George Grove, Robert Haworth, and Bob Shane of the Kingston Trio discuss their early lives, changing their style of music in the 1960s, their opinions on political posturing of musicians, and their children's musical preferences.
Kirby talks about his career as a comedian and impersonator. He talks about getting his start, working for Disney, travelling around the country, his experience with drugs and the law, and how his faith helped him rehabilitate him.
Local Las Vegas, Nevada character, Howard "Suitcase Murphy" Kirk shares his views on entertainment and gambling, his arrival in the city in 1946,and his personal history. This interview includes frequent profanity.
Kutash, a dancer and producer, recounts a problem he is facing with the Sands Hotel and the production of his show. This is followed by a brief conversation with an unidentified individual offering the Sands Hotel's perspective on the issue.
Howard talks about his childhood, believing he wanted to be a doctor, being inspired by jazz musicians to learn music, and pursuing a professional musical career.
Laine starts by talking about recent natural disasters and then discusses why he was expanding his musical genre into western and folk music. He talks about at 1957 song, "Cry of the Wild Goose" as a precursor to his western stylings, and how the tune predated the Kingston Trio's hit "Tom Dooley".
Lane talks about his career as a composer, songs he’s written, people he’s met, his parents' influence, how he started composing, and stories from his career. He also talks about Judy Garland and the use of music in film.