Search Results
Carol C. Harter Professional Papers
Identifier
Abstract
The Carol C. Harter Professional Papers (1940-2023) consist of material documenting Harter's scholarly and administrative career. The collection includes letters, publications and reports, speeches, and photographs from Harter's time as the 11th and first female president of State University of New York (SUNY) Geneseo and as the 7th president of University of Nevada, Las Vegas (UNLV). As of 2024, Harter was UNLV's longest-serving and also its first female president.
Archival Collection
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, December 04, 2006
Date
Archival Collection
Description
Text
Epilogue: UNLV Yearbook, 1977
Date
Description
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas
Mixed Content
University of Nevada, Las Vegas (UNLV) 10th commencement program
Date
Archival Collection
Description
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
Text
Harold Stocker Photographs
Identifier
Abstract
The Harold Stocker Photographs depict Harold Stocker and his family from 1850 to 1980. Materials include photographs of Harold Stocker, his parents, his siblings, and his extended family. Materials also include photographs of Harold Stocker's business interests such as the Northern Club in Las Vegas, Nevada, the Nevada Silica Sand Company in Overton, Nevada, and the Chief Hotel Court on Fremont Street in Las Vegas, Nevada. The collection also contains photographs of Stocker participating in Republican Party events in Nevada.
Archival Collection
Photograph of Beauty Bar sign, Las Vegas (Nev.), June 28, 2017
Date
Archival Collection
Description
Site address: 517 Fremont St
Sign owner: Darin Feinstein and Corey Harrison (From Pawn Stars)
Sign details: Building originally constructed in 1988 for a retail store. The Beauty Bar franchise was founded in 2004 in New York City. The bar in Las Vegas used to be owned by Paul Devitt, but in 2014 is when Darin and Corey bought it and did some renovations. During the day they offer manicures/pedicures while serving cocktails, but at night function as a bar and concert venue with cool retro 1950s/60s salon style chairs and colors.
Sign condition: 3-4 During the day the sign looks faded and rusted over. At night the light does not beam as if it is a new sign either.
Sign form: Cabinet mounted to building
Sign-specific description: On the building there is a white oval shaped plastic sign saying Beauty Bar. Right above the doors there is a Salon of Beauty in channeled white block type letters. Both signs illuminate pink.
Sign - type of display: Neon and backlit sign
Sign - media: Steel and plastic
Sign - non-neon treatments: Backlit sign in plastic
Sign environment: Located in the Fremont Street East District surrounded by other bars and restaurants.
Sign - date of redesign/move: c. 2014
Sign - thematic influences: The bubbly pink backlit sign almost is the same shape as a painters pallet, so it shows an artsy theme since some consider doing hair and manicures as artwork as well
Sign - artistic significance: The "Salon of beauty" letters each have their illumination contained due to the metal channeling for each letter. The sign does have a retro aspect with their sign not looking totally brand new which extenuates the theme of an old beauty salon that you would see in the 50s or 60s.
Survey - research locations: Beauty Bar Website, accessor's office
Survey - research notes: Paul Devitt, the previous owner, actually started the chain of Beauty Bars in New York in 1995. He still has a part in the ownership in the other location he opened in N.Y., L.A., San Francisco and Chicago.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-14
Sign keywords: Backlit; Plastic; Steel; Neon; Fascia; Cabinet; Building-front design
Mixed Content
Alice Key Papers
Identifier
Abstract
The Alice Key Papers (1936-2004) consist of documents detailing Alice Key’s life and work in the African American community, historic preservation, and labor relations in Las Vegas, Nevada. Included in the collection are awards and certificates documenting Key’s achievements, invitations and programs to events, political and civic correspondence, and magazine and newspaper articles both about Key and written by her. The collection also contains photographs.
Archival Collection
Kiel Family Photographs
Identifier
Abstract
The Kiel Family Photographs (approximately 1854-1989) contains glass plate negatives of members of the Kiel and George families, as well as neighbors from the Stewart and Wilson ranches and ranch workers. The majority of the photographs were taken at the Kiel Ranch site in North Las Vegas, Nevada. The collection consists of the original glass plate negatives, as well as photographic print and negative duplicates made using the originals.
Archival Collection
Richard B. Taylor Papers
Identifier
Abstract
The Richard B. Taylor Papers (1920-1993) document Richard Taylor's career and interests as a longtime Las Vegas, Nevada businessman and local historian, including his work as an executive at the Hacienda Hotel and Casino. The materials also include maps, development plans, and local publications for the Nevada communities of Laughlin and Mount Charleston, as well as publicity and promotional materials for these projects. As an amateur historian, Taylor also collected information on Las Vegas, Laughlin, and Mount Charleston.
Archival Collection
LaVerne Ligon, B. J. Thomas, and Leonard Polk oral history interview: audio clip
Date
Archival Collection
Description
LaVerne Ligon discusses auditioning for the show Hallelujah Hollywood at the new MGM. She auditioned for Bob Mackie and Donn Arden, who wanted her to be topless in the show. She refused. Three weeks later, Donn Arden called her and said that she had changed his mind and he really wanted her in the show and she didn't have to go topless. In fact the entire line of Black dancers that he was putting together for the show did not have to go topless.
Sound