The Richard B. Taylor Photograph Collection (approximately 1957-1991) consists of black-and-white and color photographic prints and negatives. The images depict Taylor alongside Pi Kappa Alpha fraternity brothers playing table games and seated at a bar inside the Arizona Club in Las Vegas, Nevada. Additional images portray Taylor’s home on Trotter Circle in Las Vegas decorated for Halloween.
Exterior view of the Flamingo Hotel at sunset. The illuminated champagne tower is visible and a marquee advertising Betty Grable and Harry James is seen in the background.
From left to right: Susan Jarvis, Hal Erickson, and Alfreda Blood in the Special Collections department at the University of Nevada, Las Vegas (UNLV). They are examining the Leonard T. Blood papers just donated to UNLV Special Collections.
The Lawrence Revere Papers primarily consist of correspondence between Lawrence Revere and the developers of blackjack betting systems dating from 1965 to 1970. The collection includes information about blackjack gambling systems, correspondence with gambling experts, and press material regarding the publication of Revere's book Playing Blackjack as a Business.
The Paul J. Richert Photograph Collection (approximately 1950-1951) consists of black-and-white photographic prints and negatives depicting the swimming pools at the Desert Inn and Flamingo Hotel & Casino in Las Vegas, Nevada. Also included is an image of the Las Vegas High School Rhythmettes dance group and an image of the El Rancho Hotel and Casino in Las Vegas.
The Nadine Tobin Collection of Helldorado Photographs, approximately 1940 to 1959, contains black-and-white photographic prints depicting parade floats during Helldorado Days celebrations in Las Vegas, Nevada. Also included is one image of a primary school class in Las Vegas.
The First Good Shepherd Lutheran Church Photograph Collection, approximately 1930 to 1950, consists of black-and-white photographic prints and negatives depicting the construction of the Good Shepherd Lutheran Church in Las Vegas, Nevada. Also included are images of parish leaders and the ground breaking ceremony for the grand opening.
Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin