The Esther Ruth Peaslee Postcard Collection (approximately 1900-1983) consists of postcards and postcard reproductions depicting a Labor Day celebration in Goldfield, Nevada, the Angelus Hotel, and the Goldfield Hotel. The reproductions were made approximately between 1960 and 1983. Also included is a postcard showcasing scenes in Goldfield.
Archival Collection
The Stuart A. McCarthy Photograph Collection (approximately 1940-1949) consists of photographic prints and negatives of the Photo Mart storefront on Fremont Street as well as a view of the Golden Nugget, Eldorado Club, Hotel Apache, Boulder Club, and the Pioneer Club on Fremont Street in Las Vegas, Nevada.
Archival Collection
The Theodore M. Parsons Photograph Collection (1936-1988) consists of photographic prints and negatives depicting Theodore M. Parsons and other Civilian Conservation Corps (CCC) workers in Boulder City, Nevada between 1936 and 1942. There are individual images of Parsons as well as group photographs of workers at CCC camps and public gatherings.
Archival Collection
The David Farnsworth Photograph Collection, approximately 1900 to 1915, contains five black-and-white photographic prints and corresponding negatives of David Farnsworth with groups of people posing outside storefronts in Las Vegas and Caliente, Nevada.
Archival Collection
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: Nevada Southern University, Las Vegas, NV
Mixed Content
In twenty-first-century, urban America, Randall "Randy" Walker is one of the few fathers who can say he raised his children in the same house in which he grew up. Walker did not inherit the house at 443 Republic Street, in Henderson. Instead, Walker bought the house from his parents after he graduated from Brigham Young University in Utah, worked with Exxon Oil Company in Houston, returned to Southern Nevada to work in his first government job as a budget analyst for Clark County, and sold the house he previously owned. He did not have to move his wife and children far-their previous home was at 442 Republic Street, directly across from his parents. In this oral history, Walker shares why his family came to Henderson in 1952, describes growing up in the small town of his youth, and tells what it was like to have his father as his high school Spanish teacher. He focuses on his career in government and how he applied his accountant mindset to the various positions he held with Clark County, the Las Vegas Metropolitan Police Department, the City of Las Vegas, and McCarran Airport. Along the way he shares his experiences with large governmental building projects such as the first 911 Call Center, the Downtown Transportation Center, the Regional Justice Center, and at McCarran Airport, the D v Gates, Terminal 3, and the airport tunnel and connector roads. He explains how his work with these various projects brought him into interaction with such diverse fields as architecture, accounting, construction, design, infrastructure, public art, public safety and local, state, and national politics. Throughout, Walker displays the collegial and common-sense approach to government, leadership, and problem solving that grounds the decisions he makes and explains why Richard Bunker wanted him at Clark County, why Clark County leaders recruited him to be county manager (and why that did not happen), and why McCarran Airport was able to accommodate without interruption Southern Nevada's record-breaking growth in residential and tourist traffic, and why, even in his absence, McCarran was the first major airport allowed to reopen following the 2001 September Eleventh terror attacks.
Text
The Donn Arden Papers (1910s-1990s) document Arden's sixty-plus years in the entertainment industry working in showrooms and nightclubs all over the world including Paris, France, Las Vegas, Nevada, New York, New York, and Los Angeles, California. Donn Arden worked as a choreographer, producer and director known for creating extravagant production shows that combined spectacular scenery and disaster with sequined and feathered showgirls. The collection is comprised of production notes, programs, photographs, posters, sheet music, correspondence, costume design sketches, press clippings, and magazine articles.
Archival Collection