Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 88441 - 88450 of 88589

Interview with Lawrence Frerric Krenzien, September 8, 2005

Date

2005-09-08

Description

Narrator affiliation: Resident Test Director, Los Alamos National Laboratory

Text

Transcript of interview with Christopher Phipps by Dennis McBride, November 6, 1998

Date

1998-11-06

Description

Christopher Phipps, attorney in Las Vegas discusses his life. Hailing from Honolulu, Hawaii, and his adventure that led him to Las Vegas, Nevada.

Text

Photographs of Greek Isles signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Greek Isles Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 305 Convention Center Dr
Sign owner: Mark IV Realty
Sign details: The property which is at the eastern end of Convention Center Dr., is one tower at the east end of the property, and is attached to a low-rise structure which reaches westward along the east side of Convention Center drive. Various signs adorn the facade of the Greek Isles including a small pylon sign, a porte- cochere and two wall/logo signs. The stucco surface of the front of the building is painted with images of rustic Mediterranean cottages, as well as the rising or setting sun image seen on the pylon as well.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The signage for the Greek Isles is essentially brand new, with exception to the porte-cochere. The Porte cochere was left over from the previous establishment with a bit of standard upkeep.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: At the east end of Convention center Blvd The Greek Isles casino resides at the old site of establishments such as The Paddlewheel, and The Debbie Reynolds Hotel Casino. The signage consists a pylon sign, a porte- cochere and two wall signs. Located on the south side of the street, the signage is located in relatively small span of space along the north face of the establishment. At the western most end of the property, a section of the low rise structure radiuses outward creating a giant white, convex stucco canvass. A golden sunset has been painted on the entire surface of this rounded wall. A bright white round section represents it with the color blending from an intense yellow into a burnt orange on the top edge of the building. At the top of the wall along the surface, "Greek Isles is spelled in shallow blue channel letters, with each letter set upon a white cabinet which mimics the shape of the font. Incandescent bulbs fill each channel letter, surrounded by a border of blue neon. The text is very angular, also mimicking ancient Greek text and the text utilized in Caesar's Palace. Just below the text on the surface of the wall. A wall sign in the shape of a rectangle with scrolls on the either sides. The resultant effect is a two-dimension representation of an Ionic top of a column. The outer edge of the sign including the spiraling scrolls on either side is created with a narrow blue channel. Tubes of blue neon line the interior of this channel. The open rectangular space left in the banner of the sign reads "Hotel &Casino," in red channel letters, lined with red neon on the interiors. Further east on the surface of the building, the white stucco is treated with a mural of broken tile overhangs and open shutters. Column, and corbels are other elements represented in the mural of a Greek village. Another sign is located on the wall between the western most sign and the central Porte cochere. This sign is two parts. Pair of concrete columns support a cabinet, crafted in the same fashion as the secondary portion of the previously mentioned sign. The details of the scroll are created by gold raceways lined with incandescent bulbs. Painted in red , all capital, letters, the text "Restaurant &Lounge Show," lies horizontally across the white surface. Neon is crafted over the tops of the letters. Sitting on top of the cabinet is another set of channel letters. The shallow blue letters are filled with incandescent bulbs. The shadowing cabinet, behind the letters is painted gold. Blue neon borders each one of the letters. On either side of the text, three slightly arched rods angle out of the body of the faux scrolled cabinet. The rods are lined on the surface with one single tube of blue neon. A pair of gold, polished, doors lie underneath the sign between the columns. The main entrance of the building is underneath the porte-cochere, continuing east along the property. The surface of the awning is illuminated with lengthy backlit cabinets, lined on the top and the bottom with gold raceways lined with incandescent bulbs. Blue tubes of neon line the top and the bottom edges of the surface of the cabinet. The underside of the awning is divided in clear plastic covered recessed cubes, forming a grid over the surface. The interiors of the cubes are mirrored, and sloped to a point in the negative shape of a pyramid. The centers are adorned with incandescent bulbs. The borders that periodically broken up with polished, reflective panels of a bronze hue. The property continues east still, until a north/south drive separates the building from the pylon sign for the establishment. A pair of white painted steel poles are capped with a white cabinet, sculpted itself to add elements to the poles themselves. The left and right bottom edges of the cabinet are crafted to look lime the scrolled column capital, represented in the two logo wall signs on the east surface. The scrolls are created with blue paint, n the white surface, as well as the address painted in the center. The combination of the sculpted cabinet and supporting poles create a solid base for a giant black cabinet which housed a color LED message center. Atop the cabinet, another horizontal cabinet sits wider in length than the LED cabinet. The cabinet is crafted like the two wall signs as well, with bulbous radius ends, adorned on the surface and edges with the channel raceways creating the scroll shape. This channel is lined with blue neon. All capital, red channel letters, filled with red neon, reads "Hotel & Casino." A top this cabinet another sculpted cabinet hold the main logo text of the sign. The sign is crafted as a half circle, creating a cabinet with the entire outer edge being a single radius. The surface of the sign is painted in the same fashion the sunset mural on the east end of the building. The sign starts as a dark orange at the bottom and fades to a yellow at the top. The edge of the radius is interrupted by the main text. "Greek Isles" is spelled in the same fashion as all the other signs. The mimicking backing cabinets for the letters are painted white as well. The outer edge is also lined with gold polished raceways , and incandescent bulbs. The width of the sign from the LED cabinet on up is painted black
Sign - type of display: Neon; Incandescent
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The Greek Isles is on the unique street line of Convention Center drive. To the east there is a nightclub, a chain motel, The Las Vegas Hilton, and the transplanted Riviera pylon. To the west, on that side of the street, is a bank complex and the Casino Royal. Across the street the vast expanse of the Hilton Convention Centers parking lot, makes the Greek Isles seem much larger for it's relatively small set of signage.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - date of redesign/move: The Greek Isles signage is the same since its initial installation, but replaces other vestiges of the previous properties, most recently the Debbie Reynolds Hotel and Casino.
Sign - thematic influences: The theme of the property is quite evident in its name as well as in its facade. The exterior is made to appear with elements of a rustic Greek village utilizing a white stucco finish treated with mural designs of wooden shutters and other village amenities. On western end of the property, the large round, surface of the wall is treated with graphic paint representative to a rising or setting sun. This element also adds to the apparent ambiance of the serene village. The text for the property is crafted in the generalized angular style of the ancient Greek text, not that much dissimilar to the Caesar's Palace logo text. In fact they are almost identical in fashion.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Graphics; Paint

Mixed Content

Las Vegas Age

Alternate Title

preceded by Las Vegas Times (1905-1906)

Description

The Las Vegas Age was not Las Vegas's first newspaper; that distinction belongs to the short-lived Las Vegas Times which started publishing on March 25, 1905. But only two weeks later, on April 7, C.W. Nicklin founded what was the not-yet-a-city's third paper, the Age. Nicklin edited and published the Age from the Overland Hotel each Saturday as a six-page independent weekly, at $2 per year. When the railroad finally arrived, and laid out and auctioned off the town lots, the Age and its two competitors, the Times and the Advance, boomed with the new town amid lively journalistic debate. The Age briefly triumphed when the Times and Advance collapsed, until new competition arrived, and Nicklin left the Age to his partner Charles C. Corkhill to give his attention to his other paper, the Beatty Bullfrog Miner. Corkhill struggled for two years as editor and publisher, as Las Vegas languished in post-boom depression, then persuaded local businessman Charles P. "Pop" Squires to buy the paper, only after repeatedly dropping the price. Thus began the long and fruitful newspaper career of Charles Squires, sole editor and proprietor of the Age for almost forty years. Even after he sold the paper in 1943, he continued as editor until its last owner, Frank Garside of the Review-Journal, suspended publication of the Age on November 30, 1947.

As the Las Vegas Age, under Squires' shrewd editorship, dominated its local competition as the leading local newspaper with the largest circulation, it also became the leading paper in Southern Nevada. When Las Vegas was founded it was a remote railroad establishment far from the seat of Lincoln County, in Pioche where the county's leading newspaper and the paper of legal record was the Lincoln County Record, which had been in business since 1871. With the rapid growth of Las Vegas and the decline of the Pioche mining district, the population of southern Nevada shifted to the south and the divisions between the southern and northern sections of Lincoln County, which covered the whole of southeastern Nevada, became politically heated. When the Age began publication in Las Vegas in 1905, with a larger circulation than the Record in Pioche, the county commissioners decided to award to the Age all county printing and job work. The editor of the Record, not surprisingly, was enraged and commenced a series of personal attacks on the Age and the residents of Las Vegas, likening the Age to a mushroom fungi of uncertain life, possessing a readership of "floaters, the shiftless and reckless class."

Squires became the city's foremost booster and the Age became his trumpet, fighting for the division of Lincoln County that created Clark County, or for the new dam (an original member of Nevada's Colorado River Commission, Squires was in charge of publicity), or promoting as a one-man Chamber of Commerce civic and community organizations and projects or the city's nascent tourism and resort industry. Thus, the Age became the Voice of Las Vegas, as well as the most respected "paper of record" for the city. Other newspapers came and went, some were political adversaries (Squires was a staunch conservative, pro-business Republican), and some became well-established. But the Age remained the essential Las Vegas newspaper, from its fiercely independent editorials, to its boosterism and its comprehensive reporting of the simple everyday doings of this boisterous and dynamic new city.

See full information about this title online through Nevada's participation in the National Digital Newspaper Project. All issues digitized online at: Chronicling America collection from the Library of Congress.

1928
February
March
April
May
June
July
August
September
October
November
December
1929
January
February
March
April
May
June

Language

English

English

Frequency

Weekly

Place of Publication

International Standard Serial Number (ISSN)

2766-4791

Library of Congress Control Number (lccn)

sn86076141

OCLC Number

13754433

Interview with John S. Coogan, May 1, 2008

Date

2008-05-01

Description

Narrator affiliation: Health Physicist, Reynolds Electrical and Engineering Company (REECo), Public Health Service (USPHS), Environmental Protection Agency (EPA)

Text

Interview with Charles McWilliam, January 11, 2005

Date

2005-01-11

Description

Narrator affiliation: Engineer; Administrator, U.S. Department of Energy

Text

Interview with Helen Marguerite (Troester) Draper, June 24, 2004

Date

2004-06-24

Description

Narrator affiliation: Paymaster, Reynolds Electrical and Engineering Company (REECo)

Text

Interview with Barbara Germain Killian, September 20, 2005

Date

2005-09-20

Description

Narrator affiliation: Physicist, Lawrence Livermore National Laboratory: Los Alamos National Laboratory

Text