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Oral history interview with Mariteresa Rivera-Rogers conducted by Maribel Estrada Calderón on October 24, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Mariteresa discusses her early life in Concepción, Chile. She talks about her experience moving to Las Vegas, Nevada in 1965, the immigration process at the time, and becoming a Spanish language court interpreter. Rivera-Rogers recalls enrolling at the University of Nevada, Las Vegas' (UNLV) Sam Boyd School of Law, and her involvement with the Latino Bar Association. Lastly, Rivera-Rodgers discusses the challenges in translating Spanish language to English.
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From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Community organization interviews file.
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"Pierre was born June 16, 1924 in Paris, France. He survived WWII as a prisoner in a Nazi work camp where he met his lifelong friend Louis Juif. After the war, he returned to his family and began his career working backstage in theater. Although he never had much formal education, Pierre quickly ascended to the position of stage director, managing numerous productions including the Lido in Paris, Casino de Paris in Las Vegas, Ballet de Roland Petit, Solid Gold Las Vegas, Vive Les Girls, as well as touring shows worldwide.
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The Front Page sub-series (approximately 1927-1939) is comprised of materials pertaining to the production process of The Caddo Company's April 4, 1931 release of The Front Page. The sub-series contains advertising and publicity, administrative, financial, legal, and production and direction, and story development records. Director Lewis Milestone, along with editor Duncan Mansfield and writers Ben Hecht, Charles MacArthur, and Bartlett Cormack helped the film earn Academy Awards nominations for Best Director and Best Picture in 1929. The black-and-white photographic prints and negatives, primarily attributed to Newton Hopcroft, depict set and production stills of the principal and supporting cast and locations in the film.
Advertising and publicity records include newspaper clippings detailing the film’s release, articles of local advertising campaigns, and publicity stills of principal and supporting cast members. Administrative records include correspondence pertaining to the editing, censorship, and distribution of the film, as well as shipping receipts. Legal records include supporting actor and domestic distribution contracts. Production and direction records include production stills of principal and supporting cast, interior and exterior sets, and a sound and production daily report ledger. The story development records include production scripts, as well as cutting continuities and dialogue scripts for domestic and international releases.
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Photographer's notations: #II-2, copies, Lichses for Elder & Sis Blake, *Bishop Cox & Otis Harris, 7-30-68.
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Series II. Folies-Bergere production papers, designs, and photographs -- 17th Edition: The Best of the Folies-Bergere -- 2002 costume revisions: costume design drawings, photographs of costume pieces, correspondence, and notes -- Flappers/Vamps/Tango
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