Oral history interview with Marie McMillan conducted by Kelli Luchs on September 15, 2009, September 23, 2009 October 01, 2009, and November 24, 2009 for the Boyer Early Las Vegas Oral History Project. In this interview, Marie McMillan discusses life during the Great Depression and World War II. She then talks about marrying Duke Daly, raising a family with him, Daly passing away, moving to Las Vegas, Nevada in 1961, and working at the Nevada Test Site. She then discusses being a single mother, marrying James McMillan, and her great passion for aviation. She also talks about her role as a leader in the African American community and her flying records.

Oral history interview with Kent Carmichael conducted by Stefani Evans on November 25 and December 2, 2019 for the Boyer Early Las Vegas Oral History Project.

In the first session of this oral history, Carmichael discusses his early career in lighting design and maintenance from his start at Interstate Neon to his work in the 1950s and 60s in Las Vegas. He discusses some of the iconic signs he built including the Casino Center, Carnival Room, Thunderbird, The Frontier, Bonanza, and the Stardust. He also details the technology and inner workings of these innovative signs including the transition from mechanical to electrically controlled signage. Carmichael continues to discuss Native American laborers and various individuals that he interacted with throughout his early career including Max and Mo Oggenblick, Doby Doc, Benny Binion, Arby Alper, Steve Wynn, Peter Arp, and Wayne and Jerry Newton. Carmichael ends the first interview by recalling a high wind event that damaged the Frontier sign and his efforts to bring the sign under control and repair it as well as his vision and behind the Stardust sign.

The second oral history interview contains Carmichael’s discussion of his career from 1968 onward. He immediately picks up discussion of the Stardust sign and his transition to desk work. Carmichael details the challenge and limitations of designing the International sign (the Westgate as of 2021). He describes the development of his first messenger sign for the International and the time consuming task of using tape to program the sign. He fondly remembers working on the Holiday Inn Riverboat signs, and International transition to Las Vegas Hilton and the Hilton’s transition from blue to red letters. Carmichael shares the story of being caught between organized crime and a young Steve Wynn. He recounts his last project for Ad Art, developing and construction the sign for the Louisiana Superdome in New Orleans, Louisiana. He details working through legislative and construction issues as well as the fallout from the Nat Kiefer Commission.

After leaving Ad Art Carmichael began working with Heath and Co. and began collaborating with Raul Rodriguez. Carmichael and Rodriguez went on to design some of the most enduring and visually unique signs in Las Vegas including, the Flamingo, Four Queens, Golden Nugget, Dunes Hotel, and the Desert Inn. They also worked in Reno on Circus Circus and El Dorado. Carmichael also details his interior work including the main pylon and interior signs for MGM Grand; 1974 renovation Golden Nugget, suspended stained glass ceiling at Tropicana, and the MGM Lion display. Lastly Carmichael outlined his work with Young Electric Sign 1983-85 and the Dewey Sign Company including the Las Vegas Convention Center sign. He ends by sharing his views on the role and importance of lighting in Las Vegas.

Oral history interview with Jerome Countess conducted by Dorothy Eisenberg on October 28, 2014 for the Southern Nevada Jewish Heritage Project. Countess discusses coming to Las Vegas, Nevada in 1976 to take a job with what became the Jewish Federation. He then talks about starting the local Jewish Reporter, a newspaper, and creating a community among fellow Jews in Las Vegas.

Oral history interview with Cherina Kleven conducted by Cecilia Winchell on June 9, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Cherina Kleven talks about her family and childhood growing up in Taiwan amongst six siblings. She shares her family's history and how they immigrated to Las Vegas while she was a teen, as well as her employment history and how she met her husband. Cherina talks about racial and gender discrimination and the obstacles she has overcome to be the only working female in her family, the only woman firefighter at her station house, and the first female Asian American Assistant Fire Chief in the United States.

Oral history interview with Carol Pattinose conducted by Gayle Allen for the KDWN Radio Lifelines Oral History Interviews on Nursing.

This interview is undated but likely took place between 1988 and 1999, the time span that "Lifelines with Gayle Allen" was taped by KDWN Radio.

Carol Pattinose, a registered nurse at Nathan Adelson Hospice, defines terminal illness and discusses the reasons a patient might be admitted into a hospice. She talks about quality of care associated with end of life and how hospice care is more of a philosophy of care rather than a place someone is admitted, where the main goal is to keep patients comfortable in their own homes and assist with pain control.

Oral history interview with Anna Bailey conducted by Claytee White on March 03, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Bailey opens her interview by describing her early life, family, and dance training. She discusses moving to Los Angeles, California at age fifteen, her first dancing gigs, and touring in London, England. She also talks about her experiences as an African American dancer including issues with segregation while touring in the southern United States. Bailey then discusses her life in Las Vegas, Nevada in the 1950s, and working as a dancer at the Moulin Rouge. She describes the club, the other dancers that performed there, and how the African American community felt when the club closed. Bailey then discusses how her husband and the entertainers Josephine Baker and Frank Sinatra helped integrate Las Vegas. She ends her interview by describing the last hotel she danced at, the Flamingo, where she performed in an integrated dance line.