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Displaying results 18991 - 19000 of 19506

Photographs of Grand Canyon Experience signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Grand Canyon Experience signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3791 S Las Vegas Blvd
Sign owner: M H & K Enterprises
Sign details: The Grand Canyon Experience is directly North of the MGM next to the GameWorks complex. Above the clear glass entrances to the outdoor scenic tour's facility is a large building front designed marquee design, as well as a smaller version over the entrance facing northwest.
Sign condition: Structure 5 Surface 3 Lighting 5
Sign form: Fascia
Sign-specific description: The marquee reads Grand Canyon in yellow channel letters outlined in yellow neon, the insides are orange with orange neon in the middle. Experience is spelled in a cursive style orange channel letters with orange neon and incandescent bulbs on the interior. The two texts are supported on a steel framework of interconnecting steel pipes. The shape looks as if it is a bow pointed toward the ground. Two steel poles run vertically approximately 16 feet from the edge of the support system. They run toward the ground against the wall and stop to square i18" tall 10 inch deep, yellow, message box with a black surface. The neon whit von inside of the red channel letters reads "Shop Grand Avenue" in an all caps Arial style text. Two halogen lamps project off of the top of the sign and illuminate a three-dimensional sculpted caricature of a hiker. The entire structure is supported on the West wall of the building. The logo itself spans seventy-eight and a half feet at it's widest and is approximately twenty-three feet tall. Below the NW entrance to the establishment, a smaller version of the giant marquee sign sits above the door. Aluminum channel letters spell " Grand Canyon," with orange argon on the interiors. Below that sits a three-tiered back lit message panel. It forms a shape reminiscent of an upside down step pyramid. The top section actually contains yellow argon in nine-inch cursive text spelling experience. The three stepped cabinet is of a polished aluminum. The text sits on sheet metal raceways.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Fiberglass; Plastic
Sign - non-neon treatments: Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The Grand Canyon Experience is a rather large sign but is dwarfed by the immense MGM pylon just to the south of it. It is accented by faux rock serving as door jambs for the actual entrances.
Sign manufacturer: Mikohn Lighting and Sign
Sign - date of installation: 2000- 08
Sign - thematic influences: The actual theme of the sign is correspondent to that of the business, which the sign advertises. The text does not appear to be associated with any particular theme, but hold a style complimentary to each other. An element of theming is still evident with the faux rock facade, and the sculpted figure on top of the sign.
Sign - artistic significance: If not significant for simply combining different elements to create a completely self-contained sign, it fits into the movement in Las Vegas's history, which is geared more toward the family. The cartoon-like representation of a hiker, the fake rocks, the bright colors, and location in a strip mall, which centered on such establishments as Gameworks and M&M World, all point to the conclusion that families are welcome.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Incandescent; Backlit; Steel; Fiberglass; Plastic; Paint

Mixed Content

Photographs of La Concha sign, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the La Concha Motel sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 2955 S Las Vegas Blvd
Sign owner: Edward Doumani
Sign details: The La Concha is located north of the Riviera hotel Casino, just past the giant glass wall advertising for Splash. The La Concha double sided ground sign, sits close to the street on the east side of the strip, facing north /south. Directly to the east the origin of the signs shape resides in the form of the front structure of the La Concha's lobby structure. The sweeping elliptical roofline creates a structure dripping with the flavor of outlandish 50's-60's expressionistic modern design. The roadside ground sign reflects this shape actually mimicking it in a stylized silhouette of itself. The two icons are separated by a small but busy parking lot that expands north of the La Concha to house other similar style structures. The wings of the hotel, which extend out behind the main lobby, are a rather stark and plainly rectangular form, compared to the front portion of the lot.
Sign condition: Structure 4 Surface 4 Lighting 4 Notes: Considering the age of the property and the sign, it is in great condition, everything is intact, but not perfect.
Sign form: Pylon
Sign-specific description: The sign resides in a pleasant spot of green grass, among the concrete and black top surfaces. A rectangular base, painted a light hue of blue and gold, supports a double-sided sculpted cabinet in a three-pointed crown, which is the stylized profile of the building in sits in front of. Below the main cabinet a triangular internally lit message center has been added, as well as two more, flat rectangular cabinets on the north and south sides. The cabinets are adorned with text that advertising for car rentals located in the same neighboring lot. Off of the west side of the cabinet a small circular cabinet is cantilevered off of the edge. It is an internally lit marker, noting that color television is available inside. The surface of the actual cabinet is painted red, and is somewhat faded. The section of the cabinet that would be dedicated to the low-lying portions of the La Concha's roof are addressed in white. The "La Concha" is spelled across the front of the sign in white text outlined in blue. The text is designed specific to the sign, for the capital L and C are shaped to match the contours of the crowns of the sign. The rest of the script also takes on some of the same stroke of the manner. Motel is spelled in the same coloring across the bottom right hand portion of the signs face, in block text. The very bottom portion of the cabinet is a black painted horizontal extension with edges that angle back into the body of the sign. The words "vacancy' are written across the surface of the sign to the right hand side. No is spelled on the left, but only in neon. When illuminated the main text is lined with a light electric blue, while the edges, and the top contours are lined with a pink and fuchsia glowing borders. The words "vacancy" and "motel" are lined in an orange, amber colored, warm tubing.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The La Concha sits just to the south of the Riviera's giant glass wall. Headed south, the property comes into view, being a quiet transition from the extreme nature of the Riviera. The sign sits in a black top expanse that meanders back into the rest of La Concha's property. The base of the sign is surrounded with plants and curbing, firmly rooted into the urban mainstream of the neighboring street.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the La Concha can be drawn directly from 1950's and 60's modern design. Such curve can be seen signs of the decade for example the original Dunes pylon displays elements of such curve and swell. In Jorg Rugemer's Lost Las Vegas, there is a picture of a 60's era automobile sitting next to the building. It is used to show the influences of the structures design present in the design of something as common as the automobile. It is reminiscent of the protruding fins and large eye like taillights seen on such autos. The sign itself is an interpretation of the building in a silhouette form, so it's angle draw from the same pool as well. The coloration of the neon is also reminiscent of the era. The turquoise, vermilion and red are reminders of such properties as the original Flamingo, and the Algiers.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint

Mixed Content

Photographs of Girls of Glitter Gulch signs, Las Vegas (Nev.), June 24, 2016

Date

2016-06-24 to 2017-09-17

Description

The famed Vegas Vickie sign advertising the now permanently closed Girls of Glitter Gulch adult entertainment club sits at 20 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet.
Site address: 20 Fremont St
Sign owner: Derek and Greg Stevens
Sign details: Glitter Gulch is next to the Golden Goose. This now closed property has a long history in Las Vegas. In 1959, the Fortune Club was where the Glitter Gulch would soon replace it. For the history of the Golden Goose: Herb Pastor bought the Mecca Club from Sylvia Sioratta in 1974 then opened up the Golden Goose soon after. Mr. Reed's was the property that sat next to the Golden Goose at this time; however, that then became Bob Stupak's Glitter in 1980. In 1981, Pastor ended up buying the Glitter Gulch. In 1991, Pastor merged both of these properties into a strip club. Both of these properties ultimate closed in the summer of 2016. The signage was taken down in 2017.
Sign condition: Vegas Vickie has been taken down and half the Glitter Gulch sign was also taken down.
Sign form: Blade and sculptural sign
Sign-specific description: Perched atop the signage for the Glitter Gulch is Las Vegas favorite girl, Vegas Vickie. She is dressed up in cowgirl attire and kicking her leg out onto Fremont Street. She is painted so you can see all her details in the day and she is a channeled sign lined with neon tubes that matches her paint so you can see her at night as well. She sits on top of a very geometric piece of gold (like a golden nugget) that shines brightly and dotted with incandescent light bulbs. The "Glitter Gulch" letters are open channeled, lined with neon tubes that glow red at night, and filled with neon tubes that glow blue at night and oscillate as well. During the day these letters are a bold white font and instead of a dot for the "I" it is a four point star. Underneath the golden nugget like structure of the sign is a bunch of silver coins lined with neon tubes.
Sign - type of display: Neon, incandescent, back lit
Sign - media: Steel, plastic, fiberglass
Sign - non-neon treatments: Fiberglass and back lit plastic
Sign animation: Neon in Glitter Gulch text oscillates
Sign environment: These signs sit in the midst of the excitement on Fremont Street Experience. Some of the other properties that sit near them are Binion's, Golden Gate Hotel & Casino, and the Plaza Hotel & Casino.
Sign manufacturer: Ad Art
Sign designer: Jack Dubois and Charles Barnard of Ad Art
Sign - date of installation: 1980
Sign - date of redesign/move: Vegas Vickie was taken down in 2017 for restoration and may return back to Fremont after.
Sign - thematic influences: Both of the Glitter Gulch and Golden Goose signs are extremely iconic signs in Las Vegas history and combine elements that are typically used in signage throughout the city, such as: sculptural signage and signs that have a dominant theme for the property. Vegas Vickie being a part of the signage for the Glitter Gulch also gives some indication that this property is a gentleman's club. They are elaborately designed to draw people's attention to these businesses, which many other signs throughout the city aim to do as well.
Sign - artistic significance: These signs are significant because the design of them is elaborate and they are excellent examples of signs that use sculpture/image to help convey the theme of the property. They are also crafted in such an excellent manner and filled with numerous details.
Survey - research locations: Fox news website http://www.fox5vegas.com/story/31783315/d-las-vegas-owner-buys-3-more-fremont-properties , Vintage Las Vegas website http://vintagelasvegas.com/search/glitter+gulch, Review Journal Article https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-17
Sign keywords: Blade; Sculptural; Neon; Incandescent; Backlit; Plastic; Oscillating; Steel

Mixed Content

Photographs of Monterey Motel sign, Las Vegas (Nev.), February 12, 2017

Date

2017-02-12
2017-09-04

Description

Monterey Motel sits against a cloudy sky at 1133 South Las Vegas Boulevard. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1133 S Las Vegas Blvd
Sign owner: Monterey Motel Corp.
Sign details: The building was constructed in 1944 (Assessor). The business opened as the Monterey Lodge Motel (RoadsideArchitecture). A vintage postcard from 1954 shows The Monterrey Lodge Motel with much of the current architecture, although a different sign is present (Las Vegas motels then and now). The motel advertises itself as endorsed by several automobile clubs, including the Automobile Association of America (AAA).
Sign condition: Condition is 4, good. The cabinets, light boxes and neon are intact and in good condition. The paint shows slight fading and no flaking or peeling, except for light to moderate deterioration and rust on the bottom of the lower cabinet.
Sign form: Double pole sign
Sign-specific description: Double poles painted in bands of pink topped by bands of white support a rectangular reader board with a pink metal cabinet. Plastic pink sans serif letters spell out "FAMILY UNITS" on the face of the readerboard. On the lower motel side of the readerboard is a rectangular black plastic sign which states, "COLOR TV by RCA" in multi-colored san serif letters. At the top of the cabinet on the motel side is an arrow pointing toward the business. At the top of the north face of the cabinet is white coated skeleton neon tubing which states, "ENTER NO VACANCY" in sans serif letters. On the south face of the cabinet the lettering is reversed to say, "NO VACANCY ENTER". Mounted above the readerboard are three poles. The two outside poles are painted white and consist of round pedestals, shafts and capitals. The capitals are outlined in white skeleton neon. The rectangular interior pole is painted pink. A pink, rectangular bar (from an asterisk now covered by plastic wrap advertising) intersects the middle of all three poles. A rectangular shield shaped metal cabinet painted pink sits on the poles above the readerboard. White sans serif letters outlined in black paint and clear skeleton neon spell out "MOTEL". The three poles continue out of the cabinet to support a second pink metal readerboard which features "Monterey" spelled in plastic cursive letters. The three poles extend above the second reader board where they join to make an arch. The two outside poles are outlined in white skeleton neon.
Sign - type of display: Neon and Reader boards
Sign - media: Steel and Plastic
Sign - non-neon treatments: Reader boards
Sign environment: This is located on Las Vegas Boulevard South just north of the strip.
Sign - date of installation: Circa 1950's-1960's (RoadsideArchitecture)
Sign - date of redesign/move: A 2009 photograph shows the sign painted blue (Virus, 2009). Flaking paint under the "COLOR TV by RCA" sign shows an older layer of blue paint. A sign of similar age in the parking lot of the motel is still painted the same light blue shown in the photograph.
Sign - thematic influences: There is a Googie star on the sign as well as an arch which was a popular 1950's/60's sign design. Also they advertise automobile clubs on their sign and have a western ranch style building which are also Mid-Century Modern trends as well.
Sign - artistic significance: The sign showcases Googie, Western and motor court artistic aspects.
Survey - research locations: Clark County Assessor, Parcel No. 162-03-112-034. Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Las Vegas motels then and now. (n.d.) Monterey Lodge - 1133 South Las Vegas Blvd. Retrieved from http://stefanidrivesvegas.com/8.html RoadsideArchitecture. (n.d.). Monterey Motel. Retrieved from http://www.roadarch.com/signs/nvvegas3.html Virus, R. (2009 April 5). Monterey Motel, Las Vegas, NV. Retrieved from https://www.flickr.com/photos/25229906@N00/5769946413/in/photostream/
Surveyor: Mitchell Cohen
Survey - date completed: 2017-09-04
Sign keywords: Steel; Plastic; Reader board; Neon; Pole sign; Back to back; Backlit

Mixed Content

Lynnette Sawyer oral history interview: transcript

Date

2019-01-03

Description

Oral history interview with Lynnette Sawyer conducted by Nathalie Martinez on January 03, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Barbara Tabach and Laurents Bañuelos-Benitez also participate in the questioning. Lynnette Sawyer identifies as a Puerto Rican woman born and raised in Spanish Harlem in New York. Her ancestry extends from Spain to Africa and has helped her identity, as she became an educator and museum curator. She describes her life in New York and her journey to Las Vegas. As the founder of the Hispanic Museum of Nevada, she wanted to create a space that would teach young Latinos about their history and heritage.

Text

Bonnie and Al Levinson Papers on Bonnie Springs Ranch

Identifier

MS-00936

Abstract

The Bonnie and Al Levinson Papers on Bonnie Springs Ranch contains visual and promotional materials from the 1960s to 2014 about Bonnie Springs Ranch located in Las Vegas, Nevada. The materials depict events and shows that occurred at the ranch; its guests, employees, petting zoo animals; and document the buildings on the property as well as the surrounding areas, including Red Rock Canyon. Also in the collection are photographs from other locations in Nevada, such as Belmont, Goodsprings, and Las Vegas. The collection also includes digital photographs of Bonnie Springs Ranch from 2008 depicting trail rides as well as the snow storm that fell on the Las Vegas Valley on December 17, 2008. The collection contains a significant amount of promotional materials about Old Nevada, a recreation of an 1880s mining town, as well as press releases and magazines and newspaper articles featuring the ranch.

Archival Collection

Anna Dean Kepper Papers

Identifier

MS-00279

Abstract

The Anna Dean Kepper Papers (1903-1924, 1965-1983) contain records, correspondence, photographic slides, research notes, newspaper clippings, and audiovisual tapes, as well as Kepper's research notes, drafts, and transcribed oral history interviews that she used for her thesis on the Fusileers in Ostego County, New York. She was the Curator of the Special Collections and Archives Department in the University of Nevada, Las Vegas Library from 1973 to 1983.

Archival Collection

George Stewart Personal Papers

Identifier

MS-00828

Abstract

The George Stewart Personal Papers (1914-2014) are comprised of military records and personal papers of George Stewart, a fifty-year Las Vegas, Nevada resident. The collection includes information about the Clark County Republican Party, Stewart's service in the United States Army Air Corps, and documents and photographs from Stewart's childhood in the Boy Scouts of America during the 1930s and 1940s. The collection also contains a personal scrapbook containing photographs, fliers, and memorabilia from his early education and military training. Stewart also collected menus and keychains from local Las Vegas, Nevada country clubs and casinos.

Archival Collection

John D. Dombrink Gaming Research Files

Identifier

MS-00329

Abstract

The John D. Dombrink Gaming Research Files (approximately 1951-1990) contain the research files of John D. Dombrink in preparation for his book The Last Resort: Success and Failure in Campaigns for Casinos, published in 1991. The collection consists of newspaper clippings, journal articles, and public reports on a variety of topics and issues related to gaming in the United States, including organized crime, commercial gaming, and regulatory practices and issues. The collection also contains manuscript drafts for The Last Resort: Success and Failure in Campaigns for Casinos with handwritten revisions and comments by Dombrink, as well as correspondence about the book’s potential publication and promotion.

Archival Collection

Kirk Kerkorian School of Medicine at UNLV Records

Identifier

UA-00067

Abstract

The Kirk Kerkorian School of Medicine at UNLV Records (2011-2022) documents the establishment of the Kirk Kerkorian School of Medicine at UNLV (formerly known as the UNLV School of Medicine). The materials include meeting agendas and reports from various committees, advisory boards, and the Legislative Counsel Bureau that were assessing economic impact, research strategies, medical education in the state of Nevada, and the development of the Las Vegas Medical District. Promotional and marketing materials in this collection includes event flyers and buttons produced to promote the UNLV School of Medicine. The collection also contains papers from Dr. Barbara Atkinson, the founding dean of the UNLV School of Medicine, such as letters of congratulaions on her appointment and biographical information. Also included are copies of the school's first commencement and hooding ceremony and a memoir written by James Dean Leavitt that details his experience building the School of Medicine as a member of the Board of Regents and as Chairman of the ad hoc Health Sciences Center Committee.

Archival Collection