Oral history interview with Eugene Williams conducted by Claytee White on July 18, 2008 for the All That Jazz Oral History Project. Williams discusses being signed to a musical group called the Platters in 1970, and performing with them for eighteen years. Williams also talks about his temporary hiatus form music to focus on his family, then returning to music through an ex-Platters group called the Sound of the Platters.

Oral history interviews with Jillian Hrushowy conducted by Joyce Marshall on October 11, 1995 and October 26, 1995 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Hrushowy describes her dance career, which started in Paris, France. Hrushowy then goes on to describe how her career moved her to Las Vegas, Nevada and the shows she performed in. Further, Hrushowy describes her performance schedule and experiences as a young dancer. Lastly Hrushowy discusses recreation activities in Las Vegas in the 1960s and 1970s.

Oral history interview with Elwood Schmidt conducted by Claytee D. White on and November 14, 2018 for the Boyer Early Las Vegas Oral History Project. In this interview, Schmidt discusses his upbringing and early interest in medicine. He talks about working for the United States Public Health Service, interviewing Emergency Medical Service (EMS) ambulance drivers, and writing Nevada EMS: A History of Emergency Medical Services in Nevada. Lastly, Schmidt discusses providing medical care to Native American populations.

Oral history interview with Barbara Fuson conducted by Darnell Frazier on March 20, 1981 for the Ralph Roske Oral History Project on Early Las Vegas. Fuson discusses Las Vegas, Nevada culture in the 1960s including medical care, the education system, gambling, politics, and religion.

Oral history interview with Keith Brantley conducted by Denise Beverstein on October 15, 2015 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Brantley discusses his personal history and his experiences growing up in Las Vegas, Nevada. He talks about attending Bonanza High School, being involved in school sports, and establishing The Poet’s Corner, a monthly poetry forum, in the late 1990s. Brantley describes what The Poet’s Corner provided for the community, the history of racism in Las Vegas, and discusses the African American experience as the city changed. Lastly, Brantley recites one of his poems, The Fremont Street Experience.