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Transcript of interview with Jack Herst by Suzan DiFederico, March 1, 1976

Date

1976-03-01

Archival Collection

Description

On March 1st, 1976, Suzan DiFederico interviewed Jack Herst (born in 1943 in Las Vegas, Nevada) in his home on 3221 La Mirada Street, Las Vegas, Nevada. During the interview, DiFederico does not speak; rather, Herst appears to read and answer questions aloud from “DiFederico’s dossier.” Herst talks about the population growth in Nevada and emphasizes the significant changes Las Vegas has experienced from its origins as a small town. Herst also discusses his personal family history, his Jewish identity and community affiliations, as well as his employment history as a dealer and broker at different casinos.

Text

Transcript of interview with Karen Hayes by Robert F. Darling, March 2, 1980

Date

1980-03-02

Description

On March 2, 1980, collector Robert F. Darling interviewed state assemblywoman, Karen Hayes (born October 16th, 1935 in Cedar City, Utah) in her home in Las Vegas, Nevada. This interview covers her personal history, the history of Las Vegas, and the local political environment. The gaming industry is also discussed, in addition to the Sagebrush rebellion and future local political projections and trends.

Text

Jewish Federation of Las Vegas long-range planning study, 2000

Date

2000

Archival Collection

Description

Long-range planning study conducted and prepared by the Levenberg Consulting Group regarding the Jewish community of Las Vegas with particular attention to Jewish elderly, the economically disadvantaged, young adults, and Jewish education at all ages.

Text

Photographs of Treasure Island signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-30

Description

Photos show Treasure Island signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Treasure Island Hotel and Casino (Las Vegas, Nev.)
Site address: 3300 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: Next to the Mirage, this property complements its sister property
Sign condition: Structure 5 Surface 5 Lighting 5 Signage is in good condition
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The Treasure Island Hotel and Casino sits between the Mirage and Spring Mountain road. Fitting right into the themed hotel resort genre that dominates this side of the strip, the Treasure Island provides one of the more unique facades. Just past the bust of Siegfried and Roy, the dense foliage and trees continue on almost fluently between properties. The first elements you see headed north is the giant sculpted pylon for the resort, set beside a sweeping incline drive, leading to the porte-cohere. The pylon is a collection a heavily crafted and sculpted elements, creating a framework for two message cabinets and a marquee banner on either side. At the base, steel poles exit the ground in a "V" shape, into the interior of the area designated for the LCD and backlit cabinets. Steel poles forma grid work between the "V" shape. The message boards are bordered by steel piles made to appear as if they are pieces of bamboo lashed together at the corners, extending past the joints in an irregular fashion. Two base poles and inner grid are finished in the same fashion. Above the message cabinet a three-dimensional sculpted crows nest sits just below a giant skull adorned with a scarf. The tip of the bottom of green finished crows nest just reaches the top of the two cabinets. The fully three dimensional skull is finished in a realistic fashion. Two giant swords cross each other in an X pattern behind the crow's nest and underneath the skull. The resultant effect is the pirate emblem of the "skull and cross bones" or "jolly roger." The hilts of the two swords come to rest on top of the message centers also. A grid work of false bamboo poles can be seen , providing a buffer between the two halves of the sign. Above the head of the pirate an arched steel cabinet ,creates a banner, which reads "Treasure Island" in white channel letters and filled with incandescent bulbs. Decorative scrollwork adorns the top of the banner as well as the two sides of the skull. The Treasure Island tower is also in the popular Y shaped configuration. The 38 story building stands 456 feet tall, with the text hung on the top of the tower in a couple of different fashions. On the face created by the north and southeast wings of the tower, Treasure Island is spelled in giant channel letters, but the two words are in close proximity to each other, resting in the angle created by the joining of the two wings into the center structure. The southwest face created by the west and southeast wings have the text separated. Treasure on the west towers and island on the southeast tower. The northwest side is appropriately displayed only on the north face of the wing, so the southbound traffic on I-15 can read the letters clearly. The Treasure Island also has two additional signs located toward the back of the property. Those would include a small pylon facing east west actually situated in the rear of the property. The pylon is a simple square supported with two square posts. The other resides on Spring Mtn Rd. headed east on the south side of the street. It resides on the corner of the main traffic flow from the parking garage and inner sanctum of roads leading to the porte- cochere.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The only animation present is in the channel letters themselves. The incandescent bulbs on the interiors oscillate wildly
Sign environment: The front spectacular of the pirate show truly creates the theme of the pirate island, and is where most of the pedestrian traffic for the hotel is present. The pylon is just south of the spectacular, towering high overhead. The Treasure Island's environment is abruptly halted by Spring Mtn road but at the same time, it also wraps the corner of the hotel, and continues west. It is the bookend piece to the other major MGM resorts, which reside south of the Treasure Island. Even though it is a smaller child of the bigger properties, it still looms as a giant to its neighbors the Vagabond and Tam O'Shanter
Sign manufacturer: Atlandia Design
Sign - date of installation: 1993
Sign - thematic influences: The theme of the Treasure Island is painfully apparent, from its name to its live pirate show. The signage truly reflects it as well. Treasure Island is definitely in the class of properties, which can be called a themed resort. The main pylon looks to be constructed out pieces of a wrecked ship, with the most commonly seen symbol for a pirate, in the Jolly Roger skull, being the most impactful piece up there. Steel beams are finished to look like wooden masts, and giant ropes, slinging the entire sign together. It utilizes the three dimensional aspects, yet retains the design of a pylon. Unlike its neighbor to the south the mirage, the Treasure islands theme encompasses the main pylon, with the exception of the pylon in the rear of the property. The surroundings, which provide the background for the pylon, as well as the environment for the property, reflect them as well. The landscaping boasts tropical plants emitting false bird noises, which stretch around to the face of the property, where the pirate village and ships reside in cold waters, and faux cliffs. The wooden planks resembling pier docks, provide a tidy border for the arena and spectators. The theme has been seen before in one sense or related from a slight distance. None has actually utilized the name of the novel, and been so garish with the pirate theme, but it can be tied to propertied that are more island, and paradise themed. Such properties include the Mirage, the Tropicana, and the Castaways.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics

Mixed Content

David Sinclair (University of Nevada, Las Vegas) oral history interview conducted by Kelliann Beavers and Peter Grema: transcript

Date

2022-03-31

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.

Text

Aalberts, Robert J.

Robert Aalberts grew up in a small town called Bemidji, Minnesota. He enjoyed all kinds of outdoors sports in winter and summer. He attended school there from kindergarten through his bachelor's degree.

Robert obtained his master's at the University of Missouri, and then taught geography at the University of New Orleans. After 4 years there, he decided to attend law school at Loyola University, and received his law degree in 1982.

Person

Goldman, Ed, 1951-

Edward “Ed” Goldman was born March 19, 1951 in Rochester, New York and spent his childhood in Jerusalem, Israel as well as Cincinnati, Ohio. He received his first bachelor’s degree in political science from Columbia University and a second in Jewish Studies from the University of Judaism. Goldman later received a master’s degree in political science from California State University, and then a doctorate in education and higher administration from the University of Nevada, Las Vegas, focusing on educational law.

Person

Deacon, James E.

James Deacon was born at home in White, South Dakota. For the first few years of his life, the family moved around a lot to accommodate his father's job as school superintendent. Their summers were spent in a cabin on a lake, where Jim helped his grandparents in their store, seining minnows, clerking, and storing ice. From his eighth grade year through high school graduation, the family lived in Aberdeen, South Dakota.

Person