Jerry Engel was born in 1930 in New Jersey and spent most of his early life in Long Beach, New York until the family moved westward to Las Angeles. Jerry is a retired Certified Public Accountant and loves to talk about the history of Las Vegas that he observed since arriving in 1953. That was the year that he moved to Las Vegas to join his older brothers, Morris and Phil, in their accounting firm. Their major client at the time was Desert Inn. Another personal connection with local history: the Engel brothers? mother, Esther Katz Engel, was among the early investors in the Moulin Rouge hotel/casino enterprise. Jerry graduated with honors from University of California, Los Angeles in 1951. His accounting career in Las Vegas is highly regarded and he continues to maintain a consulting practice. He remains active within the community and enjoys doing presentations based on his memories of Las Vegas history. Within this interview, Jerry highlights people, casinos and other observations of local history that he came into contact with over the decades. He provides insights about the role of an accountant in the gaming industry. He also discusses the influence of Jewish business leaders in and array of local gaming and non-gaming issues, including the retail world, Jim Crow era segregation, and the astonishing growth of the valley over six decades.

In this interview Glenn Tredwell talks about his business ventures since moving to Las Vegas in 1976. He is able to address the many nuances of technology on the global gaming industry.

In this interview, Morris reflects upon his career and the wide range of influential artists he has worked with, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration, to name a few. He also talks about his agency, attributing its success to the strong relationships he built with casino management.

In the signature line of Harry Fagel?s emails is a reads: Be the light in dark spaces. This illumines the person that Harry is both as a police officer and a poet in Las Vegas. Harry is native Las Vegan, who has served the community with the Las Vegas Metropolitan Police Department for nearly 30 years. He currently is a police lieutenant serving in Laughlin, Nevada. In addition, Fagel is a respected poet, writing both for the public and on commission. He performs in the local poetry scene. He also has showcased his poetry in two published books, released an album, and is a recipient of the Hilliard Endowment Grant from the University Nevada, Reno. Fagel is a graduate of the University of Nevada, Las Vegas, and currently lives in Henderson with his wife, Leilani and two sons, Sam and Jake. In this interview, Fagel discusses his family background, how his grandparents came to live in Las Vegas in the 1950s, as well as his relationships with both his mother and father. He recalls his early jobs which included working for his cousin Freddie Glusman?s restaurant Piero?s and for Circus Circus-long before becoming a policeman. His involvement with the Jewish community started young and he shares how it has evolved over the decades. In addition, Fagel reflects upon his career as a law enforcement officer, the progressiveness of the Las Vegas Metropolitan Police Department, and changes in relations between the police and communities, both locally and nationally. Lastly, Fagel talks in detail about his poetry, its dominant themes, and the local poetry scene.

In this interview, Schwartz talks at length about her passion for compassionate hospice care, and her broad involvement with the Nathan Adelson Hospice, from volunteering to serving on the board to philanthropy, which included opening the Walter Schwartz Center for Compassionate Care. Schwartz also talks about other philanthropic giving which includes establishing scholarships at George Washington University and University of Michigan as well as support to Temple Beth Sholom gift shop.

In this interview, Stein lovingly describes various forms and mediums of art, especially rubber stamping, which included starting and managing a related craft publication, National Stampagraphic, as well as working with polymer clay. She talks about her involvement with the local Polymer Clay Guild, of which she is president, and their various projects, including Bottles of Hope and Hearts for Heroes. Stein also discusses her teaching career at the Hebrew Academy and Adelson Educational Campus.

Music brought Jay Poster to Las Vegas for a brief time in 1974. Jay wanted to pursue a musical career and his cousin was a professional musician with the Nat Brandwynne Orchestra at Caesars Palace. To Jay?s disappointment, within a few months his cousin Jack Poster left Las Vegas for a road tour. So Jay decided his best strategy was to return home to San Diego and his studies at San Diego State University. It would be over a decade later before Jay returned to Las Vegas to live and this time it became permanent. This time it was not for music. For beyond his musical talent, Jay had a gift for connecting with people of all of ages and walks of life. He was good at sales and his day job selling office furniture offered him the opportunity to transfer to Las Vegas in 1986. Within a few years, however, it was a recruiter for Palm Mortuaries who introduced Jay to his defining career moment and to Allen Brewster, a prominent Jewish leader and founder of King David Cemetery and Mortuary. It was 2001. Jay has been King David?s ever since and is the General Manager. In this interview, Jay describes his personal and spiritual growth through his career in funeral services and his respect for the Jewish traditions of burial and grieving. In addition, his passion for music has also soared and he talks about his participation in the Shabbatones at Congregation Ner Tamid and Desert Winds, a community based performance organization. He shares his love of traditional Jewish klezmer music and the Meshugginah Klezmorim.