Don Addrisi answers a letter of questions Arnold Shaw sent him regarding his and his brother's life. Don talks about their time as The Flying Addrisis (a family team of aerialists), the brother's musical duo, their artistic process. and their time as NBC network promoters in the late 1960s/early 1970s.
Archival Collection
Arnold Shaw Interviews and Performance Recordings
To request this item in person:
Collection Number: OH-03930 Collection Name: Arnold Shaw Interviews and Performance Recordings Box/Folder: Digital File 00
The 2003 Addition consists of book manuscripts for "A Cool Million" and "The Charm Boy." The 2006 Addition consists of the balance of material recovered from the estate of Arnold Shaw including correspondence, articles, meeting minutes, pamphlets, contracts, royalties, and a scrapbook of Leeds Music Company memorabilia. The material dates from 1931-1989.
Archival Collection
Arnold Shaw Papers
To request this item in person:
Collection Number: MS-00432 Collection Name: Arnold Shaw Papers Box/Folder: N/A
This collection is comprised of the personal papers of noted Las Vegas entertainment writer, producer, and critic Bill Willard, which date from 1887 to 1999. It contains material on his father's theater and political involvements as well as Willard's early childhood and high school years. His time in the United States Army is chronicled by the editorials and correspondence he wrote. His papers trace his continued involvement in writing, entertainment, and art which culminated in his direction of the Arnold Shaw Popular Music Research Center. The collection also includes pictures of his artwork, articles he wrote for various newspapers and magazines, scripts, skits, jokes, awards, over 700 audio cassette recorded interviews done for the "Rap with the Artist" series, and personal memorabilia.
The musical score for "That's the Promise of Easter Passover," with music and lyrics by Arnold Shaw. It is copyright (1982) by Ghita M. Shaw and assigned to Surosalida Music Company. Related documents consist of a letter from Char Cruze and lyrics sheets.
Photograph from the Arnold Shaw Papers (MS-00432) -- Book Manuscript Papers -- The Rockin' 50s, photographs, correspondence file. "King Curtis" and "Atco Records" are written at the bottom of the photograph.
The Arnold Shaw Interviews document the early days of Las Vegas entertainment. Showcasing stars like Debbie Reynolds, Wayne Newton, Steve Lawrence and Edythe Gorme, Joe Williams, and Paul Anka, the collection contains memories from the era of elegance.
University of Nevada, Las Vegas. Popular Music Research Center
"The Arnold Shaw Popular Music Research Center's mission is to collect, archive and make accessible historical music materials, including music manuscripts, sheet music, recordings and memorabilia, related to the creation, performance and recording of popular music, including jazz, with a special emphasis on Las Vegas musical entertainment."
http://asc.unlv.edu/about.html
The Center was formerly called the UNLV Popular Music Reserch Center.
Ken Hanlon oral history interview conducted by Cynthia Cicero on January 17, 2014 for the UNLV University Libraries Oral History Collection. In this interview, Hanlon discribes his background, talking about his childhood in Maryland, his early interest in music, and the opportunity to study with the same band teacher through middle and high school. He talks about starting to play a baritone horn before switching to the trombone, his early experiences playing with dance bands, starting private lessons, and eventually matriculating to the Peabody Conservatory of Music in Baltimore, Maryland. He continues, relating his five years teaching middle-school music after graduating from college, and his decision to move to Las Vegas, Nevada in 1968 to seek work as a full-time musician. After talking about some of the difficulties he faced finding work, he discusses his time in a road band and deciding to apply to teach at the University of Nevada, Las Vegas (UNLV). He explains that he was hired to teach as an adjunct in 1970 and two weeks later was offered the job of department chair, a role he held for 16 years before moving into university administration. During this period he continued to perform, playing trombone in the Sands Hotel and Casino house band under the direction of Antonio Morelli. Finally, he discusses Morelli at more length, and concludes by talking about endowments for music education and the Arnold Shaw music collection at the Arnold Shaw Center at UNLV.
The Musicians Wives Club Scrapbooks (1960-1974) consist of four scrapbooks about the Las Vegas club, and include photographs, meeting minutes, newspaper clippings, and local events.
Oral history interview with Grace Hayes conducted by Arnold Shaw on May 28, 1986 for the Ralph Roske Oral History Project on Early Las Vegas. In the interview, Hayes discusses her early life in Las Vegas, Nevada performing at the El Rancho Vegas and operating the Red Rooster, one of the first clubs on the Las Vegas Strip. Hayes also discusses her interactions with other Las Vegas, Nevada celebrities and public figures.