Sign animation: Chasing, flashing, oscillating Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly. Sign keywords: Neon; Backlit
The Artemus W. Ham Family Papers (1857-1970) contain postcards written by family members, newspaper clippings about the Ham family, and a Nevada Senate Concurrent Resolution memorializing Artemus W. Ham, Sr. Also included are genealogy notes, a commencement program from Michigan Law School, and membership cards of Artemus W. Ham, Sr.
The Ruthe Deskin Papers (1933-2004) document Deskin's career as a journalist and community activist in Nevada. The papers include Deskin's "Back and Forth" columns, newspaper articles about Deskin, awards and certificates, legal documents, correspondence, photographs, obituaries and memorials, convention programs from the Nevada Press Association, and biographical ephemera. The collection also contains certificates recognizing Deskin's work with Nevada youth from Greenspun Junior High School and Ruthe Deskin Elementary School, as well as the Boy Scouts of America and the Clark County Juvenile Court.
The Mildred Mann Papers (1915-1995) contain documents related to her involvement in teaching ceramics and her work with the Independent Order of Odd Fellows. Included are correspondence, newspaper clippings, magazines, certificates, childhood school materials, manuals, photographs, a scrapbook, and newsletters. There are also Clark County Community College (CCCC) class schedules, real estate papers, and membership lists.
The Gary Sternberg Papers are comprised of correspondence, publications, and videos documenting Sternberg's involvement with the Las Vegas Jewish community from 1983 to 2015. Organizations represented in the collection include Congregation Ner Tamid and the Holocaust Survivors Group of Southern Nevada. Also included are digital photographs of Sternberg in 2015 wearing his Caesars Palace dealer's uniform.
The Allied Arts Council of Southern Nevada (AACSN) Records are comprised of the organizational records of the Allied Arts Council, a Las Vegas, Nevada-based non-profit organization that promoted the arts and cultural life in Southern Nevada from 1971 to 1999. Materials include meeting minutes, financial records, correspondence, membership information, publications, event information, project files, photographs, audio cassettes, VHS, and U-Matic tapes.
The Ann Valder Photograph Collection on Judy Bayley (1969-1971) consists of black-and-white photographic prints of Hacienda Hotel owner Judy Bayley, collected by Las Vegas, Nevada journalist Ann Valder. The collection is primarily comprised of photographic prints of Bayley at a 1971 event held in her honor at the International Hotel in Las Vegas, Nevada. The collection also includes photographic prints of Bayley at fundraisers for the American Cancer Society. Ann Valder was an editor and journalist for the Las Vegas Review-Journal and Valley Times, as well as a columnist for the Las Vegas Sun.
The Chris Giunchigliani Political Papers (1986-2019) document Giunchigliani's career as a member of the Nevada Assembly as well as her involvement as a Clark County Commissioner. The majority of the collection is a "newspaper and document archive" which consists of media articles and newspaper clippings collected by Giunchigliani's office that mention Giunchigliani throughout her political career. The collection also includes campaign materials such as mailers and photographs. Interviews Giunchigliani did with local news networks in Las Vegas, Nevada as well as televised campaign advertisements for the Clark County Commission election are represented in the collection. Other materials include legislative research files for bills on gypsum reclamation, development near Red Rock Canyon, education reform, and funding to build an NFL stadium in Las Vegas. The collection also includes a certificate of commendation from Senator Harry Reid and thank you cards from schoolchildren.
Helen Jane Wiser Stewart was born in 1854 in Springfield, Illinois. When she was nine years old, the family moved to Nevada, and then to Sacramento, California in 1863. Helen was educated in Sacramento and in 1873 she married Archibald Stewart in Stockton, California.