Search Results
Interview with Corbin Harney, July 24, 2006
Date
Archival Collection
Description
Text
Anita Tijerina Revilla oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Anita Tijerina Revilla conducted by Marcela Rodriguez-Campo on October 09, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Revilla discusses her early life in San Antonio, Texas. She talks about her decision to make education a priority, figuring out the college application process on her own, and her initial interest in social justice. Revilla talks about how her critical consciousness was developed, and her pedagogical approach to teaching. Revilla describes her role in the 2006 May Day march, advocating advocating for the queer community, and disrupting oppressive systems to increase educational access for students. Lastly, Revilla discusses ethnic studies and the history of inequality in the United States.
Text
Biographical essay by Samuel Newman, 2014
Date
Archival Collection
Description
Samuel Newman describes his experience during the Holocaust and being separated from his siblings at different orphanages. He was in Kyrgyzstan from 1943 to 1946, and at an orphanage in Poland until 1951. Newman trained in graphic arts and spent some time in the military in Israel. He came to the United States in 1968.
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Audio clip from interview with Glenn Tredwell, March 4, 2016 and April 14, 2016
Date
Archival Collection
Description
In this clip, Glenn Tredwell discusses how he came to Las Vegas, Nevada in 1975.
Sound
Photographs of Mermaids Casino signs, Las Vegas (Nev.), June 24, 2016
Date
Archival Collection
Description
Site address: 32 Fremont St
Sign owner: Derek and Greg Stevens
Sign details: Shutdown in 2016, opened briefly June 28th, 2017 for 8 hours to abide by gambling license law, was torn down shortly after. 2.76 acre lot, originally built in 1949.
Sign condition: Signage was removed from building during deconstruction
Sign form: Decorated shed
Sign-specific description: Covering all the sides of the Mermaids facing Fremont street, gives the feel of New Orleans during Mardi Gras with its bright vibrant colors, drums, maracas, and other items. Skeleton neon was used to accentuate features of the sign like details in the drums, outlining the word "Mermaids", and a good portion of the sign was internally lit as well. Giant TV screen hung in the middle at the corner of the building, giant Sun shaped pinata thing above the TV screen adding more to the theme.
Sign - type of display: Neon, LED screen
Sign - media: Steel and fiberglass
Sign - non-neon treatments: LED screen
Sign animation: Animated with an LED TV screen and some neon would flash on and off
Sign environment: Downtown on Fremont Street, part of the Experience. Surrounded by other casinos and gift stores.
Sign - date of installation: c. 1999
Sign - date of redesign/move: Torn down Summer 2017
Sign - thematic influences: Southern party themed, Mardi Gras.
Sign - artistic significance: American South and Mardi Gras.
Survey - research locations: Vital Vegas, Assessor's website
Surveyor: Danny Jacobs
Survey - date completed: 2017-09-09
Sign keywords: Neon; Steel; Fiberglass; Flashing; Video screen; Sculptural
Mixed Content
Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, June 16, 1988
Date
Archival Collection
Description
Text
Lindsay Wenger oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Lindsay Wenger conducted by Barbara Tabach on March 13, 2018 for the Remembering 1 October Oral History Project. In this interview, Lindsay Wenger discusses her move to Las Vegas, Nevada in 2013 for her residency at the University Medical Center of Southern Nevada (UMC). She talks about her experience on the night of the October 1, 2017 mass shooting and recalls a few specific patients she treated throughout the night and into the morning. After discussing the events at the hospital, she explains how she has been emotionally affected and how her view of Las Vegas as a community has changed.
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