Oral history interview with Paul Sogan conducted by Dennis McBride on May 16, 1995 for the Boulder City Library Oral History Project. Sogan opens the interview briefly discussing his childhood and then describes his involvement in the Civilian Conservation Corps (CCC) in Nevada during the 1940s. Sogan provides details about the daily activities of CCC members, their living quarters, and his specific projects. He also tells anecdotes about interesting or dangerous projects the CCC members were assigned to work on. Sogan then talks about Boulder City, Nevada. He describes the features of the city including the mines and churches and the CCC members' opinions of the city.
Oral history interview with Don Payne conducted by Mara E. Vernon on March 19, 1997 for the UNLV University Libraries Oral History Collection. In this interview, Payne discusses his career with the Las Vegas News Bureau. He talks about his role as Head of the Bureau and his work in promoting Las Vegas through media outlets. Payne remembers the Bureau’s partnership with the Union Pacific Railroad and the beginning of corporate ownership in Las Vegas hotels and casinos.
Oral history interview Betty Pavlikowski conducted by Roy Mankins in the 1970s for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Pavlikowski discusses her position on the board of directors for a social club in Las Vegas, Nevada. Pavlikowski details the creation and daily operations of the club.
Oral history interview with Darrin Bush conducted by Claytee D. White on June 30, 2016 for the Building Las Vegas Oral History Project. Bush discusses photographing Las Vegas, Nevada over a 25-year period for the Las Vegas News Bureau. He also talks about the importance of implosions, cruising Fremont Street, and growing up in Las Vegas.
Oral history interview with Agnes Marshall conducted by Claytee D. White on September 12, 2011 for the African Americans in Las Vegas: a Collaborative Oral History Project. Marshall discusses her family being one of the first families to move into Berkley Square, the first middle-class black housing development designed by Paul Williams. She also recounts her experiences with the nightlife in Las Vegas, Nevada during the heydays of Jackson Street, including clubs such as Cotton Club and Town Tavern, and restaurants like Mom's Kitchen.
Oral history interview with Tom Ehlen conducted by Lisa Gioia-Acres on January 10, 2008 for the All That Jazz Oral History Project. Ehlen recalls his career as a professional trumpet player including playing with the Glenn Miller Orchestra, Frank Sinatra, Burt Bacharach, and others. He also discusses playing in the bands of various casinos on the Las Vegas, Nevada Strip.
Oral history interview with Lorna Kesterson conducted by James M. Greene on October 18, 1974 for the Ralph Roske Oral History Project on Early Las Vegas. Kesterson discusses her work in news editing as well as her original reasons for moving to Southern Nevada. She also discusses teenage social life of Boulder City, Nevada during the 1940s.
Oral history interview with Alice Key conducted by Claytee D. White on February 17 and March 24, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview Alice Key discusses being a chorus line dancer at the Cotton Club in Culver City, California and then moving to Las Vegas, Nevada after her dancing career ended. She then talks about working as a reporter, her involvement with the civil rights movement in Las Vegas, and creating the first all-black television show in the country: Talk of the Town.
Oral history interview with Lon Bronson conducted by Barbara Tabach on May 23, 2018 for the Boyer Early Las Vegas Oral History Project. In this interview, Bronson discusses his early life in Keene, New Hampshire, and his initial interest in music. Bronson talks about arriving to Las Vegas, Nevada in 1985, the musical scene in the city at the time, and the musician’s union strike of 1989. He describes when casino shows switched from live musicians to prerecorded music, and the shortage of jobs for musicians after that decision. Lastly, Bronson discusses the current entertainment scene in Las Vegas.