Oral history interview with Eloiza B. Martinez conducted by Maribel Estrada Calderón on October 10, 2018 for the Latinx Voices of Southern Nevada Oral History Project. Martinez discusses the career preparedness she took while working for Commercial Credit Corporation and studying with Mayor Oscar Goodman. She then describes her first impressions of Las Vegas, Nevada and about her community involvement. Martinez then discusses her work at Wells Fargo as loan officer and assistant vice president, and talks about discrimination in the workplace and in the neighborhood where she grew up.
Oral history interview with Danny Cluff conducted by Claytee D. White on December 8, 2017 for the Remembering 1 October Oral History Project. In this interview, Danny Cluff discusses his attendance at the Route 91 Harvest music festival on the evening of the October 1, 2017 mass shooting in Las Vegas, Nevada with his friends and nephew. He talks of finding safety in Hooters with other survivors from the concert. When speaking of gun control, he discusses his perspectives on human nature, citing his experiences during and after the concert shooting. Throughout the interview, Cluff speaks of the ways he has healed and kept positive after the shooting, such as laughing through the hard times and writing poetry, of which he gives a few samples.
The Jerry's Nugget Casino sign sits at 1821 North Las Vegas Boulevard. The family-owned and operated casino has been in business for over fifty years. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 1821 N Las Vegas Blvd Sign owner: The Stamis Family Sign details: In 1964, Jerry Stamis and Jerry Lodge opened Jerry's Nugget Casino. The property, formerly the Towne House Bar, was converted into a casino. Four years after its opening, the owners bought the nearby Bonanza Club along with its sign, adding an additional 10,000 square feet to their property. The site has undergone numerous renovations, including in 1982 when it became a full-service casino complete with a restaurant, bars, and nearly 700 slots. The porte cochere was also added at that time. In 1996, a theatre lounge was added as well as a bakery and even more gaming tables. The casino, which celebrated its 50th anniversary in 2014. This location still claims to cater to "locals." Currently, it consists of slots, table games, keno lounge, and a bingo hall, among other popular features. Sign condition: About 4-5, appears to have relatively low damage Sign form: Sculptural pylon Sign-specific description: Neon sign looks to be in the form of an oil derrick, "Jerry's" in a nugget shape at the top, "Nugget" spelled downward in light blue neon, possibly was once orange. Sign - type of display: Neon Sign - media: Steel Sign environment: Located in North Las Vegas along Las Vegas Blvd, near the Silver Nugget Casino. Sign - date of installation: 1964 for most of the signage for the property Sign - date of redesign/move: 1982 Porte Cochere added with expansion Sign - thematic influences: The signage conveys the Old West theme of striking it rich with gold, silver or oil, as they have an oil rig for portion of their sign. Survey - research locations: Neon Museum tour outline, Jerry's Nugget website http://www.jerrysnugget.com/ , recorder's office, Assessor's page Survey - research notes: For the 50th anniversary of their Company they donated the money for the restoration of their sign which is showcased on the documentary "Restoration Neon" and remains in the Neon Museum. Surveyor: Carlyle Constantino Survey - date completed: 2017-07-12 Sign keywords: Neon; Steel; Pylon; Incandescent; Back to back; Reader board; Video screen
James Frey was born in Eureka, South Dakota, in 1941. His father worked in creamery and his mother was a registered nurse. When Frey was nine, the family, including his twin sister, relocated in Sioux Falls where his dad was plant manager for a dairy. He joined the YMCA in the fourth grade and ended up working for them until around the age of 22. He attended Augustana College in Sioux Falls, graduating with a major in sociology and a minor in history. After graduation, he worked for three years at the YMCA in Sioux Falls as program director.
The corporate records (1920-1990) for Hughes Productions consist of administrative, distribution, financial, and legal records, as well as records from the Motion Picture Association of America and United Artists Corporation and records pertaining to unproduced works.
Administrative records contain correspondence, as well as vault inventories, assets list, and personnel files. Distribution records contain agreements, correspondence, and information pertaining to The Outlaw's ban. Financial records include ledgers, correspondence, invoices, and international profit reports. Legal records include contracts for actors and screenwriters, as well as correspondence, agreements, and affidavits pertaining to loan information and court case proceedings.
Motion Picture Association of America (MPAA) records consist primarily of weekly reports from the MPAA detailing film title registration reports either held or withdrawn, as well as memoranda. United Artists Corporation records include contract analyses, settlement statements and ledgers detailing The Outlaw's domestic and international earnings. Unproduced works contain screenplays, synopses, story treatments, right's agreements, and correspondence pertaining to stories sent to Hughes Productions.
Archival Collection
Howard Hughes Film Production Records
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Collection Number: MS-01036 Collection Name: Howard Hughes Film Production Records Box/Folder: N/A