Oral history interview with Maxine Buckles conducted by Irene Rostine on September 20, 1995 for the Women's Research Institute of Nevada (WRIN). In this interview, Buckles discusses her life in Boulder City, Nevada in the 1930s and 1940s. She talks about her high school years, working for a bank, and working for the Rheem Manufacturing Company at the Basic Magnesium Incorporated (BMI) industrial complex during World War II. Buckles describes working conditions for women, unions, and security at the BMI industrial complex.

Oral history interviews with Glynda White conducted by Claytee D. White on March 12, 2013 and August 23, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. Glynda White begins by discussing her upbringing in Jackson, Tennessee, where her father was a member of the local National Association for the Advancement of Colored People (NAACP) and was involved in the litigation to desegregate schools in the city. She explains how her father's activism inspired her to pursue a legal career and go to law school after graduating from Lambuth University. White discusses arriving in Las Vegas, Nevada in the 1970s to work as a teacher, later being on the board of the Las Vegas NAACP and working for the Nevada Black Chamber of Commerce. She describes her role at the College of Southern Nevada as a lead faculty member for the Department of Business Administration and Legal Studies, her teaching, and the work she has done to establish African American businesses in the Westside area of Las Vegas, as well as in North Las Vegas, Nevada.

Oral history interview with professional dancer Diana Saunders conducted by Barabra Tabach on April 17, 2017 for the Southern Nevada Jewish Heritage Oral History Project. Diana shares stories of long career as a dancer, from substituting in the black dancer line to continued study of dancing with Anglo Moio. She also talks about the AIDS fundraising event, Golden Rainbow, having dinner at Rabbi Shea Harlig’s home, observations of local theater, being a part of the former Star Trek Experience at the Las Vegas Hilton, Hallelujah Hollywood, and a dancer for Siegfried and Roy.

Oral history interviews with Rosemary Q. Flores conducted by Elsa Lopez on October 16, 2018 and October 29, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In these interviews, Flores discusses her family background and early life in Reno, Nevada. She recalls her father’s decision to move to Nevada in search of job opportunities. Flores then describes her move to Sonora, Mexico with her siblings and compares schooling in Sonora and Reno. She talks about moving back to Reno, her employment at Harrah’s Reno Hotel and Casino while still in school, and recalls graduating in the top twenty of her high school class. Later, Flores discusses her experiences attending the University of Nevada, Reno, the struggles of being Latina in higher education, and the influence that multicultural education has on her. She talks about moving to Las Vegas, Nevada in 1997 and her involvement with the Multicultural Education Services Alliance (MESA) at the University of Nevada, Las Vegas. Lastly, Flores recalls co-founding a nonprofit organization, The Family Leadership Initiative.

Oral history interview with Kent Carmichael conducted by Stefani Evans on November 25 and December 2, 2019 for the Boyer Early Las Vegas Oral History Project.

In the first session of this oral history, Carmichael discusses his early career in lighting design and maintenance from his start at Interstate Neon to his work in the 1950s and 60s in Las Vegas. He discusses some of the iconic signs he built including the Casino Center, Carnival Room, Thunderbird, The Frontier, Bonanza, and the Stardust. He also details the technology and inner workings of these innovative signs including the transition from mechanical to electrically controlled signage. Carmichael continues to discuss Native American laborers and various individuals that he interacted with throughout his early career including Max and Mo Oggenblick, Doby Doc, Benny Binion, Arby Alper, Steve Wynn, Peter Arp, and Wayne and Jerry Newton. Carmichael ends the first interview by recalling a high wind event that damaged the Frontier sign and his efforts to bring the sign under control and repair it as well as his vision and behind the Stardust sign.

The second oral history interview contains Carmichael’s discussion of his career from 1968 onward. He immediately picks up discussion of the Stardust sign and his transition to desk work. Carmichael details the challenge and limitations of designing the International sign (the Westgate as of 2021). He describes the development of his first messenger sign for the International and the time consuming task of using tape to program the sign. He fondly remembers working on the Holiday Inn Riverboat signs, and International transition to Las Vegas Hilton and the Hilton’s transition from blue to red letters. Carmichael shares the story of being caught between organized crime and a young Steve Wynn. He recounts his last project for Ad Art, developing and construction the sign for the Louisiana Superdome in New Orleans, Louisiana. He details working through legislative and construction issues as well as the fallout from the Nat Kiefer Commission.

After leaving Ad Art Carmichael began working with Heath and Co. and began collaborating with Raul Rodriguez. Carmichael and Rodriguez went on to design some of the most enduring and visually unique signs in Las Vegas including, the Flamingo, Four Queens, Golden Nugget, Dunes Hotel, and the Desert Inn. They also worked in Reno on Circus Circus and El Dorado. Carmichael also details his interior work including the main pylon and interior signs for MGM Grand; 1974 renovation Golden Nugget, suspended stained glass ceiling at Tropicana, and the MGM Lion display. Lastly Carmichael outlined his work with Young Electric Sign 1983-85 and the Dewey Sign Company including the Las Vegas Convention Center sign. He ends by sharing his views on the role and importance of lighting in Las Vegas.