Search Results
Photograph of Pioneer Club, Las Vegas (Nev.), 1945-1955
Date
Archival Collection
Description
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Postcard of dogs gambling at the Dunes Hotel and Casino, Las Vegas (Nev.), approximately 1900s-1980s
Date
Archival Collection
Description
Image
Photograph of ROy Neagle, Las Vegas (Nev.), 1927-1931
Date
Archival Collection
Description
Image
Architectural drawing of Harrah's Resort Atlantic City, third floor plan, December 10, 1983
Date
Archival Collection
Description
Project overview drawings of Harrah's Marina in Atlantic City from 1983; printed on mylar. Shows floor plan with outline of the surrounding site. Includes mezzanine floor plan.
Site Name: Harrah's Marina Resort (Atlantic City)
Address: 777 Harrah's Boulevard, Atlantic City, NJ
Image
Photograph of ceremony celebrating Hoover Dam construction, September 17, 1930
Date
Archival Collection
Description
Image
Film transparencies and photographs regarding the Dorothy Entratter Nursery School in Jerusalem, Israel June 21, 1968
Date
Archival Collection
Description
Image
Photographs of Peppermill signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 2985 S Las Vegas Blvd
Sign details: The Peppermill Inn Restaurant is located on the east side of Las Vegas Blvd, just north of the now defunct Silver City Casino. The actual establishment faces west toward the strip, separated from the traffic by the front parking lot. The lowrise brown clad establishment, boasts three specific pieces of signage on the exterior structure. In the parking lot near Las Vegas Blvd, a small two-sided, ground level cabinet, mirrors the aesthetics of the actual structure. Upon the west side of the building, the shingled roofline boasts channel letters filled with neon, as well as a more secluded sign on the north side of the building, toward the rear.
Sign condition: Structure 3 Surface 3 Lighting 3 The condition of the three different pieces of signage are all in different states of repair.
Sign form: Pylon; Fascia
Sign-specific description: The pylon sign, which sits near the street, is a miniature representation of the facade of the Peppermill establishment. Two square legs, constructed of mortared pieces of stone support the two-sided cabinet. The horizontal, rectangular cabinet sits on the pole, and faces north/south. The top edge of the sign is reminiscent of a roofline, with a low rise a-frame design. The grade is very little but exaggerated by the rectangular element rising off of the top edge covered in brown wooden shingles, which also cover the top edge's surface. The effect of the top's finishing is the resemblance of the roof of the Peppermill restaurant. Just below the peak of the "roof-like" element on the surface of the sign, a rectangular metal plate possesses text. The text is stamped out of the metal to reveal recessed negative spaces of fonts. An orange transparent material resides behind the plate, providing the hue for the internally lit apparatus. The text reads "24 Hours" in all capitals. Below the small rectangle, larger, white text runs the length of the sign. The internally lit, closed face, channel letters are in all capitals. In smaller text, along the bottom portion of the face the phrase "Coffee Shop & Lounge," runs the length of the text. The letters are orange, closed faced, internally lit. The actual structure of the restaurant, further east on the property is the model for the previously mentioned sign. The low-rise pitched roofline of the facility concludes at a lowrise rectangular cap. Along the western edge the roofs overhang, large white channel letters lined on the interior with pink neon spell "Peppermill" in all capital letters. Following the brown shingled roofline around the south side of the building, a third sign, not seen by the general public, faces south. A steel cabinet is the two-dimensional representation of both the outer pylon sign as well as the structure itself. A rust colored brown cabinet houses a dork brown steel face, with plastic letters for the advertising of the establishment. "Peppermill" is spelled in all capital letters. Below the top text a two lined, series of orange all capital text spells "Restaurant Lounge." It is apparent that wooden shingles were evident on the top the top edge of the cabinet which rises in the pitched front geometric shape seen on the pylon in the front and the architectural element in the structures center. Underneath the primary cabinet a smaller, horizontal, rectangular cabinet, sits centered underneath the It too is a rust colored brown cabinet, with a dark brown face. Text, as tall as the cabinet spells, "Open 24HRS" in orange plastic all capital letters.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The area surrounding the Peppermill contains several interesting properties making the entire area sort of a cove of history. Just to the north the deteriorating, and closed Silver City stands testament to the wave of constant change present on the strip. It is a reminder of the historical significance of the Peppermill and the fact that someday it might not be present at this location any more.
Sign manufacturer: YESCO
Sign - thematic influences: What is evident of the Peppermill theme works around the exterior appearance, and around the name itself. The brown wooden exterior, use of wooden shingles as adornments, and the major color palette all suggest the rustic, if not old west referenced, aesthetic.
Sign - artistic significance: This has become a statement of the "old Vegas" of the 1970s.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content
Paul M. Lytle interview, March 8, 1995 transcript
Date
Archival Collection
Description
Lytle discusses his birth in Salt Lake City, Utah, his early life in Overton, Nevada, moving around the Southwest United States, and returning to Overton in the early 1930s to work with the Civilian Conservation Corps. Subjects Lytle also talks about in the interview include road and campsite construction at the Valley of Fire State Park, stories about associates and relatives, and being enlisted as a male nurse with the United States Army during World War II. Lastly, Lytle talks about the construction of an exhibit building at Hoover Dam (Boulder Dam) originally used as a headquarters for soldiers during World War II to protect the dam.
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Transcript of interview with Alice Ward Boyer by Joanne Goodwin, June 26, 1996
Date
Archival Collection
Description
Alice Ward Boyer arrived in Las Vegas from Oklahoma in 1937. Her brother and former husband came earlier to escape the dustbowl depression and get settled. In the middle of the summer, just at dusk, she emerged from the train at Kingman, Arizona with her two small children to meet her family and drive through the darkness to her new home in Las Vegas. Although she missed the trees of the Plains, she soon became accustomed to her desert home. Her recollections revive the older Las Vegas when community life characterized the small town. At the heart of her story is the Mesquite Club. The non-partisan civic activities of the Mesquite Club are part of a national history of women’s club voluntarism in the nineteenth and twentieth century United States. Founded in 1911, this pioneer Las Vegas women's club played an essential role in the development of the growing town. When few cultural or social services existed, the club raised funds for the first public library, developed parks for the city, and provided services and funding for the aged and youth. The Mesquite Club, along with the Parent Teacher Association, scouts, and church activities formed a network of community relations commonly found in developing towns and cities, but not ususally associated with Las Vegas. Alice Boyer joined the Mesquite club in 1944. She first served as the chair of the Garden Committee, then "went right up through the chairs," and was elected President of the club for 1958-59. (See Table of Offices Held). Speaking about the Mesquite Club founders, Alice Boyer said, “They were very forward-looking women. They knew that the town would grow and they wanted the best for the town.” As one of the second generation of members, she has found the club to be a continuing source of congenial social life and civic community building. Born in rural Oklahoma, she spent her early years on a ranch. Her parents met there shortly after "the run to open Oklahoma" around 1892. They met, married and had twelve children, nine of which survived. Alice came right in the middle. She spent her early years riding horses, wearing “overalls," and spending as much time as possible outside. The family moved into Clinton, Oklahoma for better schools for their children when she was in the fifth grade. Alice graduated from high school just as the Great Depression began and worked briefly at a newspaper before marriage. At the time of the interview, Alice Boyer’s vivaciousness, gracious manner, and sharp memory belied her 82 years. This interview has been produced with the assistance of the Mesquite Club and the History Department of the University of Nevada, Las Vegas. It is part of a series on women community builders in Las Vegas. The transcript has been edited only slightly for clarity while the syntax and style of the narrator were retained.
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