Skip to main content

Search the Special Collections and Archives Portal

Search Results

Displaying results 18851 - 18860 of 19583

Transcript of interview with Eva Garcia Mendoza by Elsa Lopez and Barbara Tabach, September 25, 2018

Date

2018-09-25

Description

On the corner of 7th street and Clark, and beside the tennis courts of Las Vegas Academy, stands the law office of attorney Eva Garcia Mendoza. Eva has worked in her office since 1982, and in this time she has helped the Las Vegas community work through civil and immigration cases besides aiding in a myriad of other ways. Eva Garcia Mendoza was born in 1950, in the town of McAllen, TX-an environment that perpetuated hatred of Mexican Americans. Eva recalls the racism she endured; for instance, being spanked if she spoke Spanish in school, and her family facing job discrimination because of her skin color or her last name. Being an ethnic and financial minority was difficult, and Eva remembers nights as a child when she would cry herself to sleep. Eva showed resilience in the face of adversity as she states, “you rise to the level of your teachers’ expectations.” With the encouragement of her band professor, Dr. L.M Snavely, she began higher education at Pan American College. She moved to Las Vegas in 1971 and began to work before being accepted at UNLV to study Spanish literature. She graduated in the class of 1973. In 1975, Eva applied to become a court interpreter, a decision that would drastically change the trajectory of her career. She earned the coveted position and began to work beside Judge John Mendoza who was the first Latino elected to public office in the state of Nevada. Several years later John and Eva would wed. Judge Mendoza passed away in 2011. Eva talks about how extraordinary his legacy is-from his professional achievements to a story about his v football days and the 1944 Dream Team, this true story even piqued the interest of Hollywood writers. Through her work, Eva began to notice how she was more than qualified to become a lawyer herself, so she applied and gained a full ride scholarship to the Law School of San Diego University. Eva describes the struggles of attending school in San Diego while her spouse and children were home in Las Vegas. Despite the financial difficulties, being one of few minority students, and becoming pregnant her second year, Eva was able to finish her remaining university credits by returning to Las Vegas and working with Judge Mendoza. Together, they started the Latin Bar Association. Eva began her own practice in 1981 and would later partner with Luther Snavely, who was the son of her band teacher that helped her to attend college so many years back. Today, Eva has a new partner at her office and hired her son to work as a secretary. Eva also tells of the office’s mysterious history, of which includes a ghostly figure many clients claimed to have seen in the reception room. Eva recounts many of her professional achievements, such as petitioning to start the American Immigration Lawyers Association, Nevada Chapter, representing celebrities, winning the unwinnable cases such as against the Nevada Test Site. Eva talks about current events, such as today’s immigration laws, the discriminatory practices of revoking birth certificates from those born in Brownsville, TX., and about the importance of the #MeToo movement. Eva and her family have a great fondness for Las Vegas. The support for the Latinx community in Las Vegas greatly contrasts that which she experienced as a child in southern Texas. She describes wanting to take her children and grandchildren to visit her old home in McAllen, TX where her family grew up on the “wrong side of the tracks.”

Text

Photographs of White Sands Motel signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the White Sands Motel signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3889 S Las Vegas Blvd
Sign details: Just south of the Tropicana Hotel Casino, the white Sands Motel begins the stretch of decaying properties that comprise the south end of the strip. In the parking lot outside a small low rise office, and rows of rooms the distinct pylon sign for the White Sands Motel faces north/south.
Sign form: Pylon
Sign-specific description: Two legs, in the shape of an "A" with a pole running up through the center, support a black, internally lit message center. The face of the cabinet is two sectioned with a larger portion sitting below a smaller section. The smaller top section has neither a face nor a backing. The interior parts lie exposed to the elements revealing the internal workings. Growing out of the center of the cabinet, tall thin internally lit rectangular cabinet runs into the sky approximately fifteen feet. The cabinet is designated into twelve sections by steel borders. Plastic red letters, reside inside this row of panels, horizontally spelling "White Sands" in all capital letters, with one space between the two words and one below the last word. At the very peak of the sign, a triangular shape, with a rounded top, appears to be back lit also. A smaller section sits on top of this as well. The tall cabinet, the peak, and the top antenna, are lined on the edges with raceways and incandescent bulbs. The resultant effect all of the pieces together is an image of a rocket or missile. Next to the drive on the streets edge, a small red, internally lit, message center faces north /south. The white flexible plastic face is treated with red text, and a logo for the establishment. Across the top of the cabinet "Entrance" is spelled and "Motel" across the bottom. The White sands logo is a red half circular shape with a white silhouette of palm trees, and "White Sands" across the top edge of the half circle.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics

Mixed Content

Photographs of El Sombrero Mexican Bistro sign, Las Vegas (Nev.), March 3, 2017

Date

2017-03-03
2017-08-28

Description

The El Sombrero Mexican Bistro sign sits at 807 South Main Street. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 807 S Main St
Sign owner: Irma Aguirre
Sign details: This modest, family-owned restaurant has been in town since the 1950's. It was then sold to the current owner, Irma Aguirre, and closed for a brief moment for renovation in 2014. They have been serving favorites like burritos, enchiladas, taco, and tamales for six decades. Even with their modern updates, they are still staying as true to their past as they possibly can.
Sign condition: 5, the sign is still in beautiful condition.
Sign form: Hanging sign
Sign-specific description: The sign for the business extends out from the property towards the street. The rectangular sign is a bright blue that matches the color of the building. On the top outer corner of the sign sits a sombrero with a red and white striped band in the middle portion of the hat. The words "El Sombrero" are painted on the brim of the hat. There are skeletal neon tubes outline the hat and the words "El Sombrero." Next to this is a small sign, within the overall design of the rest of the sign, that is designed to look ripped on both sides and reads "Mexican Food" in red letters. Neon tubes outline these words. Underneath these elements of the sign is the word "CAFE" in bold white text with a thin black border. Neon tubes fill these letters as well. Extending from the bottom of the sign is a small rectangle with the building number "807" painted in black.
Sign - type of display: Neon
Sign - media: Steel
Sign environment: The area that this restaurant sits is right between the Arts District and the excitement of Fremont Street. The locations nearby is a bail bond store, a supply stores for gaming, lawn equipment, and discount appliances. It is also a short distance from the North Premium Outlets.
Sign - date of installation: Circa 1950's
Sign - date of redesign/move: Possibly 2014, they closed this year to renovate the building and the sign looks different today from earlier images of the sign. Before they renovated the building the sign included some sort of striped scarf/cloth underneath the sombrero. However, after the renovation this must have been painted over.
Sign - thematic influences: The sombrero on the sign also lends itself to the name of the property and the "Mexican Food" sign within the sign explicitly tells you what type of restaurant this is. It tells you the theme right away.
Sign - artistic significance: The sign itself is very simple, but the few specific design elements of the sign are very distinct to the property. The sombrero is a nice touch to emphasize the name of the restaurant and the "Mexican Food" sign is helpful in letting both motorists and pedestrians know what type of food they serve.
Survey - research locations: Las Vegas weekly article https://lasvegasweekly.com/dining/reviews/2014/nov/19/revamped-el-sombrero-cafe-mexican-downtown/ , Review Journal article https://www.reviewjournal.com/local/el-sombrero-a-mix-of-modern-classic/, asessor's page
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-28
Sign keywords: Neon; Steel; Hanging; Cantilever construction

Mixed Content

Photographs of Star Motel sign, Las Vegas (Nev.), March 3, 2017

Date

2017-03-03
2017-08-21

Description

The Star Motel sign sits at 1418 South Third Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1418 S 3rd St
Sign owner: M V Star Group LLC
Sign details: 0.33 acre lot, originally constructed in 1947.
Sign condition: 4 - The sign is in excellent condition, but it does not light up at night.
Sign form: Pole sign
Sign-specific description: The sign itself is attached to a silver pole that extends out toward 3 rd St and is planted into the ground. On the top of the pole is a bright, blue star with a smaller white star in the center. The neon tubes attached to the sign are in concentric star shapes radiating out from the center. Extending out from the star to 3 rd st and curving back towards the pole that hold the sign is a trail implying that this is a shooting star. The first third of this trail is white and then the paint changes to yellow and remains yellow for the rest of the trail. The entire trail of the star is covered with yellow incandescent light bulbs. There are three very thin steel poles on the opposite side of the star from where the trail is attached. These smaller poles run parallel to the main pole of the sign and end about the same place where the tail of the star ends at the other side of the pole. Attached to these thin poles are stars ranging in size and made out of neon tubes. About at the midpoint of the main pole supporting the sign is a minimal, bright blue arrow that has "MOTEL" painted on it in bold white letters with a black outline. Neon tubes in the shape of each letter are attached to the center of the letters. Attached to the bottom of the tail end of this arrow is a smaller, minimal, black arrow that has "VACANCY" painted on it in bold white letters. Neon tubes in the shape of these letters fill this sign as well.
Sign - type of display: Neon and Incandescent
Sign - media: Steel
Sign animation: Unknown, as it no longer lights. However according to RoadArch.com, at one time it might have flashed.
Sign environment: The property is in the heart of the Arts District. It resides next to many other small motels in this neighborhood. It is only a few blocks away from Main Street and Charleston where there are many art galleries, restaurants, and vintage boutiques.
Sign - date of installation: c. 1950s
Sign - date of redesign/move: Based on earlier photographs from the 1950's, the sign's main star that is blue with a smaller white star in the center was originally all white. Also, the white and yellow trail it leaves behind was initially all yellow as well. It is also believed that there were more stars attached to the metal bars that extend from the blue and white star and that they would have flashed.
Sign - thematic influences: A popular theme for properties during this time was the Space Age and this is sign is an example of that influential theme.
Sign - artistic significance: This sign shows an influence of the Space Age that was going on during the late 50's. Many motel signs in the city evoked the theme for the property and this sign does so for the Star Motel.
Survey - research locations: Assessor's website, Vintage Vegas, www.roadarch.com
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-21
Sign keywords: Neon; Incandescent; Steel; Pole sign

Mixed Content

Photographs of The Palm Piazza sign, Las Vegas (Nev.), April 18, 2017

Date

2017-04-18
2017-09-09

Description

The Palm Piazza sign sits at 1919 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Sheet.
Site address: 1919 Fremont St
Sign owner: Zen Real Estate Holding
Sign details: This building dates back to 1936 and was made for commercial living accommodations/ deluxe motel. Previous to the Palm Piazza opening this location was called the Ariza Motel which was abandoned for a few years. Kamran Foulad in 2013 purchased this building to renovate it in an effort to revitalize downtown. The Palm Piazza opened as an apartment complex in late 2013.
Sign condition: 4- slight fading but still in good condition
Sign form: Pylon
Sign-specific description: There is a black base of the sign that is not very tall which holds a back lit plastic sign that has an image of a lady under a palm-tree leaf canopy and the location's phone number in black numbers. Above this is a blue steel backing that in the shape of a sideways trapezoid which is about half of the width of the black sign beneath it (and is laid on the building side of the sign). This portion has black back lit plastic letters that spell out "The Palm Piazza" in a bubbly cursive font towards the top of the sign. Then below this in yellow skeletal neon tubes they have "Luxury Living" spelled out in a thin tight cursive font. On the road side of the sign there is an arrow blue steel arrow that points down towards the black portion of the sign. The arrow is outlined in yellow neon tubes and has "Enjoy Las Vegas" in clear print font skeletal neon tubes.
Sign - type of display: Neon and back lit plastic signs
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic portion of the sign
Sign environment: This area is located East Fremont close to Bruce Street. There are other motels surrounding this area.
Sign - date of installation: This sign has been up in form that we see today in 2013, though it looks as though they re-purposed/redesigned the sign that the Ariza Motel (previous property name) had. The previous sign has been up since at least 2007.
Sign - date of redesign/move: 2013- Ariza Motel blade taken down and the rest of the sign redesigned for the Palm Piazza.
Sign - thematic influences: Previous to the apartment complex it was a motel and their signs still has remnants of that 1950/60's motel sign design particularly with the arrow.
Survey - research locations: Assessor's Page, Review Journal article discussing the renovation of the building https://www.reviewjournal.com/local/local-las-vegas/developer-eyeing-overlooked-las-vegas-downtown-area-gets-city-boost/, Google map sattelite/ roadside view
Survey - research notes: On the top portion of the blue steel sign there are 3 short black steel beams coming out of it which used to hold an old MOTEL blade sign which was taken down around 2013.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-09
Sign keywords: Neon; Backlit; Plastic; Steel; Pole sign

Mixed Content

Olivia Diaz (City of Las Vegas Councilwoman) oral history interview conducted by Magdalena Martinez: transcript

Date

2022-08-02

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Elected official interviews file.

Text

Brian Greenspun interview, 2018: transcript

Date

2018-01-10
2018-01-24
2018-02-21
2018-03-20

Description

Interviewed by Barbara Tabach. Publisher of Las Vegas Sun, child of Hank and Barbara Green. Part 1 Subjects: Las Vegas Sun, Greenspun family, Israel gun running; Part 2 subjects: Journalism importance, Las Vegas Sun, Watergate tie-in with Hank's safe, October 1 shootings reflections; Part 3 subjects: Hank and Barabara Greenspun. Talks about Jewish visionaries of Las Vegas that includes Art Marshall, Jack Entratter, Sheldon Adelson, Nate Mack; Part 4: Interviewed by Barbara Tabach. Las Vegas Sun newspaper publisher and native Las Vegan talk about events and people from Las Vegas' years of him growing up. From watching pink smoke from test site to hanging out with friends in the John S. Park neighborhood to racial riot of 1969 to playing golf as a kid.

Text

Transcript of interview with Dr. Harrie Fox Hess by Scot Siegel, February 26, 1979

Date

1979-02-26

Description

On February 26th, 1979, Scot Siegel interviewed his psychology professor, Dr. Harrie Hess (born March 1, 1929 in Hammond, Indiana) in his office at the University of Nevada, Las Vegas. Dr. Hess discusses his family’s reason for moving to Nevada and how he felt as a young adult moving to Las Vegas. The two go on to talk about Dr. Hess’ contributions to Nevada through his work as a psychologist, and briefly mentions the first law to be drafted on psychology certification in Nevada. Dr. Hess then describes the Wild Cat Lair as an important site of social recreation for early Las Vegas youth. The interview concludes with his memory of Boulder (Hoover) Dam and how he believes that workers from the Great Depression paved the way for industrial success in gambling due to their employment on the Dam.

Text