UNLV Special Collections provides copies of materials to facilitate private study, scholarship, or research. Material not in the public domain may be used according to fair use of copyrighted materials as defined by copyright law. Please cite us.
Please note that UNLV may not own the copyright to these materials and cannot provide permission to publish or distribute materials when UNLV is not the copyright holder. The user is solely responsible for determining the copyright status of materials and obtaining permission to use material from the copyright holder and for determining whether any permissions relating to any other rights are necessary for the intended use, and for obtaining all required permissions beyond that allowed by fair use.
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I agree.UNLV Special Collections provides copies of materials to facilitate private study, scholarship, or research. Material not in the public domain may be used according to fair use of copyrighted materials as defined by copyright law. Please cite us.
Please note that UNLV may not own the copyright to these materials and cannot provide permission to publish or distribute materials when UNLV is not the copyright holder. The user is solely responsible for determining the copyright status of materials and obtaining permission to use material from the copyright holder and for determining whether any permissions relating to any other rights are necessary for the intended use, and for obtaining all required permissions beyond that allowed by fair use.
Read more about our reproduction and use policy.
I agree.UNLV Special Collections provides copies of materials to facilitate private study, scholarship, or research. Material not in the public domain may be used according to fair use of copyrighted materials as defined by copyright law. Please cite us.
Please note that UNLV may not own the copyright to these materials and cannot provide permission to publish or distribute materials when UNLV is not the copyright holder. The user is solely responsible for determining the copyright status of materials and obtaining permission to use material from the copyright holder and for determining whether any permissions relating to any other rights are necessary for the intended use, and for obtaining all required permissions beyond that allowed by fair use.
Read more about our reproduction and use policy.
I agree.The Las Vegas Fiber Arts (LVFA) Guild oral history project interviews (2020-2023) consist of interviews conducted by the LVFA Guild of their membership. The interviews cover a wide range of topics, and members discuss their individual history of weaving and the fiber arts, preferred methods, and different types of fibers. Interviewees also discuss mentors within the craft, their level of involvement with the guild, and the different events that the LVFA Guild organizes in Las Vegas, Nevada. Digital audio and transcripts available.
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Oral history interviews with Edmund Uehling and Marlon Tinana conducted by Dennis McBride on March 14, 21, and 22, 2000 for the Las Vegas Gay, Lesbian, Bisexual and Transgender Archives Oral History Project. In the first interview, Uehling discusses his early life in Boulder City, Nevada, his time as a member of the Church of Jesus Christ of Latter-day Saints, becoming aware of his sexuality, and his involvement with the founding of the Gay and Lesbian Community Center of Southern Nevada in 1992. In the second interview, Uehling and Tinana discuss investing in Las Vegas, Nevada gay community real estate beginning in 1988. They also discuss purchasing and managing business properties, including the Gipsy and The Cave nightclubs. In the third interview, Uehling and Tinana recall Uehling's attempt at running for Clark County, Nevada Sheriff in 1994 and memories of confronting police while managing their business properties. Finally, they discuss managing Bright Pink Literature bookstore (later known as Get Booked).
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