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Photographs of Gateway Motel sign, Las Vegas (Nev.), March 12, 2017

Date

2017-03-12
2017-08-30

Description

The Gateway Motel sign sits in early evening light at the northeast corner at 928 South Las Vegas Boulevard. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet
Site address: 928 S Las Vegas Blvd
Sign owner: Vinod Soni and Gateway Motel Inc
Sign details: The Gateway Motel dates back to early 1930's and could be considered one of the earliest motels to pop up in Las Vegas. Before the name changed to Gateway Motel it was named as the Gateway Auto Court circa 1930-1946 it was known as the Gateway Auto Court. The first sign was built circa 1930's and their new remodeled sign which is still in use today was built circa 1950's. The 1950's sign was originally painted darker colors and had a larger graphic of a gate. The original 1930's sign has the streamline modern influence that was prominent in 1930's and 40's. The sign itself is a pole sign with a square structure at the top. The font Auto-Court is in pure neon with that fire-red hue; the font is placed in the middle to stand out the most. The word Gateway is on top of Auto-Court in black with black streamline lines surrounding the word. Underneath is a small wooden board hanging probably stating no vacancy. The background color of the square structure is in pure white and the pole is chrome.
Sign condition: The condition of the sign is a 3.5. Some of the neon is not working when it's turned on at night. The paint has some sun/UV damage since it looks faded. The reader board has a stained effect from sun damage.
Sign form: Pylon with three separate signs converged into one.
Sign-specific description: The sign is made out of glass, steel, plastic, and concrete. The color palette is light blue, white and a cream white. The sign is designed in separate sections. The white cream based portion is situated at the top with a gate and bridge illustrative design in glass tubes and neon. The gate itself lights up yellow with red on the side. The font Gateway is larger than the gate and is in the color white when lit up. Underneath the Gateway word is a subliminal directional arrow pointing towards the motel buildings This section is in the color sky blue with the word motel in massive white letters. Underneath the directional arrow is the reader board surrounded by the steel light blue border. The reader board states Free Wi-Fi and HBO. Underneath in the left corner is a small light blue board that states "no vacancy" in neon. These three separate signs are all connected like blocks with a concrete pillar structure holding up the sign. During the evening, the light blue paint is not shown and is just pure black with the neon illuminating the sign.
Sign - type of display: Neon and plastic back lit sign
Sign - media: Steel, plastic and concrete
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This location is on the corner of Las Vegas Blvd and Charleston. This is right next to the original Dona Maria Tamales restaurant.
Sign - date of installation: Circa 1950's
Sign - date of redesign/move: From a 1930's streamline modern sign to a 1950's Mid-Century modern architectural roadside motel sign.
Sign - thematic influences: The sign is influenced by Mid-Century Modern roadside architecture, with the directional arrow as a staple in many motel roadside designs of the 1950's and 60's to accommodate the car consumer era.
Sign - artistic significance: One main trends of the 1950's designs with neon signs is using illustrative motifs with the inclusion of directional arrows to lend to the highway travelers an idea of where the property is located. To make sure these travelers don't miss the establishment in an empty road.
Survey - research locations: Assessor's Page, Roadside Architecture Website http://www.roadarch.com/signs/nvvegas.html , Neon Museum book Spectacular, Vintage Las Vegas http://vintagelasvegas.com/search/Gateway+Motel
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-30
Sign keywords: Neon; Plastic; Backlit; Steel; Concrete; Roadside; Reader board; Back to back

Mixed Content

Photographs of Candlelight Wedding Chapel sign, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Candlelight Wedding Chapel sign. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 800 S 4th Street
Sign details: The Candlelight Wedding chapel is located on the corner, just north from the Riviera and in the same parking lot as The Algiers. The small white, wooden roofed structure sits just to the east of the street and the northern side butts against Stardust Rd . Outside, the corner is treated with grass, and landscaping, creating a pleasant environment to go along with the charm of the building as well. The low level pole sign faces north/west. The building has a small wooden cross, surrounded on the edges with white neon, on the top of the building, in the same fashion as the Little Church of the West. The style of the building is classic New England architecture
Sign condition: Structure 4 Surface 3 Lighting 3
Sign form: Pylon
Sign-specific description: The main sign for the candlelight wedding chapel is essentially a small pole sign with three separate sections of cabinets along with lighting elements. The white steel pole rises out of the ground ,before transforming into a large two sided marquee cabinet. The cabinet is crafted with sculptural elements into its outer edge. The four corners swell up and bulge, before slightly swooping inward. The top and bottom edges are climaxed into a shallow point. The sides sweep into the notch of a negative circular shape. The sides are given a scroll type feel. In two lines across the red face of the sign, Wedding Chapel is spelled is white text, occupying most of the space of the cabinet. Across the very bottom of the cabinet Wedding Information is spelled in an all white single row of text. The larger text is lined with incandescent bulbs and outlined in neon. The bottom line of text is just lined in neon. The pole protrudes through the top of the sign where a small horizontal, internally lit cabinet, sports sculpted edges as well. The top and bottom edges sweep from either side, then descend meeting at a point in the center. The sides are simply concave, radiuses inward. The white cabinet is lit internally, illuminating the white plastic face. Black text stretches across the plastic face, reading candlelight. Below the main cabinet two internally lit cabinet sandwich the pole, creating two faces. The cabinets are all white, with white faces, utilizing red letters. At the very top of the pole is a tree tiered formation created with raceways and lined with incandescent bulbs. One raceway rises vertically into the air perpendicular to the ground, while the two flanking pieces arch out created a three-pieced fountain shape. It is also reminiscent of a Fleur de Lis.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: none
Sign environment: The positioning of the Candlelight Wedding chapel gives it a unique role as an accent of softness, among a bombardment of neon and pulsating lights. Just to the North, is the Algiers parking lot, and to the south, the Riviera. Directly west across the strip there is the ever electric Circus Circus. Amid all this chaos of incandescence, screeching cabs, and buzzing current, the green shrubbery and plot of turf finely houses the pylon, and leads up to the structure itself. It is very charming and fresh compared to. It definitely is reminiscent of the era of establishment such as its neighbor the Algiers.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the sign has little to do with the theme of the wedding chapel, and more so to do with the architectural theme, than the function of the establishment. The pole sign contains standard elements of local signage. The logo cabinet, and internally lit message center. It even contains the most common element of a raceway lined with incandescent bulbs. The sculpted edges of the pylon's logo cabinet are reminiscent of other cabinets with sculpted edges. The most famous reference to this shape seen in classic Vegas history, is the original corner fascia seen on the Golden Nugget. As far as being compared to the only other existing independent wedding chapel, its structure is similar, that being a small structure boasting a highly visible steeple.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic

Mixed Content

Photographs of Travelers Motel sign, Las Vegas (Nev.), 2017

Date

2017-04-18
2017-06-28
2017-08-18

Description

The Travelers Motel sign sits at 1100 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1100 Fremont St
Sign details: This location was constructed in 1926. Though the year of when the Traveler's Motel opened in unknown though its sign states, "Your Best Bet In Las Vegas Since 1936'. Though Vintage Las Vegas' blog states that the Traveler's Motel acquired some of their land from the Lucky Motel. Currently the Traveler's Motel is closed and gated up.
Sign condition: 3, the sign is fairly in condition. However, the sign does not light up at night. The sign that used to read "Traveler's Motel" that was affixed to the iron gate-like structure appears to have the majority of its sign taken down or destroyed in recent times.
Sign form: Blade Pole sign and Porte Cochere
Sign-specific description: This sign is attached to the building that belongs to and extends outward to Fremont Street. The lower portion of this sign has the same details on each side of the sign. The top portion of this sign is a trapezoid with "Traveler's" painted on it in a cursive text except for the "t." This is done in white on a rust colored background. Neon is also affixed to "Traveler's." Underneath this is a plastic back lit sign detail the various accommodations of the property, such as: phone, cable T.V., microwave, refrigerators, "totally remodeled rooms," "daily * weekly rental," and "Your Best Bet In Las Vegas Since 1936." Under this is another, smaller trapezoid that has the street address painted on it in bold white numbers with a rust background. Extending from the top portion of this sign is a rust colored pole that has five other poles with various lengths extending out from that towards Fremont Street. Attached to these poles are letters that spell out "MOTEL," the top supports the "M" and each pole following hold each of the others letters to spell out the word. Each of these are diamond shaped plastic, possibly back lit signs. The plastic is off-white and each of the letters is black. The marquee sign attached to the iron gate-like structure that connects one side of the building to the next. This sign is a long, rectangular back lit sign that has a white background and bold red text reading "Traveler's Motel. " This sign also was attached to an longer, yellow rectangle with rounded sided on the left and right side of the sign.
Sign - type of display: Neon, possibly back lit (sign doesn't light up any more)
Sign - media: Steel and Plastic
Sign - non-neon treatments: Plastic back lit portion
Sign animation: The sign is no longer in use; therefore, it is difficult to determine this. There is also no record of the sign having any animation.
Sign environment: This property resides in the area east of the Fremont East District with many new businesses surrounding it, such as: PublicUs, the Bunkhouse Saloon, Chow, The Writer's Block, and 11th Street Records. However, there are quite a few other closed Motel properties that reside near the Traveler's Motel as well.
Sign - thematic influences: The sign is extremely reminiscent of many of the signs from the 50's and 60's that belong to the other motels in the downtown area. The sign has many geometric elements to it that make it appear that it could be from this time period.
Sign - artistic significance: This sign does not have a specific theme to it. However, the plastic figure climbing on the sign stresses that this motel would be for those who do enjoy traveling and adventures. This sign does follow a very basic trend regarding motel signs on Fremont Street. It is attractive and very noticeable to those moving along Fremont Street. The overall design of the sign is very geometric, which is a common aesthetic among signs made in the 50's and 60's.
Survey - research locations: Assessor's Page and Vintage Las Vegas website http://vintagelasvegas.com/search/Traveler+Motel
Survey - research notes: It was difficult to find any history or old photographs of this property.
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-18
Sign keywords: Neon; Steel; Plastic; Backlit; Pole sign

Mixed Content

Irene Cepeda (Clark County School District Trustee) oral history interview conducted by Magdalena Martinez: transcript

Date

2022-07-11

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Elected official interviews file.

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Transcript of interview with Edward "Ed" Butera by Stefani Evans and Claytee White, July 28, 2016

Date

2016-07-28

Description

Engineer Edward "Ed" Butera spent hours constructing models from the time he was a five-year-old boy in San Jose, California. Besides his interest in building and design, the young Butera also loved math and music—specifically the clarinet, at which he excelled, and which he still enjoys. After earning his Bachelor’s degree in Electrical Engineering at San Jose State University he was hired by Ralph Joeckel as a consulting engineer for Trane, a heating and air conditioning company. Joeckel became a mentor and "second dad" to Butera after the company sent him to Las Vegas in 1972, and the two remain close to this day. In this interview, Butera shares how he engineered and designed power, water, sanitation, utilities, and heating and cooling systems on many Clark County high schools, hospitals, and data centers while considering such factors as the building's shape and its affect on the way wind forces act on its glass, windows, and doors. He talks of his casino work that began with the Stardust soon after he arrived in Las Vegas, and before his client list grew to include Tony Marnell, Steve Wynn, and MGM. Besides the hotels, he shares his experiences engineering the infrastructure for the Bellagio fountains, The Mirage volcano, Treasure Island's pirate show.

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Dorothy Eisenberg interview, March 8, 2017: transcript

Date

2017-03-08

Description

Multicultural advancements in Las Vegas cannot be mentioned without speaking on the monumental contributions of Dorothy Eisenberg. From 1971 to 1998, she was involved with over 25 local organizations and committees and had the honor of having an elementary school named after her. Eisenberg’s beginnings start in the midst of the all American melting pot experience though immigration. Her mother came to the United States from Russia at age twelve and her father from Austria at age sixteen to go upholstery school. Upon marriage, they settled down in Philadelphia after the World War II. They raised Dorothy and her siblings to contribute to the community despite the anti-Semitism that was displayed there on a regular basis. Signs that said, “No dogs and Jews allowed” were common place. After her first husband died, leaving her as a single mother of four little girls, she didn’t allow herself to be trampled by her circumstances by enrolling in Temple University to be a teacher at a time when the university had stigma towards older students. Upon her marriage to her second husband, the family moved to Las Vegas where she found a spiritual home for her family at Temple Beth Sholom, where her children went learned to deeply appreciate their Jewish heritage and attended Hebrew school. Having always been involved with politics in Philadelphia, she faced personal discrimination due to her religion when she was searching for organizations to involve her time. She eventually found a home with the League of Women Voters in 1965 and became involved with the Observers Corp and became aware of what was going on with the African American community from community based research and dialogue. She played a key role as president of the organization and faced heat for her involvement in the desegregation of sixth grade centers with the Kelly vs. Guinn decision in 1972 and was involved with the Welfare Rights Movement. She met Ruby Duncan and Jane Fonda, and she even showed up to the march with her daughters. Eisenberg was heavily involved with her namesake school through meetings with principals at least once a year, reading to students in the classroom, and bringing latkes to the school on Hanukkah. She continues the intergenerational legacy of educational involvement set forth by her parents with supporting her children, grandchildren and great grandchildren in the school as well. Dorothy Eisenberg is a true role model for Nevada and a pioneer for equal education in Las Vegas.

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Transcript of interview with Ian and Irmalee Anne Ross, by Claytee White, March 28, April 5-6, 2012

Date

2012-03-28
2012-04-05
2012-04-06

Description

R. Ian Ross, better known as Ross, and wife Irmalee have dedicated their lives to serving, and improving, their community. Both Ross and Irmalee’s families moved to Las Vegas, from Los Angeles and Reno respectively, drawn by the opportunities presenting themselves in the growing city. While in college, Ross would spend his summers as busboy at the Sands hotel, where his mother worked as beauty consultant and salesperson. Ross attended law school, and soon after finishing, started a law firm with Jerry Snyder and Oscar Goodman. After a couple of years, Ross took a position with the City Attorney’s Office while also starting his own private firm. He later served as an assemblyman in 1977-78. In addition to his work as an attorney, Ross has engaged in various real estate ventures over the years, largely in North Las Vegas. He served as the president of the North Las Vegas Chamber of Commerce, and dedicated himself to developing this part of town. During this time, Irmalee was an active member in various social organizations, including Junior League, of which she still is a member. Having lived in Las Vegas for over 50 years, from ‘mob days’ to the present, Ross and Irmalee have accumulated unique experiences, and developed keen insights, about the growth, change and development of Las Vegas. Unlike others, they embrace the city’s continuing evolution as a community.

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Eddie Escobedo interview, February 25, 2019: transcript

Date

2019-02-25

Description

Interviewed by Maribel Estrada Calderón. Claytee White also participates in the questioning. Eddie Escobedo was born in 1961 and two years later, he and his family immigrated to the United States. He fondly remembers his father, Edmundo Escobedo. Escobedo is currently in charge of the newspaper that his father started, El Mundo Newspaper.

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Transcript of interview with Helen Naugle by Irene Rostine, October 31, 1996

Date

1996-10-31

Description

Prior to 1962, Helen Naugle had only visited Las Vegas once in her life while traveling from Idaho to California for a vacation with her husband and her boss. The group made a quick stop so her boss could interview for a position with EG&G and, as fate would have it, EG&G did not hire Helen’s boss. However, they did extend a job offer to Helen’s husband. A month later, Helen, her two daughters, and her husband became residents of Las Vegas, Nevada. Before moving to Nevada, Helen enjoyed singing in super clubs and performing on her radio show, “Melodies from Meadowland” and working for American Machine and Foundry. Upon her arrival in Las Vegas, Helen went to work for Bonanza Airlines before attending real estate school. In 1963, Helen opened her first office, Bruce Realty, and in 1965, she obtained her Broker’s license. She spent the next ten years selling general real estate. During this period, Helen was an active member of the Board of Realtors, as well as an early participant in the Board’s newly formed Women’s Council. Fate would strike again in Helen’s life while she was visiting her daughter at college in Arizona where she read an article in the Phoenix newspaper about a group of brokers who had formed a networking association to sell hotels and motels across the country. As a result of her initial contact with this association, Helen spent the next four decades selling hotels and motels throughout the State of Nevada, including Las Vegas, Elko, Tonopah, and Wells. She eventually became the first woman President of the American National Hotel-Motel Association. The cultural diversity of hotel and motel buyers would provide Helen with opportunities to travel the world and work with buyers from many different countries and cultural backgrounds. It also led to Helen’s membership in the FIABCI (International Real Estate Federation) and her Certified International Property Specialist and Federation of International Property Consultants certifications. Helen was also selected by the Association to represent the Air Force as “Innkeeper Evaluator” for one year. This honor took her to five Air Force bases in the United States and to Clark Air Force Base in the Philippines. During Helen’s career in hotel and motel real estate sales, she witnessed the transition from “mom-and-pop” American buyers to the influx of international buyers predominately from East India and Asia. The opportunities for helping repeat buyers and sellers gradually went away, as foreign buyers entered the market and tended to resell their properties to friends and family members from their own countries. During the latter part of her career, Helen found time to give back to the Las Vegas community through her volunteer work helping to establish the Scleroderma Foundation of Nevada. She also served on the Board of Directors of the Downtown Las Vegas Partnership where she focused on public safety in the area encompassing the Fremont Street Experience. Her work with both of these organizations allowed her to draw on her career experience for the benefit of others. Whether it was fate, or as Helen put it, she “just lucked into a lot of things,” one thing is certain - Helen Naugle was certainly a trail blazer for women in the hotel-motel niche of the real estate business, not only in Nevada, but across the nation.

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Transcript of interview with Francis E. Hughes by Mark E. French, February 23, 1977

Date

1977-02-23

Description

On February 23, 1977, collector Mark E. French interviewed local farmer, Francis E. Hughes (born March 9th, 1917 in Mesquite, Nevada) in his home in Mesquite, Nevada. This interview offers an overview of the general lifestyle and culture in Mesquite. Mr. Hughes mother, Orilla Leavitt, was born in Bunkerville, Nevada. Members of Mr. Hughes’s family were amongst the first settlers in the Mesquite area.

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