The University of Nevada, Las Vegas (UNLV) Office of the President Records is comprised of documents used in daily matters of the Office of the President from approximately 1950 to 2007. The records in the collection document the expansion of the UNLV campus, and the academic and athletics programs offered by the university.
The Ferron and Bracken Photograph Collection depicts Southern and Central Nevada and other western states from 1890 to 1961. The photographs primarily depict the development and growth of early Las Vegas, Nevada; mines and mining operations in Southern and Central Nevada; towns and mines in Nevada; and the Hoover (Boulder) Dam and the Colorado River.
The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.
Oral history interview with Stella Champo Iaconis conducted by Kay Long on May 14, 1997, May 21, 1997, May 26, 1997, and September 22, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Iaconis opens her interviews discussing her difficult upbringing and life on a ranch in Las Vegas, Nevada with her dad in the 1910s and 1920s. Iaconis then describes her experiences as a waitress in Las Vegas. As the interviews continue, Iaconis discusses Block 16 and sex work, the Helldorado Days, and life in 1930s Las Vegas. Iaconis ends the interview talking about her father and his career as a miner; her many husbands; and her personal history in Las Vegas.
The Michael McKensie Pratt Professional Papers (approximately 1950-2021) contain costume designs, musical selections, and synopsis for shows that Pratt worked on in Las Vegas, Nevada including 90 Degrees & Rising, Les Folies Chic, and Jubilee!. The collection also contains souvenir show programs for cabaret shows performed in Paris, France and Las Vegas, Nevada, including Lido de Paris, Casino de Paris, Bal du Moulin Rouge, and Folies Bergere. Materials also include copies of Pratt's curriculum vita and swing bible used by Pratt when he was the co-company manager for Jubilee!. Also included are video recordings of shows Pratt choreographed and an archived version of Pratt's personal website.
The Maria LaCavera Papers (1947-2017) contain the papers of professional dancer Maria LaCavera. The collection documents the career of LaCavera dancing in Las Vegas, Nevada at the Flamingo Hotel in 1947, and the Last Frontier Hotel in 1949 as one of the Ramona Girls dancing in the Danny O'Neil Varieties Act. Materials include photographs of LaCavera and other Ramona Girls, newspaper clippings, correspondence, LaCavera's American Guild of Variety Artists (AGVA) employment contracts, Fabulous Las Vegas magazines, and hotel receipts. Other items of note include photographs of the 1949 Helldorado parade, a Frontier Hotel Ramona Room menu, and Frontier Hotel ephemera. There is also a copy of a self-published biography of LaCavera, written by her daughter-in-law Kristin Meyer entitled From Bon-Air to the Last Frontier. The collection also contains the digital images used to illustrate the book.
The Charley Henchis Papers (approximately 1945-1987) document the career of international cabaret show producer Charley Henchis and the shows he produced in Las Vegas, Nevada and Beirut, Lebanon. Materials include Henchis' business files which includes correspondence, files on specialty acts, photographs, and press about Henchis. Shows represented in this collection includes La Parisienne which was performed at the Dunes Hotel in Las Vegas in 1960 before moving to Casino du Liban in Beirut. Other shows represented in this collection that were produced for Casino du Liban includes Mais Oui, S'il Vous Plait, Flash!, and Hello!. Additional materials include press and publicity files, music arrangements and scores, recordings of musical numbers used for the productions, and film footage of shows and production reels. Also included is film footage of the Charley Ballet, Henchis' dance troupe who were featured in his shows.
The Stocker Family Papers (1860-1982) document the family’s personal, political, and business interests including Mayme Stocker’s 1931 Nevada gaming license and Harold Stocker’s involvement in the Nevada Republican party. The collection contains family correspondence, political documents and planning materials, and business records related to the family’s gaming and real estate interests.
William Flangas was born in Ely, Nevada, in 1927. He attended grade school through high school in White Pine County. In his junior year, he left school to join the Navy. After the war, he enrolled at UNR on the G.I. Bill, and graduated with a degree in metallurgical engineering. In 1951, Bill worked for Kennecott in a 'deep root' project, spent a summer in Chile working in a smelter, and then went back to work for Kennecott in underground operations. On the basis of this experience, he wrote a thesis and earned an EM degree (Engineer of Mines). Bill was approached in 1958 by Mr. Reynolds of the Reynolds Electric/Engineering Company with a request that he come help them out at the Nevada Test Site. He refused at first, but after a second call and a visit to the tunnel site, he accepted the job, pulled together a first-rate group of experienced miners, and stayed on to enjoy a 40 year career concurrent with the job at the test site, Bill was appointed to the State Planning Board, later renamed the State Public Works Board. The function of the board was to list public buildings in order of priority. In 1984, the College of Engineering at UNLV made the priority list. Bill helped set up three point contact among the university personnel, the architectural firm, and the Public Works Board. This was to ensure that the building met the needs of the engineers but did not go over budget.