This collection is comprised of publicity and promotional materials documenting the Caesar's Palace Hotel and Casino Resort and the Circus Circus Hotel and Casino Resort. Both resorts were a result of hotel and casino developer Jay Sarno. There is a small amount of material on Sarno in the collection such as newspaper clippings, a press release, and a copy of Sarno's FBI investigation file. The collection includes property records, magazine and newspaper clippings, informational brochures from the two properties, press kits, and a small amount of correspondence. It also includes a prospectus and stock offerings for Sarno's never-realized Grandissimo Hotel and Casino resort that would have been built on Interstate 15 to the west of the Las Vegas Strip.
Minsky's Burlesque Records (1922-1978) contain scripts, publicity, photographs, financial records, payroll records, sheet music, newspaper clippings, contracts, and correspondence. Also included are the personal papers of noted burlesque producer Harold Minsky, who was known for creating the "family burlesque" style of entertainment and for introducing the topless showgirl to Las Vegas, Nevada at the Dunes Hotel in 1957.
The Richard "Dick" Stabile Music Scores (1899-1986) is comprised primarily of musical scores arranged, composed, and performed by big-band leader and musician Dick Stabile. The scores, dating between 1941 and 1980, include popular music arrangements and original compositions, including original orchestra music for the documentary film Born to Buck. Also included in the collection are commercially produced popular music sheets published between 1899 and 1986.
The Carolyn Merriam Collection on the Sands Hotel (1972-1998) consists primarily of Sands Hotel merchandise and ephemera, including mugs, glassware, playing cards, dice, an ashtray, and a tote bag. The collection also contains several framed photograph reproductions depicting Las Vegas, Nevada in the 1950s and 1960s. The Sands Hotel operated in Las Vegas, Nevada from 1952 to 1996.
The Southern Nevada Gem and Mineral Society Records (1950-2024) contain the records of the Clark County Gem Collectors, Las Vegas Gem Collectors, and the current Southern Nevada Gem and Mineral Society. The collection contains articles of incorporation, by-laws, membership directories, meeting minutes, correspondence, financial records, show paperwork, and award certificates. Also included are photographs of the organizations since the 1970s and digital scans of Gem Times and The Polished Slab newsletters.
The Archie and Zora Grant Papers document the lives of Archie and Zora Grant from 1918 to 1973. Materials include scrapbooks, clippings, correspondence, records, certificates, and awards pertaining to Archie’s career in the Nevada Legislature, the State Board of Education, Las Vegas Housing Authority, and Las Vegas Chamber of Commerce.
The Southern Nevada Chapter of the American War Mothers Organization Records (1947-1995) are comprised primarily of scrapbooks containing correspondence and minutes, numerous newspaper clippings, and photographs. Also included are pamphlets on American War Mothers organizational rituals, bylaws, history, ceremonial ephemera, flags, and a Henderson Chapter Charter. The materials also contain items relating to the North Las Vegas Chapter, the Rose Garden Chapter, and the State Chapter.
With so much emphasis put on the growth of Las Vegas and Henderson over the past thirty years, we often forget about the development of the others cities in the Valley. Expansive growth in Southern Nevada in the mid-twentieth century shows the region being one of the last bastions of agricultural existence, and Tim Hafen has been a major player in the development of the city of Pahrump. Born in St. George, Utah, and raised in Mesquite, Nevada, he graduated from Virgin Valley High School and attended Dixie College. Before the Bureau of Land Management (BLM) was called as such, his father introduced him to the working of the land through dairy and hay farming, where a young Tim decided he would never milk a cow again. His rejection of cow milking didn’t deter him from following the influence of his father after he married his wife, Eleanor, in 1951 and moved to Pahrump to become a cotton farmer. At that time, there were only 150 people in the area with a third of the population being from the Paiute tribe. Once the city was incorporated in 1964, he founded the Pahrump Valley Utility Company to get electricity to the area along with Amargosa Valley. Top crops at the time included cotton, alfalfa as well as wheat that were picked by Mexican farm laborers used under a yearlong contract with the Bracero program. vi In this interview, Hafen shares how he began his career in politics from getting called for grand jury in 1963. From 1966–1974, he was a member of the legislature, where he served two terms in the Old Capital building and held various positions such as Chairman of the State Board of Agriculture for twelve years and President of the Nevada Farm Bureau. He was speaker pro tem and Chairman of the taxation committee and decided to call it quits because of the Nixon scandal. Between 1974 and 1975 Hafen ended his political career, which he did before brothels began to come to the area later in the decade. In 1982, in the wake of the gasoline crisis, Hafen, like other Pahrump cotton farmers, could not afford to continue farming; he decided to shift from farming to development. His first development done was Cottonwoods at Hafen Ranch, which was on 160 acres of alluvial fan, non-farmable land; in 2000 he opened his second subdivision, Artesia at Hafen Ranch.
On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.
Judy Jetter, a devout jazz music enthusiast, was born in a Chicago suburb in 1939. At the age of three, Judy began taking acting as well as tap and ballet classes. While raised by her mother until age 15 Judy was forced to study opera even though jazz music was her passion. Her first introduction to jazz came while listening to, legendary jazz great, Woody Herman on the radio. Judy developed an instant appreciation and love for jazz music. While working as a commercial actress during her childhood - Super Circus and Peter Pan peanut butter - Judy experienced live performances by the Stan Kenton Orchestra and was completely amazed. After graduation Judy was married and gave birth to her son. She worked for a movie studio in Chicago doing various jobs such as cleaning the stage, typing scripts, model work, and even playing the role of housewife. Later Judy went to college and earned a degree in psychology, which led to a job as a therapist. However, after remarrying to Bill Jetter, Judy switched careers and soon became an exercise instructor at the YMCA. There she cultivated her passion for working with people who suffered from disabilities. In particular, Judy developed a water regiment specifically designed for people with disabilities. Judy would go on to share her experiences in this field in two subsequent book publications. Unfortunately Judy's husband passed away with cancer. However, Judy found refuge and support from a group of jazz enthusiasts. Alongside her cadre, Judy began really studying how to listen to music. She moved to Las Vegas in 1992 and can often be found at different jazz venues throughout the city. She enjoys the local jazz scene in Las Vegas and making her weekly rounds to take-in Big Band and jazz singers such as Jobell and Terri James, as well as going to see Bruce Harper playing at Bugsy's, and the talented Gus Mancuso performing at the Bootlegger. Judy believes that music, like everything else, has evolved and will continue to mature; however, jazz musicians such as Louis Armstrong still remain as the foremost contributors in the long history of jazz music. Her hope is that music and the arts will continue to be offered through education to allow the next generation another "dimension to not only their education but their soul."