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Oral history interview with Yvanna Cancela conducted by Monserrath Hernández and Barbara Tabach on February 27, 2020 for the Latinx Voices of Southern Nevada Oral History Project.
Yvanna Cancela, Nevada State Senator, discusses her personal history growing up in Miami, Florida and her studies at Northwestern University. She talks of working for Senator Harry Reid's campaign in Las Vegas, which led to her organizing efforts for the Culinary Workers Union Local 226. Yvanna recalls being appointed to the Nevada State Senate in 2016 as the first female state senate majority. In addition to fulfilling her duties as the Co-Majority Whip, she worked on the Joe Biden campaign and is the Executive Director of the Citizenship Project. After this interview was conducted, Yvanna received her Juris Doctorate from the William S. Boyd School of Law at the University of Nevada, Las Vegas.
Subjects discussed include: Miami, Florida; Nevada State Senate; The Citizenship Project
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Oral history interview with Stanley Weiner conducted by Kyle Wolff on March 12, 1978 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview Weiner talks about his father's employment, his own series of jobs, and living in different parts of Las Vegas, Nevada. He also talks about population growth, education opportunities in town, transportation, and recreation.
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Oral history interview with Emmy Kasten conducted by Kristel Peralta, Ayrton Yamaguchi, and Stefani Evans on March 17, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Emmy Kasten discusses her Filipino heritage, her family, and her previous employment working in various industries including acting and broadcasting, marketing, philanthropy, writing, and event production. Emmy shares how she and her husband and children moved to Las Vegas in 2016 after her parents moved to the city a decade earlier, and she discusses her current professional pursuits as a board member of the Miss Asian North America Organization (MANAO) and the Las Vegas Fashion Council. Subjects discussed include: University of California, Irvine (UCI); KTLA Morning News; Red Bull Music Academy; Rock Star Gaming; Filipino foods; Vegas Magazine; and anti-Asian discrimination.
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Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las
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Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]
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