Information about the Blue Angel Motel that sits at 2110 Fremont St. Site address: 2110 Fremont St Sign owner: Bartsas Mary 22 LLC Sign details: Motel was originally constructed c. 1956. Sits on a 2.54 acre site. Property was later changed to Club 2110, but now is vacant. Sign condition: Unknown - Angel is being repaired by City Centennial Commision and YESCO, and will believed to be placed on medium of Fremont and Charleston once restored. 4 - Arches were repainted at unknown time from original blue to a deep forest green, "Blue Angel" was removed and "Night Club" was put up in blue angels place. "Motel" wording on flag portions of the sign was painted over and replaced with "Club 2110". doesn't have any form of lighting, appears to be in decent condition. Sign form: Angel - Sculpted Pole Sign/ Monument Sign, Arches: Pole sign with protruding arches on either side. Originally the left side arch would have rested on the Blue Angel motel building, but when it was torn down so was the connection, so it is free hanging off the pole support system. Sign-specific description: Angel: Pole sign with sculpture of Angel on top. Was internally illuminated, her skin, hair, halow, pole, wand, used to illuminate. Two flag signs hung off of angel pedestal, one read "Motel" other would read "Blue Angel" on opposite sides of the pole. Would of glowed with blue neon. Arches: Repainted by new owner: Arcs protruding on either side of the pole with the words "Night" and "Club" on each other arches. There are flag like components going down the pole support with stars on the opposite side of each component. Slight directional tool of the flags that point downwards to the ground. The stars do not have any lighting system of their own (no neon or bulbs). Each flag component is double sided with painted on graphics. Sign - type of display: Neon, and internally illuminated plastic Sign - media: Steel, fiberglass Sign animation: Possible rotation of the angel? Sign environment: The property is surrounded by other motels, shopping centers and gas stations Sign manufacturer: YESCO Sign designer: Betty Willis Sign architect of record: C. 1956 Sign - date of installation: C. 1956 Sign - date of redesign/move: Angel - 2014 repaint, 2017 refurbishment, c. 2014 repaint of arches Sign - thematic influences: Believed that angel was modeled after Marilyn Monroe Sign - artistic significance: 1950s pop culture themes - Marilyn Monroe and Disney-esque angel Survey - research locations: Motel site, www.roadarch.com, UNLV photo collections, assessor's website Surveyor: Danny Jacobs Survey - date completed: 2017-08-12 Sign keywords: Sculptural; Neon; Steel; Fiberglass; Pole sign; Internally illuminated; Incandescent
From concentration to ownership of Las Vegas casinos, Meyers owned the Cashbah and the and Queen of Hearts in downtown Las Vegas. Interview dates: 2/12/2012, 2/29/2012, 3/27/2012, 4/16/2012, 4/24/2012, 5/3/2012, 5/9/2012, 5/16/2012, 10/19/2012, 11/16/2012, 12/7/2012.
Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.