The Joe Williams Music Scores date from 1940 to 1991 and comprise the handwritten musical scores of American jazz musician Joe Williams, born Joseph Goreed. Many of the musical scores are Williams' original arrangements.
The Myram Borders Papers (1965-1998) contain articles written by Borders, newspaper clippings, court transcripts, photographs, slides, agendas, meeting minutes, and a copy of the joint operating agreement between the Las Vegas Review Journal and the Las Vegas Sun. Also included are media kits for the Desert Inn Hotel and Casino and the Stealth Fighter Public Debut, an annual report to Sheriff John Moran concerning organized crime, and a copy of the MGM fire litigation.
The Leon Rockwell Papers (1829-1986), consist of materials that document Leon Rockwell's life in Las Vegas, Nevada from 1906 until his death in 1968. Included are diaries, correspondence, photographs, postcards, Las Vegas community event programs, ledger sheets, business cards, and scrapbooks. There are a number of books, information on organizations and businesses that Rockwell owned, real estate documents, and early records of the Las Vegas Volunteer Fire Department, of which Rockwell was an original member.
The Jon E. Cobain Papers (1963-2009) contains material representing Cobain's experience as the first official graduate of Nevada Southern University (later University of Nevada, Las Vegas) in 1964. Materials include photographs of Cobain and his family, a scrapbook from his 1964 graduation day, newsletters, a copy of Beau's Bits Handbook, personal correspondence, and his diploma. This collection is comprised exclusively of digital surrogates.
The Stella Champo Iaconis Papers consist of a certificate for proficiency in Rapid Legible Business Writing from the Palmer Method of Business Writing given on May 11, 1927; a certificate of promotion to high school in Clark County, Nevada dated May 25, 1927; and an autograph book signed by classmates at Las Vegas High School in Las Vegas, Nevada in 1928.
The Jeanne Russell Janish Photograph Collection (1918-1974) consists of 48 black-and-white and color photographic prints that feature Janish's family, her husband Carl Janish, family homes and pets, and travel photographs from the United States, China, and South America.
The Thomas R. Schiff Panoramic Photographs (2001-2009) are comprised of physical and digital panoramic photographs of hotel casinos and other locations around Las Vegas, Nevada used in his book, Vegas 360°. The collection includes photographs of local businesses, casinos around downtown Las Vegas, and the Las Vegas Strip including the Aladdin Hotel and Casino, Bally's Las Vegas, Caesars Palace, Fremont Street, and New York-New York Hotel & Casino. Photographs are available as both digital files and physical prints.
The Joseph LaMar Foremaster Photograph Collection includes black-and-white photographic prints and negatives of structures at the Old Ranch (Stewart Ranch) in Las Vegas, Nevada from approximately 1920 to 1939 when the Foremaster family lived and worked on the land.
The Aaron Williams Photograph Collection (approximately 1968 to 1983) consists of three black-and-white photographic prints. Two of the images are of the groundbreaking ceremony of the Senior Citizens’ Center with Las Vegas, Nevada Mayor Oran Gragson, and the third of three unidentified individuals.
Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]