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Photographs of Peppermill signs, Las Vegas (Nev.), 2002

Date

2002
2017-09-21

Description

Photos show Peppermill signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 2985 S Las Vegas Blvd
Sign details: The Peppermill Inn Restaurant is located on the east side of Las Vegas Blvd, just north of the now defunct Silver City Casino. The actual establishment faces west toward the strip, separated from the traffic by the front parking lot. The lowrise brown clad establishment, boasts three specific pieces of signage on the exterior structure. In the parking lot near Las Vegas Blvd, a small two-sided, ground level cabinet, mirrors the aesthetics of the actual structure. Upon the west side of the building, the shingled roofline boasts channel letters filled with neon, as well as a more secluded sign on the north side of the building, toward the rear.
Sign condition: Structure 3 Surface 3 Lighting 3 The condition of the three different pieces of signage are all in different states of repair.
Sign form: Pylon; Fascia
Sign-specific description: The pylon sign, which sits near the street, is a miniature representation of the facade of the Peppermill establishment. Two square legs, constructed of mortared pieces of stone support the two-sided cabinet. The horizontal, rectangular cabinet sits on the pole, and faces north/south. The top edge of the sign is reminiscent of a roofline, with a low rise a-frame design. The grade is very little but exaggerated by the rectangular element rising off of the top edge covered in brown wooden shingles, which also cover the top edge's surface. The effect of the top's finishing is the resemblance of the roof of the Peppermill restaurant. Just below the peak of the "roof-like" element on the surface of the sign, a rectangular metal plate possesses text. The text is stamped out of the metal to reveal recessed negative spaces of fonts. An orange transparent material resides behind the plate, providing the hue for the internally lit apparatus. The text reads "24 Hours" in all capitals. Below the small rectangle, larger, white text runs the length of the sign. The internally lit, closed face, channel letters are in all capitals. In smaller text, along the bottom portion of the face the phrase "Coffee Shop & Lounge," runs the length of the text. The letters are orange, closed faced, internally lit. The actual structure of the restaurant, further east on the property is the model for the previously mentioned sign. The low-rise pitched roofline of the facility concludes at a lowrise rectangular cap. Along the western edge the roofs overhang, large white channel letters lined on the interior with pink neon spell "Peppermill" in all capital letters. Following the brown shingled roofline around the south side of the building, a third sign, not seen by the general public, faces south. A steel cabinet is the two-dimensional representation of both the outer pylon sign as well as the structure itself. A rust colored brown cabinet houses a dork brown steel face, with plastic letters for the advertising of the establishment. "Peppermill" is spelled in all capital letters. Below the top text a two lined, series of orange all capital text spells "Restaurant Lounge." It is apparent that wooden shingles were evident on the top the top edge of the cabinet which rises in the pitched front geometric shape seen on the pylon in the front and the architectural element in the structures center. Underneath the primary cabinet a smaller, horizontal, rectangular cabinet, sits centered underneath the It too is a rust colored brown cabinet, with a dark brown face. Text, as tall as the cabinet spells, "Open 24HRS" in orange plastic all capital letters.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The area surrounding the Peppermill contains several interesting properties making the entire area sort of a cove of history. Just to the north the deteriorating, and closed Silver City stands testament to the wave of constant change present on the strip. It is a reminder of the historical significance of the Peppermill and the fact that someday it might not be present at this location any more.
Sign manufacturer: YESCO
Sign - thematic influences: What is evident of the Peppermill theme works around the exterior appearance, and around the name itself. The brown wooden exterior, use of wooden shingles as adornments, and the major color palette all suggest the rustic, if not old west referenced, aesthetic.
Sign - artistic significance: This has become a statement of the "old Vegas" of the 1970s.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

Nathalie Martinez oral history interview: transcript

Date

2021-06-24

Description

Oral history interview with Nathalie Martinez conducted by Rodrigo Vazquez and Barbara Tabach on June 24, 2021 for Latinx Voices of Southern Nevada Oral History Project. Nathalie Martinez, one of the original members of the Latinx Voices project team, dicusses her personal history and the history of her parents who immigrated to the United States from Colombia and El Salvador. She shares her educational background and experiences working as an interviewer for the Latinx Voices project before its culmination and her graduation in 2021. Nathalie also talks about her work on the project's podcast and her work linguistically translating the interviews from Spanish to English.

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Interview with Marie Elizabeth (Stever; Daly) McMillan, March 5, 2004

Date

2004-03-05

Description

Narrator affiliation: Secretary, Administrative Assistant, Holmes and Narver; U.S. Atomic Energy Commission

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Donald Welch Photograph Collection

Identifier

PH-00420

Abstract

The Donald Welch Photograph Collection (approximately 1961-1981) is comprised of photographs of various golf tournaments hosted at the Desert Inn Country Club in Las Vegas, Nevada collected by Welch throughout his career as the Desert Inn's head golf professional. In particular, the collection includes two photograph albums depicting the Ladies Professional Golf Association (LPGA) Sealy golf tournament in the early 1970s and a 25th anniversary Desert Inn Country Club commemorative photograph book from 1981.

Archival Collection

UNLV Libraries Collection of Barbary Coast Hotel and Casino Promotional Materials

Identifier

MS-00933

Abstract

UNLV Libraries Collection of Barbary Coast Hotel and Casino Promotional Materials includes clippings, press releases, press kits, and promotional materials for the Barbary Coast Hotel and Casino in Las Vegas, Nevada, dating from 1989 to 1997.

Archival Collection

Mike Miller Papers

Identifier

MS-00715

Abstract

The Mike Miller Papers (1971-2014) include advertisements, books, and paintings by Las Vegas, Nevada-based artist and graphic designer Mike Miller. Materials include photographs, art prints, advertisements, newspaper clippings featuring Miller's advertisements, casino advertisements, and books designed, written, or illustrated by Miller.

Archival Collection

Norman Kaye Papers

Identifier

MS-00131

Abstract

The Norman Kaye Papers span the years of 1952 to 1969 and are comprised of material from the career of Norman Kaye, a Las Vegas lounge entertainer and longtime poet laureate of Nevada. The materials contain correspondence, newspaper clippings, music manuscripts and poetry, and audio recordings from the Mary Kaye Trio.

Archival Collection

Norman Kaye Photograph Collection

Identifier

PH-00061

Abstract

The Norman Kaye Photograph Collection (approximately 1950-1970) consists of black-and-white photographic prints of Norman Kaye and the Mary Kaye Trio in performance at the Hotel Last Frontier in Las Vegas, Nevada.

Archival Collection

Transcript of interview with Dennis Ortwein by Claytee White, May 6, 2009

Date

2009-05-06

Description

Dennis Ortwein arrived in Las Vegas in 1956. He shares many details about growing up in Montana, his parents and siblings, his education, and the moment in time when he was offered an opportunity to work in Las Vegas. He also lays out the path his singing career took, starting with school plays, duets with his sister, and high school quartets. Once in Las Vegas, Dennis taught for a while, served as principal, and was involved in creating programs that helped integrate schools. He also talks about his church choir work, entertainment in early Las Vegas, above-ground testing at the Nevada Test Site, and anti-nuclear protests. Dennis served as lab school and student teaching coordinator in Nigeria. He offers several anecdotes and stories about the time he and his family spent there. After retiring early (age 53), Dennis acted as consultant to the Esmeralda County school board, executive director for the National Conference of Christians and Jews, and wrote a book. He is currently enjoying his singing career by appearing at conventions, in musicals, and at weddings and memorials.

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Letter from E. E. Bennett (Los Angeles) to Ray Marks (Reno) regarding Nevada Senate Bill 155, March 9, 1949

Date

1949-03-09

Archival Collection

Description

Letter from Bennett calling attention to Nevada Senate Bill No. 155. Senate Bill 155 gives the Las Vegas Valley Water District power in levying taxes and issuing bonds in ways contrary to its original act. According to Bennett, it would create an unfair tax burden on the Los Angeles & Salt Lake Railroad Company and should be defeated. Senate Bill 155 is referenced below.

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