Oral history interview with Paris Oddo conducted by Claytee D. White on July 20, 2017 for the Boyer Early Las Vegas Oral History Project. In this interview, Oddo discusses her early life in Detroit, Michigan. She recalls moving to Las Vegas, Nevada in 1984, becoming an electrician, and being a member of the International Brotherhood of Electrical Workers (I.B.E.W) Local Union 357. Oddo talks about completing a five-year apprenticeship program offered by the Union, and her experience as a female electrician. She remembers her employment at the Nevada Test Site, working closely with radioactive materials, and being diagnosed with illnesses due to radioactive exposure while at the Nevada Test Site. Lastly, Oddo expresses her concerns over nuclear waste storage at Yucca Mountain.

Oral history interview with Richard Ham conducted by Dennis McBride on January 18, 2002 for the Las Vegas Gay, Bisexual and Transgender Archives Oral History Project. In this interview, Ham discusses the assault of Nevada Supreme Court Justice Frank McNamee in 1965. Ham describes being accused by McNamee of being a communist, McNamee's sexuality, and how McNamee was able to succeed politically despite being a gay man. He continues, discussing the history of the trial following McNamee's assault, and also describes other aspects of Nevada's political history during that time. Ham concludes by discussing being gay and some of his sexual experiences with men.

Oral history interview with Dorothy Wright conducted by Claytee Wright on April 23, 2015 for the Boyer Early Las Vegas Oral History Project. Wright opens her interview by discussing her parents and their upbringings. She then describes her father's time in the Marines during World War II and his death a few years later. Wright then talks about her stepfather and her family's move to Las Vegas, Nevada for her stepfather's job at the Nevada Test Site. Wright describes moving away from Las Vegas to attend college in Washington and, returning to Las Vegas in 1968. She talks about attending the University of Nevada, Las Vegas, working for the Nevada Humanities Committee, and active African American civic groups in the 1970s. Wright ends the interview highlighting some of the major Las Vegas projects she wrote grants for including the Neon Museum and the Welcome to Las Vegas Sign.

Oral history interview with Diane Orgill conducted by Claytee D. White on March 30, 2018 for the Remembering 1 October Oral History Project. In this interview, Diane Orgill, a volunteer with Red Cross, discusses her experience on the night of the October 1, 2017 mass shooting in Las Vegas, Nevada. She speaks of her role as a Red Cross representative at the Emergency Operations Center and the efforts of the Red Cross command center to provide a sense of order in the chaos. She describes some of the support provided to the survivors through the Family Assistance Center and the Disaster Action Team, giving an in-depth explanation of how these sections of the Red Cross function.

African Americans in Las Vegas: a Collaborative Oral History Project event roundtable conducted by Claytee D. White on January 18, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this panel event, Jean Childs, Joe Neal, Jackie Brantley, LaVerne Ligon, and Ramon Savoy discuss their early lives and explain how they arrived to Las Vegas, Nevada. Childs talks about her father’s business, the Penguin Club, and the history of African Americans in the gaming industry. She talks about her involvement with the Economic Opportunity Board (EOB) and the Head Sstart federal program. Savoy remembers the foundation of Las Vegas Sentinel-Voice and the challenges of distributing weekly publications during the late 1950s. Neal recalls his first political campaign, being a chairman for the EOB, and becoming a Nevada State Senator. Later, Brantley describes the 1971 consent decree, discrimination against African American workers in the gaming industry, and her career in hotel management. Ligon remembers her career as a dancer, being a part of an all-African American dance line, and integration in the entertainment industry.

Oral history interviews with John Fudenberg conducted by Barbara Tabach and Claytee D. White on May 3, 2018 and May 23, 2018 for the Remembering 1 October Oral History Project. In this interview, John Fudenberg, the coroner for Clark County in Las Vegas, Nevada, gives an account of his experience during the October 1, 2017 mass shooting on the Las Vegas Strip and what his role was during the tumultuous days after the shooting. He explains how he and the staff of the coroner's office prepared for the large number of casualties as well as their arrival at the Route 91 Harvest festival venue. Fudenberg speaks of setting up the Family Assistance Center at the convention center and how it supported the community but also aided the coroner's office in gathering information about the deceased and identifying them. Fudenberg discusses the main job of the Coroner's Office during the first week after the shooting, which was to autopsy the bodies and communicate with the families, as well as the Police Department. He also talks about the emotional impact the shooting and its aftermath had on him and his staff members and the wellness program they implemented, of which trauma yoga and meditation had a large impact.

Oral history interview with Shirley Allen conducted by Nancy Hardy on June 21, 2003 for the Las Vegas Oral History Project. In this interview, Allen discusses moving to Las Vegas, Nevada with her family and starting dancing professionally while attending university. Her first job was at the Riviera in 1964, working as a showgirl. She explains that the work was not difficult and they were not asked to do anything inappropriate, but they did have to pay for their own cocktail dresses and accessories. She also explains that she was a "covered dancer" in the beginning but by the late 1960s she had to "uncover" (work topless) to be employed. She then talks about working in Pzazz! '68 at the Stardust Resort Hotel and Casino, after auditioning for Fluff LeCoque, Donn Arden's company captain. She also talks about her impression of Miss Bluebell and Donn Arden. She spends some time talking about what life was like backstage, relations between the girls, and meeting celebrities, her first experience with topless dancing in Lido de Paris, and how the backstage dressing areas were assigned and the difficulty of fast changes between sets. Later, she talks about things that can go wrong, from forgeting choreography to the more serious issue of the HIV/AIDS epidemic that swept through the shows in the 1980s.