The Rich Rizzo Professional Papers (approximately 1960-2022) are comprised largely of photographs documenting the life of Las Vegas, Nevada dancer and choreographer Rich Rizzo in shows such as Jubilee! and Lido de Paris in Las Vegas and in Paris, France. The photographs show rehearsal and performances, Rizzo with his partner and fellow choreographer Winston Helmsley, dancers and showgirls, Donn Arden, and Miss Bluebell. Other types of material include business and personal correspondence, contracts, production prospectives and set designs, show programs, and costume design photographs.

The Ned V. Bearden Sr. Photograph Collection contains black-and-white photographic prints and negatives of early Las Vegas, Nevada Fremont Street hotels, casinos, as well as Las Vegas businesses and residences between approximately 1940 to 1960. These photographs detail air conditioning units installations by Bearden throughout Las Vegas.

The Fercos Family Publicity Collection (approximately 1978-1989) contains newspaper articles, advertisements, and a poster promoting the Flying Fercos, a family of juggling and acrobatic performers who performed in Las Vegas, Nevada at the Dunes Hotel during the 1970s and 1980s. The materials document the Fercos family's act as part of producer Frederic Apcar's shows such as Casino de Paris and Hot Shock.

Materials in this collection (1969-1989) document various endeavors of the Operation Life organization. They include original correspondence, meeting minutes, news clippings, medical programs, grant applications, legal and financial documents, brochures and pamphlets, and other materials that provide context on the kinds of services provided by Operation Life. These files were kept by Jack Anderson in the course of his work as attorney for Operation Life.

Oral history interview with Katherine L. Rankin conducted by Claytee D. White on June 16, 2014 for the Boyer Early Las Vegas Oral History Project. In the interview, Rankin discusses her childhood, her move to Las Vegas, Nevada, and her career as a librarian. Rankin talks about how she began her library career on the Gila River Reservation in Arizona before accepting a position as an audio and visual materials cataloger at University of Nevada, Las Vegas (UNLV) in the 1970s. Rankin later describes her work with the American Library Association, getting tenure at UNLV, and her role as a map cataloger in UNLV Special Collections and Archives.