The Fallman Family Papers (approximately 1950-2005) consist of correspondence, newspaper clippings, photographic prints and slides, scrapbooks, and pamphlets from James and Ima Fallman and their daughter, Janice. The correspondence primarily relates to James and Ima Fallman and chronicles Ima's involvement with the Francisco Garces chapter of the Daughters of the American Revolution (DAR), James's work as a bartender in Las Vegas, Nevada, and awards he received during World War II. The newspaper clippings mention either James Fallman or his daughter, Janice, and her involvement with the Las Vegas High School Rhythmettes dance team. The majority of materials from Janice describe her school days at Las Vegas High School and events participated in as a child and young adult.
Ronzone Family Papers (1900-1991) include newspaper clippings, business documents, correspondence, certificates, yearbooks, publications, artifacts, and photographs. The papers document their lives in Nevada, their department store, and Dick Ronzone's involvement in local politics.
The Mabel Hoggard Papers (1903-2011) contain materials related to Hoggard's career as a Las Vegas, Nevada elementary school teacher, her research and civic interests in Las Vegas's predominantly African American Westside communities, and her engagement with civil rights issues. The collection also contains materials about Hoggard's life, including biographical newspaper articles about her childhood, education, work, and family. The collection includes lesson plans, scrapbooks, awards, correspondence, photographs, and physical objects such as a vinyl record and political pins. The bulk of the collection focuses on her life in Las Vegas from approximately 1946-1989.
The Shelley Berkley Papers (1987-2012) consist primarily of correspondence and other documents pertaining to Shelley Berkley's tenure as United States Representative for Nevada 1st congressional district. Topics include nuclear waste storage at Yucca Mountain, education, women's rights, health care, foreign affairs, veterans, economics, and homeland security. The collection also includes photographs, interviews, and awards. Shelley Berkley served as a member of Congress between 1999 and 2013.
Daryl Morris discusses growing up in Las Vegas and his love of acting.
Daryl Morris is a native of Las Vegas. Born in 1961, he is one of three sons born to Paula and Bobby Morris. He recalls his childhood of the 1960s and 1970s with great fondness of the fast friendships formed within the Jewish community. His day job is in insurance, but his great love is for acting. He tells of being smitten at the age of 11 and taking acting lessons as a youngster and then later studying with actor Jeff Goldblum. He has an impressive list of films in which he has appeared, including the opening scene of Mall Cop 2. He enjoys voice-over acting and teaching acting classes. He also tells about his Navy service, attending UNLV, and coming to settle in Las Vegas-the place he calls home. Daryl also participated in the January 31, 2016, Growing Up Jewish in Las Vegas panel discussion for the Southern Nevada Jewish Heritage Project.
On February 18, 1951, Fred Wilson interviewed Mary Ellen Osborn Lake (born 1870 in Mercer County, Missouri) and her son, Thomas Lake (born 1889 in Missouri). Wilson first asked Mary Ellen questions about when she first arrived in Las Vegas, Nevada in 1904. Much of the relatively brief interview involved questions related to the first Methodist churches in Las Vegas and the Lakes’ involvement and recollections of the locations and members of the church community.
Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.