Born in 1936, architect Joel Bergman spent his childhood in Venice, California, the son of Edythe Klein and Harry Bergman, a baker who later turned to dealing in scrap metal. The award-winning designer of such Las Vegas projects as the International Hotel, the MGM Grand Hotel (later Bally's), additions to the Riviera Hotel and the Golden Nugget downtown, the Mirage, Treasure Island, Paris Casino Resort, Caesars Palace, Trump International Hotel and Tower, the Signature at MGM Grand, Rhumbar, Gilley's at Treasure Island, and the Tropicana Hotel and Casino first arrived in Las Vegas in 1968 to work on the International Hotel. In this interview, Bergman discusses his architectural career, which began with his graduation in architecture from the University of Southern California; he also discusses his work with Martin Stern, his sixteen years with Steve Wynn, and the formation of his own architectural firm, Bergman Walls and Associates. Throughout, he pays tribute to the three mentors who had the greatest influence on his work—USC architecture professor Carleton Winslow, architect Berton Severson, and client Steve Wynn—and the ways they visualized people moving through space. He acknowledges other professionals whose work he admired and talks about his wives Marlene Federman, Terrie Colston, Maria Nicolini, and Valentina Bogdanova as well as his children and stepchildren. Joel David Bergman passed away August 24, 2016, three weeks after he gave this interview.
On March 2, 1977, Sam Copeland interviewed Carol Forsythe about her experience living in Las Vegas, Nevada. Carol first describes the details with which she was familiar about her husband’s career as a firefighter, specifically facts about the growth of the Clark County Fire Department. Forsythe later talks about the development of the town when she first arrived in Las Vegas, and she later describes the different residences at which she and her family lived. She also describes the different changes in building and development over time in Las Vegas, and she mentions the early use of swamp coolers before air conditioning. The narration concludes with Forsythe’s description of the Helldorado tradition and its changes as well as her family’s Episcopalian faith and the churches they attended.
The orientation manual of the Jewish Family Service Agency provides guidance for the duties of the board of directors, the operation of the agency, the organization chart, and staff listing. It also outlines the role of volunteers in the agency.
The Holiday House motel sign with a "For Sale" sign sits at 2211 South Las Vegas Boulevard. Formerly the Bagdad Inn, the property has been in operation since the early 50s. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 2211 S Las Vegas Blvd Sign details: The Holiday House Motel was originally the Bagdad Inn that opened up in the 1950's. The actual motel was possibly named after Bagdad California, a small ghost town in the San Bernardino county. This town was a former route 66 pit stop and later passed by with the new I-15 and I- 40 in the late 1970's. The motel changed its name in 1983 to Holiday House Motel. The motel currently has a for sale sign. Sign condition: The sign is in a 4.5. There seems to not have much sun or wind damage to the sign. The color is still fresh. Sign form: This is a two- pole squared structured sign. Sign-specific description: The sign is a bright red squared basis. All aspects of the sign's advertisement are connected together in one large square. There is no separation within the structure; it just looks like one giant red canvas with words and would even suggest the sign is very minimal. At the bottom, right portion of the sign you will see a small reader board (currently the reader board has been covered with a for sale sign). Vertically on the left side is the word motel in white lettering. The holiday house font is in yellow incandescent lighting, and the font looks italicized. The no vacancy is in neon underneath the holiday house typography. Two white poles are what holds up the sign. Sign - type of display: Neon, Incandescent and fluorescent lighting. Sign - media: Steel and Plastic Sign - non-neon treatments: Reader board Sign animation: Flasher for the incandescent light bulbs in the letters Sign environment: This location is on the north end of the Strip across the street from the Stratosphere and near the Holiday Motel and Fun City Motel. Sign - date of installation: 1983 Sign - date of redesign/move: In 1950's the sign was Bagdad Inn and in 1983 the establishment later changed into the Holiday House Motel. Sign - thematic influences: This sign could have inspiration from the post modernism idea of open space and minimal design to "advertise" to consumers. This sign is very representative of 1970's designs. Sign - artistic significance: Every portion of the sign was thoughtfully placed to hit the consumer in a fast and efficient way. Survey - research locations: Vintage Vegas http://vintagelasvegas.com/search/Holiday+House+Motel and Roadside Architecture http://www.roadarch.com/signs/nvvegas.html . Surveyor: Gisselle Tipp Survey - date completed: 2017-08-30 Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Pole sign; Fluorescent; Roof Sign
The Las Vegas Hostel sign sits at 1322 East Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Sheet. Site address: 1322 E Fremont St Sign owner: Downtown Lodging LLC Sign details: This building was originally constructed in 1973 for commercial living accommodations and motel purposes. Previous to the Las Vegas Hostel opening in late 2014/early 2015 it was USA hostel whom used the sign box that the Las Vegas Hostel currently uses today. They have 38 rooms of different variety and 158 beds as a cheaper option that the hotels. They also offer packages to do tours of surrounding places such and the Grand Canyon and the Hoover Dam. They also claim to be the only Hostel in Las Vegas with a pool. Sign condition: 4.5- The sign box was recently repainted and the plastic portion of this sign is relatively new and both still are in good condition Sign form: Pylon Sign-specific description: This sign has a reddish/pink steel beam base. There are two sign boxes the top one is a rectangle shape and the bottom one is a oval-rectangular shape. Currently the top rectangle box does not have any signage in it but if it did it would be a plastic or steel sign that would be down lit by an LED spotlight. The bottom one has a plastic back lit sign with the hostel's logo. Their logo entails "Las Vegas Hostels" in modern bright colored block fonts. The "Las" letters are a bright orange, the "Vegas" letters are a magenta pink, and "Hostels" in a bright light blue. Sign - type of display: Plastic Back lit sign Sign - media: Steel and Plastic Sign - non-neon treatments: LED and Plastic back lit signage Sign environment: On the Intersection of East Fremont St and 14th street. A few blocks from the Fremont East District but is in a neighborhood with many different motels though many of them are currently closed Sign - date of installation: The sign boxes have been up like this since at least 2007 but with different logos within the sign boxes Sign - date of redesign/move: Late 2014/ early 2015 they repainted the beam and boxes of the sign and inserted the Las Vegas Hostel logo. Sign - thematic influences: Since this sign was re-purposed and redesigned it shows how Vegas is constantly changing but can reuse old signs from previous properties. Sign - artistic significance: The bright colors in the sign show that they are going for a modern vibe which works since they opened in the past few years and have events such as pool parties that appeal to the youth that comes through Vegas. Survey - research locations: Las Vegas Hostel Website http://lasvegashostel.net/en_US/rooms/, Assessor's page, google maps satellite and roadside view Surveyor: Emily Fellmer Survey - date completed: 2017-09-09 Sign keywords: Plastic; Backlit; Steel; Pole sign
Folks who graduated Boulder City High School in 1953 and who began kindergarten there might remember being in kindergarten class with Clark D. "Danny" Lee. They would be excused for not remembering the towheaded Lee; after all, he was in Boulder City only for the first half of the year. They also would be excused for not remembering Lee because he never stayed in school once he arrived. Danny was the child whose mother faithfully brought him to class every day. And every day, as soon as his mother dropped him off, he took off and beat his mother home. Danny Lee was born in his grandparents’ house in North Las Vegas, grew up on 10 Bonneville Street, and (except for his first semester of kindergarten in Boulder City) attended Fifth Street Elementary School and Las Vegas High School, where he graduated in 1953 with Rex Bell. In 1960 he married fellow Las Vegas High grad and former Rhythmette, Dorothy Damron; they have raised four children. Here, Lee talks about the difficulties his father had finding work and supporting a family during the Great Depression-of living with relatives and moving from place to place in the small travel trailer as his father found work. He describes a hardscrabble Las Vegas, where he and other kids in in multiethnic groups found temporary work helping drovers in the stockyards or filling blocks of ice in the icehouse. He recalls working for Superior Tire during high school and for the Union Pacific Railroad in a variety of jobs after graduation and the U.S. Army-including a stint as a Union Pacific tour director. v Lee’s early kindergarten career seems an unlikely academic indicator for a man who would spend most of his adult life volunteering for and lobbying on behalf of Clark County public libraries and who the American Library Association would select as the 1990 Library Trustee of the Year. Ironically, Lee was asked to serve on the Clark County Library District board of directors to get rid of a troublesome library director. Instead, he became one of the director’s staunchest advocates. It is appropriate that Danny and his wife, Dorothy, are pictured here surrounded by library books. The native Las Vegan built a lifetime career as a State Farm Insurance salesman, but in this interview he focuses on his public library advocacy, his time as trustee for the Clark County Library District; the formation of the Las Vegas-Clark County Library District; the ambitious building program funded by $80 million in voter-approved statewide bonds; and the political wrangling in Carson City necessary to achieve these ends. Lee’s oral history complements that of his wife, Dorothy Lee, and of Charles Hunsberger, who was the “troublesome” library director at the time Lee was trustee. Lee made his living as an insurance salesman. Lee’s ability to sell a product-whether it be insurance or an $80 million bond issue-is the attribute that made Danny Lee so valuable as a trustee to the Las Vegas-Clark County Library District and consequently, to all Clark County residents who value public library services. However, his passion, and dedication, and unbowed determination earned him the Library Trustee of the Year award. As Lee closes the interview, he locks eyes with Dorothy and muses, "Let me tell you what I'm most proud of in all . . . I've been married to this lady for fifty six years now. . . . I've lived a very blessed life. Being born in my grandmother's house and having lived in little travel trailers, it's just good. It's worked. We're living like we've always wanted to live right now."
Brothers Steve and Bart Jones live and breathe Las Vegas history. Their grandparents, Burley and Arlie Jones, arrived in Las Vegas in the nineteen-teens; their father, Herb Jones; his sister, Florence Lee Jones Cahlan, and their uncle, Cliff Jones, helped form the legal, journalistic, and water policy framework that sustains Southern Nevada today. The Jones brothers build on that foundation through their custom home-building company, Merlin Construction. In this interview, they talk about living and growing up in Las Vegas, of attending John S. Park Elementary School, of hunting in the desert, of their family's commitment to cultural and racial diversity, and of accompanying their grandfather to his business at the Ranch Market in the Westside. They share their early work experiences lifeguarding and later, dealing, at local casinos as well as second-hand memories of the Kefauver trials through the tales told by their father and uncle. Steve describes mentor Audie Coker; he explains