulders are places with glowing crystals protruding from the surface. The tower of rooms for the Mirage is the popular three winged "Y" configuration converging onto a center structure. On each face of each wing, giant black channel letters spell "The Mirage" in their trademark text. Each is filled with incandescent bulbs. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Plastic Sign animation: Oscillating Notes: The incandescent bulbs located within text logos on the pylon sign, and upon the tower oscillate to appear as shimmering. The effect is one of the more common animations particularly among the larger, corporate casinos. Sign environment: The placement of the Mirage right on the curve of the Strip makes the pylons visible from a good distance from either direction. The environment displayed by the mirage is that of paradise. When walking past, and up to the property, it hard not to stop and stare at the amazing foliage and spread of waterfalls, and rocks. Sign manufacturer: Ad-Art Sign designer: Pylons: Charles Barnard with touches from Wynn's design group Atlandia Design Group. Dolphin Archways: Barnard and Jack Dubois as well as hotel architect, Joel Bergman Sign - date of installation: 1989 Sign - date of redesign/move: The main pylon has since been updated with a new Siegfried and Roy Back lit Mural, a new LED screen, and another back lit plastic screen featuring Danny Gans. An internally lit banner reads horizontally across the top of the giant Siegfried and Roy Mural which reads Magicians of the Century. Sign - thematic influences: The theme is tropical island paradise. Complete with active volcano, the front spectacle of rushing waterfalls, chirping bird noises, and leaping bronze dolphins, serves as the backdrop for the simple, slim design of the property's pylon structure. The pylons were designed to reach harmony with the structure of the tower itself, rather than the island theme. The dolphins over the entrance arches however represent the tropical island theme, as well as speaking about the dolphin habitat inside. Sign - artistic significance: The main pylon was the first of its kind to feature a full color illuminated photographic pictoral. Designed by Rosco, it was billed as the largest of its type in the world. The resort's themed spectacular was also the first of it's kind in regards to its extravagance and unique functionality. Approximate 125,000 people visited the property on its opening day. The resort fits well into the theme of design of the large, corporate property, after all it was one of the pioneers of such a movement in Las Vegas. The Mirage also set the standards for the now frequently seen element of the attraction spectacle, and the standard of quality on the Las Vegas Strip Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic